Legends And Lyrics Of The Gulf Coast

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Colorful tales of the MS Gulf Coast from specters to sodas and from buccaneers and pioneers. The story of the Mississippi Golden Gulf Coast can't be told without a few tall tales--pirates, buried treasure, ghosts and colorful characters pepper its diverse past. From incredible stories of the pirate Jean Lafitte to iconic legends like Barq's Root Beer, travel from Bay St. Louis to Biloxi and every nook and cranny in between to discover the legends and lore of Mississippi's Golden Gulf Coast. Local historian Edmond Boudreaux explores this exciting history, recounting the fantastic tales that launch the reader into the past and create a truly captivating history.

The battle for Vicksburg roils still, the outcome of the Union siege undecided as specters reload and carry on. The Pascagoula River sings out in grief, and a three-legged lady stalks a country lane outside Columbus. The Magnolia State is more than antebellum homes, fish camps and the blues. This is a land worthy of its matchless storytellers. Even after being passed back and forth between the Spanish, French and British, the ancient energy of the original inhabitants still reverberates through the region. From forgotten tales of African slaves, once the majority population, to yarns of bloodthirsty backwoodsmen on the Natchez Trace, author Alan Brown goes beyond the bullet points of Mississippi history. The legends often tell a clearer story than anything else.

William Grant Still (1895-1978) dreamed of a world in which his eight operas--for him the ultimate form of musical expression--would be heard in the major opera houses in the United States, devoting most of his career toward the pursuit of this goal. The first part of I Dream a World creates a context for Still's operas and explores commonalities among them, including structural elements and musical characteristics. The second part traces the research, composition, and perform-ances of the operas as a way of documenting the history of the composer and his contributions to American opera. Although I Dream a World is not intentionally biographical, it is very pers-onal. It is more than the story of William Grant Still's love of operatic music, of the libretti that reflect his own life and philosophy, and of the world he dreamed through his work. It opens a window on Still the man as well as on Still the composer that offers important insights into the social milieu of this pioneering figure.