Legacies And Lifespans In Contemporary Women S Writing

This book examines the connections and conversations between women writers from the twentieth century and the twenty-first century. The essays consider the ways in which twenty-first-century women writers look back and respond to their predecessors within the field of contemporary women’s writing. The book looks back to the foundations of contemporary women’s writing and also considers how this category may be defined in future decades. We ask how writers and readers have interpreted ‘the contemporary’, a moving target and an often-contentious term, especially in light of feminist theory and criticism of the late twentieth century. Writing about the relationships between women’s writings is an always-vital, ongoing political project with a rich history. These essays argue that establishing and defining the contemporary is, for women writers, another ongoing political project to which this collection of essays aims, in part, to contribute.

Unique in its breadth of coverage, Who's Who in Contemporary Women's Writing is a comprehensive, authoritative and enjoyable guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century. Over the course of 1000 entries by over 150 international contributors, a picture emerges of the incredible range of women's writing in our time, from Toni Morrison to Fleur Adcock- all are here. This book includes the established and well-loved but also opens up new worlds of modern literature which may be unfamiliar but are never less than fascinating.

Womenâ (TM)s writing has, in recent decades, been one of the most exciting and productive areas of literary creativity and critical analysis. Thirty years on from the initial, spectacular blossoming of womenâ (TM)s writing and from pioneering critical projects to (re)construct a female literary tradition, Womenâ (TM)s Writing in Western Europe: Gender, Generation and Legacy is the first study to investigate the legacy of this earlier generation of writers, texts and theories for contemporary women writers from across western Europe. This important and timely book brings together original analyses by different generations of critics from around the globe, from internationally renowned feminist scholars to promising doctoral students. Their sophisticated studies uncover a complex web of explicit and implicit intertextual links between contemporary writers and such iconic figures as Aleramo, Beauvoir, Colette, Cixous, Duras, Irigaray, Kristeva, Morante, Morgner, Wolf and Woolf, so attesting to the existence of a truly international womenâ (TM)s culture across ever more fluid national borders. Womenâ (TM)s Writing in Western Europe is a major intervention in the field of feminist literary criticism which offers new, comparative understandings of such key theoretical concepts as intertextuality, intergenerational relations, gender, identity and legacy. â oeCovering an enormous range of writers and national traditions, Womenâ (TM)s Writing in Western Europe: Gender, Generation and Legacy attests to the vibrancy and the currency of feminist criticism and theory in the new Europe. These essays give us new paradigms to think and read with in the future.â â "Professor Marianne Hirsch, Columbia University, New York. â oeThirty years after the creative outburst of womenâ (TM)s writing and feminist theory of the early 1970s, can we still speak of a womenâ (TM)s tradition of writing, of gender and generation, of the iconic role of the mother figure? This dense and wide ranging collection of essays engages with the dynamics of legacy and conflict, of recognition and denial, to map out some of the many complex strands and relationships marking the textual relations of womenâ (TM)s writing across time and geographic boundaries. No simple tradition of womenâ (TM)s writing emerges, but the powerful hold exerted by some of the most canonical writers â " Beauvoir, Woolf, Cixous, Irigaray, Kristeva, Rich â " and the evidence of the construction of new relationships between and across texts by women points to a continuing network of transmission in which womenâ (TM)s texts are enmeshed. This is an important collection and a large readership will be grateful for this probing of issues which are at the heart of the reading of womenâ (TM)s writing.â â "Professor Elizabeth Fallaize, St. Johnâ (TM)s College Oxford

In this enjoyable and insightful book, Yi-Lin Yu takes the heated and ongoing feminist debate over motherhood and maternal subjectivity onto a new plane - in search of a new synthesis. With its specific focus on the three-tiered matrilineal narratives, Mother, She Wrote is distinguished by its complex and innovative deployment of psychoanalytic subject-relations theories, and a meticulous and detailed discussion of various literary texts, which calls forth a powerful reformulation of these narratives. One of the main strengths of this book is this simultaneous and tactful command of theory and literary practice. Apart from advocating the burgeoning development of women's writing of matrilineal narratives, the author also sheds new light on further research in the area of feminist motherhood and mothering.

This Companion covers a range of receptions of ancient Greek and Roman gender and sexuality. It explores ancient representations of these concepts as we define them today, as well as recent perspectives that have been projected back onto antiquity. Beginning in antiquity, the chapters examine how the ancient Greeks and Romans regarded concepts of what we would today call "gender" and "sexuality" based on the evidence available to us, and chart the varied interpretations and receptions of these concepts across time to the present day. In exploring how different cultures have "received" the classical past, the volume investigates these cultures’ different interpretations of Greek and Roman sexualities, and what these interpretations can reveal about their own attitudes. Through the contributions in this book, the reader gains a deeper understanding of this essential part of human existence, derived from influential sources. From ancient to modern and postmodern perspectives, from cinematic productions to TikTok videos, receptions of ancient gender and sexuality abound. This volume is of interest to students and scholars of ancient history, gender and sexuality in the ancient world, and ancient societies, as well as those working on popular culture and gender studies more broadly.

Including topics as diverse as feminism and its relationship to the marketplace, plagiarism and copyright, silence and forgetting, and myth in a digital age, this book explores the role of rewriting within feminist literature from the 1970s onwards in relation to the theme of cultural memory.

Long before John Barth announced in his famous 1967 essay that late 20th-century fiction was 'The Literature of Exhaustion,' authors have been retelling and recycling stories. Barth was, however, right to identify in postmodern fiction a particular self-consciousness about its belatedness at the end of a long literary tradition. This book traces the move in contemporary women's writing from the self-conscious, ironic parodies of postmodernism to the nostalgic and historical turn of the 21st century. It analyses how contemporary women writers deal with their literary inheritances, offering an illuminating and provocative study of contemporary women writers' re-writings of previous texts and stories. Through close readings of novels by key contemporary women writers including Toni Morrison, Doris Lessing, Margaret Atwood, Zadie Smith, Emma Tennant and Helen Fielding, and of the ITV adaptation, Lost in Austen, Alice Ridout examines the politics of parody and nostalgia, exploring the limitations and possibilities of both in the contexts of feminism and postcolonialism.

Focusing on both literary and material networks, this book examines the nature of women's wealth in early modern England, as well as the ways that women's writing sought to manage and transmit this wealth. If material goods like jewels and cloth could substantiate powerful ties between mothers and daughters, Mazzola argues that literary artifacts like diaries, prayers and poetry similarly described and supported their ties.