Lenin S Kisses

This “blistering satire” of modern China was a finalist for the Man Booker International Prize and a New York Times Editor’s Choice novel (Publishers Weekly, starred review). Lenin’s Kisses is set in modern day China, in the village of Liven. Nestled within the Balou Mountains, the people have enough food and leisure to be content—until their crops and livelihood are obliterated by a snowstorm in the middle of summer. Then a county official arrives with a peculiar plan. He wants to use the villagers to start a traveling performance troupe. Next, he’ll take the profits and buy Lenin’s embalmed corpse from Russia and install it in a mausoleum to attract tourism. But the success of the Shuanghuai County Special-Skills Performance Troupe comes at a serious price. Named a finalist for the 2013 Man Booker International Prize, Lenin’s Kisses is “a satirical masterpiece” (Kirkus) that was on Best Book of 2012 lists from the New Yorker, MacLeans, and Kirkus, and was also a New York Times Editors’ Choice.

An absurdist masterpiece. A provocative and bitingly humourous tragicomedy of greed and corruption. Lenin's Kisses is a brilliant novel about modern China. Blind, deaf, and disfigured, the 197 citizens of the Village of Liven enjoy a peaceful lifestyle, spared from the government's watchful eye. But when an unseasonal snowstorm wipes out the grain crops, a county official convinces the villagers to set up a travelling freak-show showcasing their disabilities. With the money, he intends to buy Lenin's embalmed corpse from Russia and install it in a mausoleum in the mountains to attract tourism to the sleepy district. Lenin's Kisses is a rollicking tragicomedy with a cast of moving characters, a cautionary tale of the all-consuming desire for power and wealth from one of China's most respected and celebrated writers. Yan Lianke was born in 1958 in Henan Province, China. Text has published his novels Serve the People! and Dream of Ding Village, which was shortlisted for the Man Asian Literary Prize. Lianke has won two of China's most prestigious literary awards: the Lu Xan Prize and the Lao She Award. He lives in Bejing. textpublishing.com.au 'The novel's depth lies in its ability to express an unbearable sorrow, even while constantly making he reader laugh out loud...a truly miraculous novel.' Hong Kong Ming Pao Weekly 'Yan Lianke sees and describes his characters with great tenderness...this talented and sensitive writer exposes the absurdity of our time.' La Croix 'Yan Lianke weaves a passionate satire of today's China, a marvellous circus where the one-eyed-man is king...Brutal. And wickedly funny.' L'Express 'Lenin's Kisses is a grand comic novel, wild in spirit and inventive in technique. It's a rhapsody that blends the imaginary with the real, raves about the absurd and the truthful, inspires both laughter and tears.' Ha Jin 'Both a blistering satire and a bruising saga, this epic novel by Yan examines the grinding forces of communism and capitalism, and the volatile zone where the two intersect...A heartbreaking story of greed, corruption, and the dangers of utopia.' Publishers Weekly (starred review) 'Set Rabelais down in the mountains of, say, Xinjiang, mix in some Gunter Grass, Thomas Pynchon and Gabriel Garcia Marquez, and you're in the approximate territory of Lianke's latest exercise in epatering the powers that be...A satirical masterpiece.' Kirkus Reviews

A mystifying climatic incongruity begins the award-winning novel Lenin’s Kisses—an absurdist, tragicomic masterpiece set in modern day China. Nestled deep within the Balou mountains, spared from the government’s watchful eye, the harmonious people of Liven had enough food and leisure to be fully content. But when their crops and livelihood are obliterated by a seven-day snowstorm in the middle of a sweltering summer, a county official arrives with a lucrative scheme both to raise money for the district and boost his career. The majority of the 197 villagers are disabled, and he convinces them to start a traveling performance troupe highlighting such acts as One-Eye’s one-eyed needle threading. With the profits from this extraordinary show, he intends to buy Lenin’s embalmed corpse from Russia and install it in a grand mausoleum to attract tourism, in the ultimate marriage of capitalism and communism. However, the success of the Shuanghuai County Special-Skills Performance Troupe comes at a serious price. Yan Lianke, one of China’s most distinguished writers—whose works often push the envelope of his country’s censorship system—delivers a humorous, daring, and riveting portrait of the trappings and consequences of greed and corruption at the heart of humanity.

