Letters Of A Businessman To His Daughter

Ward's letters to his daughter provide straightforward advice on such topics as the importance of setting goals, delegating responsibility, balancing work and family, and how, as a woman, to ensure equal treatment in the workplace. Companion volume to "Letters of a businessman to his son". Bestseller 1989.

Offering valuable insight to anyone involved with the business of life, the author's philosophy represents one that has been either discarded or never learned by many of today's business people in their rush to power, riches, and success: people come first; decent, ethical behavior is equally important, and the forgotten truism--To thine own self be true.

African American writers of the Harlem Renaissance generally fall into three aesthetic categories: the folk, which emphasizes oral traditions, African American English, rural settings, and characters from lower socioeconomic levels; the bourgeois, which privileges characters from middle class backgrounds; and the proletarian, which favors overt critiques of oppression by contending that art should be an instrument of propaganda. Depending on critical assumptions regarding what constitutes authentic African American literature, some writers have been valorized, others dismissed. This rereading of the Harlem Renaissance gives special attention to Fauset, Hurston, and West. Jones argues that all three aesthetics influence each of their works, that they have been historically mislabeled, and that they share a drive to challenge racial, class, and gender oppression. The introduction provides a detailed historical overview of the Harlem Renaissance and the prevailing aesthetics of the period. Individual chapters analyze the works of Hurston, West, and Fauset to demonstrate how the folk, bourgeois, and proletarian aesthetics figure into their writings. The volume concludes by discussing the writers in relation to contemporary African American women authors.