Latin America In Caricature

“Not many readers will thank the author as he deserves, for he has told us more about ourselves than we perhaps wish to know,” predicted Latin America in Books of Latin America in Caricature—an exploration of more than one hundred years of hemispheric relations through political cartoons collected from leading U.S. periodicals from the 1860s through 1980. The cartoons are grouped according to recurring themes in diplomacy and complementing visual imagery. Each one is accompanied by a lengthy explanation of the incident portrayed, relating the drawing to public opinion of the day. Johnson’s thoughtful introduction and the comments that precede the individual chapters provide essential background for understanding U.S. attitudes and policies toward Latin America.

"Cartoons and comics have played important roles in the political and social processes of Latin America for more than a century. This book coalesces, for the first time in one volume, aspects of comic art of the entire region, capturing historical backgrounds, documenting trends, problems and situations of comic art in contemporary settings, and profiling cartoonists, comics characters, titles and genres." "Ten countries of Central and South America and the Spanish Caribbean are dealt with in separate chapters. Comic art forms/media that are subjects of chapters are animation, caricature, comic books, comic strips, humor magazines, and political cartoons. Approaches include historical and contemporary overviews, cartoonist profiles, and comics/cartoon character analyses. Authors of the chapters represent some of the most knowledgeable individuals in Latin American comic art."--BOOK JACKET.

This volume contains award-winning articles and pictures from various Latin American countries. It tells stories about German Nazi members in Uruguay, the dictatorial Peron regime in Argentina, the brutal Batista Government in Cuba and Fidel Castro, facets of the Civil War in El Salvador, politics and poverty on Haiti, and the effects of drug corruption in Mexico. (Series: Pulitzer Prize Panorama, Vol. 16) [Subject: Latin American Studies, Politics, History, Media Studies]

The editors have put together a solid overview of ten areas of popular culture in Latin America. The contributors have skillfully overcome a variety of research obstacles as well as the imposing problem of dealing with many countries. Each contributor has expertly assembled scientific research, intelligent observations, and well-thought-out conclusions to offer a reliable, sophisticated study of his particular area. Popular music, sports, television, popular religion, comics, photonovels, film, newspapers, cartoons, and festivals and carnivals are covered in this much-needed volume.

"In this thoughtful, thoroughly researched, balanced, and unorthodox analysis, Pike decides US noninterventionist orientation was based on Rooseveltian realism eschewing pressures on Latin Americans to accept US values (he assumed they would eventually co

Journeying through the comic art worlds of Africa, Asia, Australia, and Latin America, one cannot help being deeply impressed with the longevity, magnitude, and versatility of their cartooning traditions. This is the fourth title in Lent's definitive bibliography of comic art worldwide—the series includes over 30,000 citations. The current volume covers 67 countries on the various continents. The 6,506 items here comprise the richest lode of research materials on comic art in these regions. Three famous cartoonists from Asia (Abu Abraham), Africa and the Middle East (Effat), and the Caribbean (Ares) provide interesting perspectives on their regions in separate forewords. The work is divided by regions, countries, and topics, and, like the others in the series, includes citations in many languages and in published and unpublished formats. The other three volumes are Animation, Caricature, and Gag and Political Cartoons in the United States and Canada; Comic Art of Europe; and Comic Books and Comic Strips in the United States, all published by Greenwood in 1994. Early reviews of these volumes include statements such as, incredible...monumental task [that gets] the art form's reference files in order and you've set the study of comics ahead by about ten years.

Since the early 1980s, Latin American countries have been innovative in a range of policy and cultural experiences, including health care, voting, pensions, and multiculturalism. And yet, their policy innovations are rarely found in textbooks. This book addresses that gap, providing a fascinating and wide-ranging exploration of both the history of "looking down" at Latin America and the political, economic, and cultural "lessons" (including successes, failures, and unintended consequences) that should inform important policy discussions around the world.

The island of Hispaniola is split by a border that divides the Dominican Republic and Haiti. This border has been historically contested and largely porous. Dividing Hispaniola is a study of Dominican dictator Rafael Trujillo's scheme, during the mid-twentieth century, to create and reinforce a buffer zone on this border through the establishment of state institutions and an ideological campaign against what was considered an encroaching black, inferior, and bellicose Haitian state. The success of this program relied on convincing Dominicans that regardless of their actual color, whiteness was synonymous with Dominican cultural identity. Paulino examines the campaign against Haiti as the construct of a fractured urban intellectual minority, bolstered by international politics and U.S. imperialism. This minority included a diverse set of individuals and institutions that employed anti-Haitian rhetoric for their own benefit (i.e., sugar manufacturers and border officials.) Yet, in reality, these same actors had no interest in establishing an impermeable border. Paulino further demonstrates that Dominican attitudes of admiration and solidarity toward Haitians as well as extensive intermixture around the border region were commonplace. In sum his study argues against the notion that anti-Haitianism was part of a persistent and innate Dominican ethos.