Les 5 Messagers Et Les 40 Secrets

A fresh look at the role of astrology and alchemy in Renaissance thinking and everyday life.

Le livre contient une série de 45 articles brefs portant sur l'exégèse biblique de l'Ancien et du Nouveau Testament, l'archéologie, l'épigraphie, la géographie et l'histoire de l'ancien Israël. Cette collection d'articles traite de sujets variés : vues générales sur les discussions présentes autour de la Bible et de la Terre Sainte, contribution à la compréhension de passages précis de l'Ancien et du Nouveau Testament, études sur des inscriptions anciennes pour éclairer notre compréhension du texte biblique, recherches portant sur le Judaïsme et sur le Christianisme anciens. Ce livre entend faire découvrir la diversité des domaines qui sont liés à la compréhension de la Bible et à faire le point sur la recherche à partir de différents sujets liés à ces domaines d'étude.

A riveting story of World War II and the courage of one young woman as she is drafted into Churchill’s overseas spy network, aiding the French Resistance behind enemy lines and working to liberate Nazi-occupied Paris… London, 1941: In a cramped bunker in Winston Churchill’s Cabinet War Rooms, underneath Westminster’s Treasury building, civilian women huddle at desks, typing up confidential documents and reports. Since her parents were killed in a bombing raid, Rose Teasdale has spent more hours than usual in Room 60, working double shifts, growing accustomed to the burnt scent of the Prime Minister’s cigars permeating the stale air. Winning the war is the only thing that matters, and she will gladly do her part. And when Rose’s fluency in French comes to the attention of Churchill himself, it brings a rare yet dangerous opportunity. Rose is recruited for the Special Operations Executive, a secret British organization that conducts espionage in Nazi-occupied Europe. After weeks of grueling training, Rose parachutes into France with a new codename: Dragonfly. Posing as a cosmetics saleswoman in Paris, she ferries messages to and from the Resistance, knowing that the slightest misstep means capture or death. Soon Rose is assigned to a new mission with Lazare Aron, a French Resistance fighter who has watched his beloved Paris become a shell of itself, with desolate streets and buildings draped in Swastikas. Since his parents were sent to a German work camp, Lazare has dedicated himself to the cause with the same fervor as Rose. Yet Rose’s very loyalty brings risks as she undertakes a high-stakes prison raid, and discovers how much she may have to sacrifice to justify Churchill’s faith in her . . .

This intriguing book examines popular religion, traditional medicine, witchcraft, apparitions, demonology, and magic in nineteenth-century rural France. Devlin demonstrates that many of the impulses and mental processes now considered superstitious constituted a wholly reasonable response to the pressures of a harsh and impoverished life. Far from the product of a primitive mentality, many of these beliefs have survived in modern culture and can even illuminate the nature of modern mass politics.

The End of French Rule in Cameroon is a study of the decolonization movement in Cameroon. It analyzes the reforms introduced by France in Cameroon after World War II, the circumstances surrounding the unsuccessful attempt of the UPC to seize independence by force, and the subsequent eradication of this party by an alliance of Franco-Cameroonian forces. The book shows the length that the French were prepared to go in order to leave Cameroon in the hands of a government that would be sympathetic to their interests. The research is based upon documents found in Cameroon, France, and the United States. It will expand the existing limited literature in English on the historiography of Cameroon and will also be useful for instructors teaching courses related to modern and contemporary Africa in general and decolonization in (French) black Africa in particular, as well as all interested in these subjects.

The compulsion to dwell on historyÑon how it is recorded, stored, saved, forgotten, narrated, lost, remembered, and made publicÑhas been at the heart of artistsÕ engagement with the photographic medium since the late 1960s. Uncertain Histories considers some of that work, ranging from installations that incorporate vast numbers of personal and vernacular photographs by Christian Boltanski, Dinh Q. L�, and Gerhard Richter to confrontations with absence in the work of Joel Sternfeld and Ken Gonzales-Day. Projects such as these revolve around a photographic paradox that hinges equally on knowing and not knowing, on definitive proof coupled with uncertainty, on abundance of imagery being met squarely with its own inadequacy. Photography is seen as a fundamentally ambiguous medium that can be evocative of the historical past while at the same time limited in the stories it can convey. Rather than proclaiming definitively what photography is, the work discussed here posits photographs as objects always held in suspension, perpetually oscillating in their ability to tell history. Yet this ultimately leads to a new kind of knowledge production: uncertainty is not a dead end but a generative space for the viewerÕs engagement with the construction of history.