Laughter Is Sacred Space

Ted Swartz and his Ted & Company TheaterWorks team are known for blending Bible stories with comedy and poignancy, and pushing the envelope on issues of faith and social justice. But who is Ted Swartz? Follow along in this engaging memoir as Swartz finds his way as a middle child in an eastern Pennsylvania traditional Mennonite home to his early work in the family butcher shop. Journey with Ted through the decision of uprooting his young family to attend seminary and then embracing life as a writer and actor. Get a glimpse into the friendship that led to the formation of the popular acting duo Ted & Lee. This uniquely honest backstage tour of an artist's life and mind combines side-splitting reminiscences, heart-rending accounts of loss, and touching stories of restored faith and love. Swartz's engaging humor blends with his own stories of triumph and tragedy, and helps readers understand their own sense of place and how they're shaped by those around them. Read the forward by Bryan Mclaren under the "Excerpt" tab and see what is already being said about the book under the "Quotes" tab! "Laughter Is Sacred Space is even funnier than Mennonite in a Little Black Dress—an authentic and profound snapshot of what it means to grow up and live Mennonite." —Howard Zehr, professor of restorative justice, Eastern Mennonite University "Ted Swartz is a gift. He unveils some of the most tragic pain and injustice of our world . . . but he knows that if we can't laugh then the devil has already won. Laughter reminds us that we know the end of the story—and in the end we see life conquer death and love triumph over hatred." —Shane Claiborne, author, activist, and lover of Jesus About the author Purchase Ted and Company scripts and DVDs

Achieve balance, connect to Spirit, and tap into the sacred power of dance with 365 daily movement meditations. Throughout human history, people all over the world have recognized dance as an age-old yet timeless connection to Spirit. In celebration, to mark moments of change, and in times of despair, dance has been used to seek the Divine, connect with the Earth, and call into being the sacred energy we each possess within ourselves. In Sacred Dance Meditations, Carla Walter, PhD, offers readers 365 dances--one for every day--rooted in traditions from around the globe. From Polynesia to Peru, each dance is different in origin and technique but connected in common purpose: as sacred conduits for hope, love, connection, community, and spirituality. Walter provides a theme each new day, drawn from mystical and spiritual principles that originate from pre-colonial religious traditions. Descriptions, video links, accessibility modifications, and invitations for deeper reflection allow the reader to engage their Spirit fully with the sacred power of dance, carrying it in their heart as they move throughout each day. Readers who want a more active style of meditative practice will discover powerful regenerative healing and a new way to awaken. Broken up day by day and month by month, Sacred Dance Meditations makes it simple and gratifying to practice each day's dance and fulfill its intended theme. Readers can begin at any "point of entry" section, and work their way throughout the year with a time commitment of just ten to twenty minutes a day. Importantly, each dance is designed to supplement any existing (or non-existent) religious or spiritual practice, allowing all to tap into the Divine through the spirit of dance.

Explore the many dimensions of the pilgrimage experience and change your orientation to the world. "Pilgrimage is an opportunity for pilgrims to cultivate their inner life (or inner voice) in a way that leads to a greater sense of peace and compassion--a sense that pervades all of life." --from Chapter 6, "Preparing to Practice" Pilgrimage is a spiritual practice of nearly every major religion of the world. If you are a Christian you may travel to sites associated with the life of Jesus; Jews might visit the Western Wall in the Old City of Jerusalem and other sacred places in the Holy Land of Israel; Muslims participate in the Hajj, the journey to Mecca; Buddhists visit the sacred sites related to the life of Buddha. Even if you practice no religion at all you will still find that you most likely participate in this practice--the Jefferson Memorial in Washington, DC, and Lenin's tomb in Moscow are considered national pilgrimage sites. As a spiritual practice, pilgrimage transcends religious, national, cultural and linguistic boundaries. This fascinating look at the sacred art of pilgrimage integrates spirituality, practice, spiritual formation, psychology, world religions and historical resources. It examines how the world's religious pilgrimages evolved as central spiritual practices and the relationship between pilgrimage and transformation. It explains what makes a place holy, and why and how some sites are so compelling that they attract thousands, even millions of pilgrims each year.