“Yan is one of those rare geniuses who finds in the peculiar absurdities of his own culture the absurdities that infect all cultures.” —The Washington Post From the Kafka Prize winner and two-time Booker Prize finalist, this is a gripping and bitingly satirical story of ambition and betrayal, following two young communist revolutionaries whose forbidden love sets them apart from their traditionally minded village as the Cultural Revolution sweeps China. Gao Aijun is a son of the soil of Henan’s Balou Mountains, and after his Army service, he is on his way back to his ancestral village, feeling like a hero. Close to his arrival, he sees a strikingly attractive woman walking barefoot alongside a railway track in the warm afternoon sun, and is instantly smitten. She is Xia Hongmei, and lives up to her name of “beautiful flower.” Hiding their relationship from their spouses, the pair hurl themselves into the struggle to bring revolution to their backwater village. They spend their days and nights writing pamphlets, organizing work brigades, and attending rallies, feeling they are the vanguard for the full-blown revolution that is waiting in the wings. Emboldened by encouragement from the Party, the couple dig a literal “tunnel of love” between their homes where, while the unsuspecting villagers sleep, they sing revolutionary songs and compete in shouting matches of Maoist slogans before making earth-moving love. But when their torrid relationship is discovered and they have to answer to Hongmei’s husband, their dreams of a bright future together begin to fray. Will their devotion to the cause save their skins, or will they too fall victim to the revolution that is swallowing up the country? A novel of rare emotional force and surprising humor, Hard Like Water is an operatic and brilliantly plotted human drama about power’s corrupting nature and the brute force of love and desire. “A blistering tour de force . . . poses the uncomfortable and timely question: how did each of us arrive at our certainties?” —The Guardian “One of China’s most important―and certainly most fearless―living writers.” ―Kirkus Reviews

“A rip-roaring Swiftian satire from a contemporary Chinese master” follows a rural community’s transformation from small village to megalopolis (The Economist). With the Yi River on one side and the Balou Mountains on the other, the village of Explosion was founded more than a millennium ago by refugees fleeing a seismic volcanic eruption. But in the post-Mao era the name takes on a new significance as the community grows explosively from a small village to a vast metropolis. Behind this rapid expansion are members of the community’s three major families, including the four Kong brothers; Zhu Ying, the daughter of the former village chief; and Cheng Qing, who starts out as a secretary and goes on to become a powerful political and business figure. Linked together by a complex web of loyalty, betrayal, desire, and ambition, these figures are the driving force behind their hometown’s transformation into an urban superpower. Brimming with absurdity, intelligence, and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the polarizing dynamics of love and hate between families, as well as humankind’s resourcefulness through the vicissitudes of life. “Yan’s burlesque of a nation driven insane by money is equally a satire of some of the excesses of the Chinese Revolution.” —The Wall Street Journal

Over the last decade, Yan Lianke has been continually heralded as one of the “best contemporary Chinese writers” (The Independent) and “one of the country’s fiercest satirists” (The Guardian). Among many awards and honors, he has been twice a finalist for the Man Booker International Prize and he was awarded the prestigious Franz Kafka Prize for his impressive body of work. Now, for the first time, his two most acclaimed novellas are being published in English. “Timeless” and “marvelous” (Asian Review of Books), Marrow is a haunting story of a widow who goes to extremes to provide a normal life for her four physically and mentally disabled children. When she finds out that bones “the closer from kin the better” can cure their illnesses and prevent future generations from the same fate, she feeds them a medicinal soup made from the bones of her dead husband. But after running out of bones, she resorts to a measure that only a mother can take. A luminous, moving fable, The Years, Months, Days—a bestselling classic in China and winner of the prestigious Lu Xun Literary Prize—tells of an elderly man who stays in his small village after a terrible drought forces everyone to leave. Unable to make the grueling march through the mountains, he becomes the lone inhabitant, along with a blind dog. Tending to a single ear of corn, and fending off the natural world from overtaking the village, every day is a victory over death. With touches of the fantastical, these two novellas—masterpieces of the form—reflect the universality of mankind’s will to live, live well, and live with purpose.

SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2016 'One of China's greatest living authors and fiercest satirists' Guardian In the ninety-ninth district of a sprawling labour camp, the Author, Musician, Scholar, Theologian and Technician - and hundreds just like them - are undergoing Re-education, to restore their revolutionary zeal and credentials. In charge of this process is the Child, who delights in draconian rules, monitoring behaviour and confiscating treasured books. But when bad weather arrives, followed by the ‘three bitter years’, the intellectuals are abandoned by the regime and left on their own to survive. Divided into four narratives, The Four Books tells the story of the Great Famine, one of China’s most devastating and controversial periods. WINNER OF THE FRANZ KAFKA PRIZE 2014 NOMINATED FOR CZECH AWARD MAGNESIA LITERA 2014 HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013 FINALIST FOR THE MAN BOOKER INTERNATIONAL PRIZE 2013 WINNER OF THE HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013 SHORTLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE 2012 SHORTLISTED FOR THE PRIX FEMINA ETRANGER 2012 SHORTLISTED FOR THE MAN ASIAN LITERARY PRIZE 2011 WINNER OF THE LAO SHE LITERATURE AWARD 2004 WINNER OF THE LU XUN AWARD 1997

What has contemporary China inherited from its revolutionary past? How do the realities and memories, aesthetics and practices of the Mao era still reverberate in the post-Mao cultural landscape? The essays in this volume propose “red legacies” as a new critical framework from which to examine the profusion of cultural productions and afterlives of the communist revolution in order to understand China’s continuities and transformations from socialism to postsocialism. Organized into five parts—red foundations, red icons, red classics, red bodies, and red shadows—the book’s interdisciplinary contributions focus on visual and performing arts, literature and film, language and thought, architecture, museums, and memorials. Mediating at once unfulfilled ideals and unmourned ghosts across generations, red cultural legacies suggest both inheritance and debt, and can be mobilized to support as well as to critique the status quo.