Let Us Now Praise Famous Gardens

In this unique gardening chronicle Vita Sackville-West weaves together simple, honest accounts of her horticultural experiences throughout the year with exquisite writing and poetic description. Whether singing the praises of sweet-briar, cyclamen, Indian pinks and the Strawberry grape, or giving practical advice on pruning roses, planting bulbs, overcoming frosts and making the most of a small space, her writings on the art of good gardening are both instructive and delightful.Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

"The Helmses were uneducated, unpolished people, and Sikora's narration of his life with them - often humorous but never condescending - provides a compelling portrait of the attitudes and lifestyle of poor whites in Alabama during the second half of the 20th century. Sikora details how resourceful southern women, in particular, held their families together through trying times." "Interwoven with this commentary on rural white culture in the deep South is the story of Sikora's developing career as a newsman. Determined to succeed, he finally landed a job with the Gadsden Times reporting the news of black citizens. From that introduction to journalism, Sikora became one of Alabama's most acclaimed chroniclers of the civil rights movement."--Jacket.

Providence Canyon State Park, also known as Georgia’s “Little Grand Canyon,” preserves a network of massive erosion gullies allegedly caused by poor farming practices during the nineteenth century. It is a park that protects the scenic results of an environmental disaster. While little known today, Providence Canyon enjoyed a modicum of fame in the 1930s. During that decade, local boosters attempted to have Providence Canyon protected as a national park, insisting that it was natural. At the same time, national and international soil experts and other environmental reformers used Providence Canyon as the apotheosis of human, and particularly southern, land abuse. Let Us Now Praise Famous Gullies uses the unlikely story of Providence Canyon—and the 1930s contest over its origins and meaning—to recount the larger history of dramatic human-induced soil erosion across the South and to highlight the role that the region and its erosive agricultural history played in the rise of soil science and soil conservation in America. More than that, though, the book is a meditation on the ways in which our persistent mental habit of separating nature from culture has stunted our ability to appreciate places like Providence Canyon and to understand the larger history of American conservation.

What do the following have in common? Let there be light -- A fly in the ointment -- A rod of iron -- New wine in old bottles -- Lick the dust -- How are the mighty fallen -- Kick against the pricks -- Wheels within wheels. They're all in the King James Bible. This astonishing book "has contributed far more to English in the way of idiomatic or quasi-proverbial expressions than any other literary source." So wrote David Crystal in 2004. In Begat he returns to the subject: he asks how a work published in 1611 could have had such an influence on the language and looks closely at what the influence has been. He comes to some surprising conclusions. No other version of the Bible however popular (such as the Good News Bible) or put upon the church (like the New English Bible) has had anything like the same impact. David Crystal shows how its words and phrases found independent life in the work of poets, playwrights, novelists, and politicians, and how more recently they have been taken up by journalists, advertisers, Hollywood, and hip-hop. He reveals the great debt the King James Bible owes to its English forbears, especially John Wycliffe's in the fourteenth century and William Tyndale's in the sixteenth. He also shows that the revisions and changes made by King James's translators were crucial to its universal success. "A person who professes to be a critic in the delicacies of the English language ought to have the Bible at his finger's ends," Lord Macaulay advised Lady Holland in 1831. David Crystal shows how true this is. His book is a revelation.

Helen Babbs is a self-proclaimed city girl who lives on the second floor of a flat in a chaotic corner of London. An urge to find more green in the city and a stronger connection to the natural world leads her to create her first garden, an organic edible garden on her rooftop. This year-long adventure is the story behind My Garden, the City and Me. The journey begins in the dark of winter, where Babbs finds herself at a seed swap on a February morning, seduced more by packaging than by any true understanding of the plants. As the year progresses, Babbs revels in failures, like waking up bleary eyed and stomping on her seed starts, and triumphs like her summer-ending dinner party made with homegrown produce. Along the way she discovers “that I like gardening in my pajamas and that growing something from seed, watching it develop and then eating its fruits is truly joyful. I’ve daydreamed out there and entertained out there. It’s the force behind new friendships that I’ve forged. The garden has opened my eyes to a whole new side of London and urban living.” My Garden, the City and Me is a lyrical narrative about a twenty-something in search for a bit of wild in her city. The journey is charming, honest, and steeped in the lore of London, a city equally known for its gardens and its grit. In the end Babbs has achieved a new perspective on what it means to live green in the city she loves.

This is a celebration of the beauties and possibilities of Heliotrope and Honeysuckle, Auricula, Snapdragon, Spanish Iris and Corydalis, and all the other plants that enliven and exalt the gardens of England. Gertrude Jekyll gives good advice on how to make a garden a place of repose and pleasure. Writing with enthusiasm on the colours and scents of flowers, on the frustrations (and delights) of weeding and on the debasing influence of flower shows, she is practical, wise and entertaining in equal measure. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

In The Story Is True, folklorist, filmmaker, and professor of English Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. Describing and explaining how stories are made and used, Jackson examines how stories narrate and bring meaning to our lives. Jackson writes about his family and friends, acquaintances, and experiences, focusing on more than a dozen personal stories. From oral histories to public stories—such as what happened when Bob Dylan "went electric" at the 1965 Newport Folk Festival—Jackson gets at how the "truth" is constantly shifting depending on the perspective, memory, and social meaning that is ascribed to various events—both real and imaginary. The book is ideal for students and writers of oral history and storytelling but goes beyond those topics to encompass how we interpret and understand the real-life "stories" that we encounter in our daily experience. This edition includes new sections on how stories are related to historical facts and new chapters on contemporary films (expanding the discussion of visual storytelling) and on conspiracy narratives and Trump's Big Lie. Fresh examples tie together new material with the existing stories.

Examining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.