Leatherface Vs Tricky Dick The Texas Chain Saw Massacre As Political Satire

The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? Tobe Hooper's The Texas Chain Saw Massacre premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. Leatherface vs. Tricky Dick presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor. Read and discover Chain Saw’s response to the White House horrors, the Saturday Night Massacre, and more, as well as how Leatherface’s masks relate to all those Nixon masks worn throughout “our long national nightmare.”

For author Johannes Schonherr, no place is too distant or strange that he cannot screen or hunt down obscure underground trash movies. From the bowels of New York's Lower East Side and punk clubs in San Francisco, to Moscow on a fake visa and Pyongyan, North Korea, Schonherr is a cineaste on a mission. Plus extra features such as Nick Zedd being attacked by German feminists, advice on how to run a no-budget rathouse of a cinema, GG Allin's final gig and discovering wild cinematic treats at New York's cheapest film-to-video store.

For the first time, ex-convict John Lee Brook subjects the Aryan Brotherhood to a devastating exposé, revealing how the notorious white supremacist prison gang has become perhaps the most powerful criminal organization in America, an achievement much more remarkable considering that the majority of its members remain behind bars, and its infamous Commission-the folkloric threesome, Thomas ‘Terrible Tom’ Silverstein, Tyler ‘the Hulk’ Bingham and Barry ‘the Baron’ Mills-are kept in maximum-security solitary confinement, as the US government makes an open effort to subdue the organization by any means necessary. Despite these efforts, the Aryan Brotherhood continues to thrive, and Blood In, Blood Out demonstrates how a combination of Machiavelli, Nietzsche, meditation, secret codes, brutal violence and sheer will enable its buried puppet masters to continue to tug at the strings of an organization at the forefront of the black market trade in drugs, arms and money laundering. In Blood In, Blood Out, John Lee Brook provides both an extensive overview of the Aryan Brotherhood and a thrilling look at its untold recent history.

Introduced shortly after the United States declared its independence, poker’s growth and development has paralleled that of America itself. As a gambling game with mass appeal, poker has been played by presidents and peasants, at kitchen tables and final tables, for matchsticks and millions. First came the hands, then came the stories – some true, some pure bluffs, and many in between. In Poker & Pop Culture: Telling the Story of America’s Favorite Card Game, Martin Harris shares these stories while chronicling poker’s progress from 19th-century steamboats and saloons to 21st-century virtual tables online, including: Poker on the Mississippi Poker in the Movies Poker in the Old West Poker on the Newsstand Poker in the Civil War Poker in Literature Poker on the Bookshelf Poker in Music Poker in the White House Poker on Television Poker During Wartime Poker on the Computer From Mark Twain to “Dogs Playing Poker” to W.C. Fields to John Wayne to A Streetcar Named Desire to the Cold War to Kenny Rogers to ESPN to Star Trek: The Next Generation and beyond, Poker & Pop Culture provides a comprehensive survey of cultural productions in which poker is of thematic importance, showing how the game’s portrayal in the mainstream has increased poker’s relevance to American history and shaped the way we think about the game and its significance.

For many Americans who grew up in a small town, childhood and adolescence revolved around the skatepark. As time passes, however, these people drift away from skateboarding and the spaces where they learned to do it. Part memoir, part travelogue, part essay, Small Town Skateparks is the story of an adventure to discover the role skateparks play in such lives and the role they played in the author's own. Clint Carrick grew up at the skatepark. Every day of the summer, he and his friends would loaf at the dilapidated park with warped plywood ramps strewn with rusty nails. They were the outsiders of the town, or at least thought of themselves that way. They wore jeans and ripped skate shoes and felt free in their special hang out, the skatepark, where they had their own language, their own heroes, and their own views of the world. In this setting they matured from children awestruck of high school kids to bored young men desperate to get out. Clint, now an adult, rekindles these forgotten memories as he drives across the country visiting unremarkable skateparks in America's small towns. Why is he drawn to these skateparks? What is their charm? How does the skatepark function as an institution, and what is the indelible mark it leaves on those who grow in its womb? As he makes his way further west, Clint relearns how to skate. He chats with locals, crashes, bleeds, and hears a lot of stories that sound like his own. The rust begins to wear off, but questions remain. Can someone who left skating behind rediscover the activity that defined his youth? Can someone who abandoned skateboarding make the skatepark once again his home?

The leading journal devoted to all aspects of popular culture and cult media, "Headpress 25 "turns its attention to the Dream, or Flicker, machine. On this subject, it features interviews with William Burroughs-following a chance meeting at a bus stop by writers Johnny Strike and Gregory Daurer-and Paul Bowles. The cover is a striking oil painting of Burroughs in Tangiers. "Headpress 25 "also includes a detailed look at the neglected life and career of the late Luis de Jesus, a "star" of diminutive stature whose film appearances range from sadistic sidekick in the cult 1976 feature, "Blood Sucking Freaks," to numerous hardcore porn features, of which the most notorious is "The Anal Dwarf,"

Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

You cannot believe a word Mick Farren tells you!” John Lydon A literary life railing against the machine, in the company of Johnny Cash, Frank Zappa, Chuck Berry and more. Mick Farren has spent more than 4 decades in the thick of the culture wars as a commentator, activist, essayist, poet, performer, and rebel with multiple causes. A founding figure of the 60s underground press, he careered on through the London birth pangs of punk, the intoxicated madness of Lower Manhattan under Ronald Reagan, earthquakes and urban insurrection in LA. Here you'll meet Frank Zappa, Johnny Cash, Chuck Berry and Gore Vidal, and steam open correspondence between the author and Pete Townshend.