A beautifully illustrated collection of Gloria Steinem’s most inspirational and outrageous quotes, with an introduction and essays by the feminist activist herself “A fearless book full of passion, resolute perspective, and unbiased hope for the future.”—Janelle Monáe For decades—and especially now, in these times of crisis—people around the world have found guidance, humor, and unity in Gloria Steinem’s gift for creating quotes that offer hope and inspire action. From her early days as a journalist and feminist activist, Steinem’s words have helped generations to empower themselves and work together. Covering topics from relationships (“Many are looking for the right person. Too few are trying to be the right person.”) to the patriarchy (“Men are liked better when they win. Women are liked better when they lose. This is how the patriarchy is enforced every day.”) and activism (“Revolutions, like trees, grow from the bottom up.”), this is the definitive collection of Steinem’s words on what matters most. Steinem sees quotes as “the poetry of everyday life,” so she also has included a few favorites from friends, including bell hooks, Flo Kennedy, and Michelle Obama, in this book that will make you want to laugh, march, and create some quotes of your own. In fact, at the end of the book, there’s a special space for readers to add their own quotes and others they’ve found inspiring. The Truth Will Set You Free, But First It Will Piss You Off! is both timeless and timely. It is a gift of hope from Steinem to readers, and a book to share with friends.

Part autobiography, part self-help, and part laugh-out-loud hoot, this is no ordinary relationship book. No matter whether you want to change, end, or start a creative, intimate relationship, this book gives tons of true-life tips for putting your partnership first and making it work. It's no secret that sharing stories is a way to teach others what you know. In Love, Light, and Laughter, Monte Farber and Amy Zerner share the story of their remarkable union, along with more than 26 secrets for an enchanted relationship.

If you don't believe God has a sense of humor, just look in the mirror. Humor is a truly human phenomenon—crossing history, culture, and every stage of life. Jokes often touch on the biggest topics of our existence. And although it may seem simple on the surface, humor depends on the use of our highest faculties: language, intelligence, sympathy, sociability. To the philosopher Steve Wilkens, these facts about humor are evidence that God just has to be in there somewhere. Yet many Christians, scholars and laypeople alike, haven't taken humor seriously. In What’s So Funny About God? Wilkens launches an exploration of the connections between humor and many of the central topics of Christian theology. He argues that viewing Scripture and theology through the lens of humor brings fresh insight to our understanding of the gospel, helps us avoid the pitfalls of both naturalism and gnosticism, and facilitates a humble, honest, and appealing approach to faith. Wilkens turns this lens on the paradoxes of human nature, the Christian calendar, church life, and new readings of well-known biblical texts, including the book of Esther, the nativity narratives, and Jesus' own teachings. Taking into account the problems of suffering and the need for timely lament, he portrays the Christian story as one that ultimately ends in cosmic comedy. Full of wit and thoughtful jokes throughout, it's enough fun that you may not realize you're reading theology.

In recent years Yeats scholarship has been, to a large extent, historically-based in emphasis. Much has been gained from this emphasis, if we consider the refinement of critical awareness resulting from a better understanding of the intricate relationship between the poet and his times. However, the present author feels that an exclusive adherence to this approach impacts negatively on our ability to appreciate and understand Yeatsian creativity from within the internally located imperatives of creativity itself, as opposed to our understanding it on the basis of aesthetically constitutive socio-historical forces operative from without. He feels a need to relocate the study of Yeats in the work and thought of the poet himself, to focus again on the poet’s own myth-making. To this end Nicholas Meihuizen examines this myth-making as it relates to certain archetypal figures, places, and structures. The figures in question are the antagonist and goddess, embodiments of conflict and feminine forces in Yeats, and they participate in a lively drama within the places and shapes considered sacred by the poet: places such as the Sligo district and Byzantium; shapes such as the circling gyres of his system. The book should be interesting and valuable to students and scholars of varying degrees of acquaintance with the poet. To long-time Yeatsians it offers fresh perspectives onto important works and preoccupations. To new students it offers a means of exploring wide-ranging material within a few central, interrelated frames, a means that mirrors Yeats’s own commitment to unity in diversity.

Volume II of Lyotard's Miscellaneous Texts, "Contemporary Artists," gathers thirty-nine essays by Lyotard that deal with twenty-seven influential and innovative contemporary artists.