Letters Of Sylvia Townsend Warner

Very early in her career Sylvia Townsend Warner won recognition of a discerning group of writers and readers on both sides of rare imagination and originality increased with each new publication. In addition to publishing some twenty books she wrote thousands of letters, mainly to close friends and acquaintances, and these quite naturally provide a record of almost fifty years of the writer’s life. As the editor of the selection says, she had a connoisseur’s eye for the bogus and a hatred for assumptions of privilege – her heart was with the hunted, always, and her deep understanding of human behaviour makes the whole a remarkably compassionate volume. Her interests are wide-ranging, and we read of the pleasures of travel, Proust’s shortcomings as a literary critic, current politics, Rupert Brooke at the Café Royal, an eccentric moorhen, the Spanish Civil War. Above all, apart from their intrinsic interest and literary quality, Miss Warner’s letters reveal the special brand of wit and humour that pervades every word she writes.

An instant classic in the literature of friendship: the witty, affectionate 40-year correspondence between a great story-writer and her editor . . . pleasure and delight. In July 1938, William Maxwell, then twenty-nine years old and the acting poetry editor of The New Yorker, wrote to Sylvia Townsend Warner inviting her to send him verse. Miss Warner, forty-four and famous for her novel Lolly Willowes, had recently begun writing stories for the magazine, antic, inimitable sketches of English life that Maxwell adored. The poems were sent, and a remarkable friendship was begun.

A collection of letters that gives an account of the love between the novelist Sylvia Townsend Warner and Valentine Ackland, which lasted as a marriage for over 30 years. It also covers their involvement in the Spanish Civil War, in Communism and in World War II.

Will he be her happily ever after? On leave from her job as a firefighter, Eboni Wynter is on a quest to reunite with her three long-lost sisters. She isn't looking for romance…until she meets her off-the-charts-sexy neighbor. A major player on the Manhattan singles scene, real estate mogul Darren Grayson arouses a deep passion in Eboni. Darren has never met anyone quite like Eboni. He'll do whatever it takes to win her heart…if she'll let him. But sooner or later, Eboni's bound to discover the truth about Darren's past, and his secret may come between them. Or will they discover the courage to stay together and find their own perfect ending?

An affectionate 40-year correspondence between Sylvia Townsend Warner and her "New Yorker" editor William Maxwell resulted in more than 1,300 exchanged letters--collected here for the first time--that became the most significant and longest-lasting correspondence of their lives. of photos.

Sylvia Townsend Warner has increasingly become recognized as a significant and distinctive talent amongst twentieth-century authors. This volume explores her remarkable relationship with Valentine Ackland - her partner for forty years - by closely examining their letters and diaries alongside a selection of their other texts, in particular their poetry. This analysis reveals the crucial role their writing played in establishing, maintaining, and defending their intimacy and describes the emergence of an alternative textual world upon which they became wholly reliant. Examining how Warner and Ackland exploited the distance between their lived life and their accounts of it, gives rise to many fascinating and untold stories. Furthermore, in investigating the fluidity of the boundaries between letters, diaries and fiction this book also provides a fresh perspective on these life-writing forms. Warner and Ackland's need to speak as women, writers and lovers, shaped their texts, so that they became not simply records of events, nor acts of communication, but complex documents in which love is won and lost, myths are created, and lives are changed, as will be the perspectives of those who read this book.

'One of the great British novels of the twentieth century: a narrative of extraordinary reach, power and beauty' Sarah Waters The nuns who enter a medieval Norfolk convent are told to renounce the world, but the world still finds ways to trouble them, whether it is through fire, floods, pestilence, a collapsing spire, jealous rivalries, a priest with a secret or a plague of caterpillars. As we follow their daily lives over three centuries, this masterpiece of historical fiction re-creates a world run by women. 'As an act of imagined history this novel has few rivals. Also, as it happens, a work of high, frequent comedy' George Steiner, The Times Literary Supplement 'Spellbinding . . . One starts rereading as soon as one has reached the last page' Sunday Times 'Magnificent' Philip Hensher, Daily Telegraph