Lewis Mumford

Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934—before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, Technics and Civilization was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years—and to predict the pull the technological still holds over us today. “The questions posed in the first paragraph of Technics and Civilization still deserve our attention, nearly three quarters of a century after they were written.”—Journal of Technology and Culture

I am a disciple of Patrick Geddes, and I am an abject admirer of everything he has said and done. The tantalising nearness of everything we most want; were it not for some fatal, stubborn grain in both of us, Geddes and I, linked together, intellectual and emotional, might still conquer the world. For lack of this, he will be imperfectly articulate and I, perhaps, will have nothing to say. These two comments by Lewis Mumford, written at either end of his largely epistolary relationship with Patrick Geddes, frame an astonishing correspondence between two of our century's greatest thinkers on Western civilisation. Mumford was the versatile New York cultural critic, famous for his writings on architecture, the city and technology. His master, Geddes, was the Scots biologist, sociologist and planner, the professor of things in general. The letters reveal much about the intellectual culture of the first half of the Twentieth Century as they chart an extraordinary Anglo-American relationship between very different men; this friendship, initially of master and disciple, even father/son, was based on a shared intellectual quest, and inspired the work of both. All that exists of those letters, and much previously unpublished material besides, has been meticulously collected and edited by Frank G. Novak Jnr..

Malcolm Cowley called Lewis Mumford the last of the great humanists, and indeed, in more than six decades of writing, Mumford made contributions to history, philosophy, literature, art, architectural criticism, and urban planning. The author of some thirty books, Mumford produced a body of work almost unequaled in the twentieth century for its range and richness. A New York Times Notable Book, Donald Miller's engagingly written biography reveals Mumford's full and fascinating life. Based on ten years of research and unprecedented access to original and private papers, Miller penetrates Mumford's reserved public persona and takes in the complete man, his works as well as his days, as he struggles to transform the world -- and his own life -- in decades marked by unparalleled change. Miller is an excellent critical guide to Mumford's voluminous writing. -- The New Yorker A gracefully written biography. -- Francesca McKeon, San Francisco Chronicle With this large, large-spirited life of Lewis Mumford ... Miller takes his place in the first rank of contemporary American biographers. -- David McCullough

The city's development from ancient times to the modern age. Winner of the National Book Award. "One of the major works of scholarship of the twentieth century" (Christian Science Monitor). Index; illustrations.

Lewis Mumford was the author of more than thirty influential books, many of which expounded his views on the perils of urban sprawl and a society obsessed with technics. This text provides the essence of Mumford's views on the distinct yet interpenetrating roles of technology and the arts in modern culture.

Lewis Mumford's achievements as an architectural critic, literary critic and urbanist are well known. However, his contribution to the American studies movement and to cultural studies in general has almost been forgotten in recent years. By situating Mumford's work in its contemporary intellectual context and by considering some of its legacies for the study of 'culture and civilization' - especially in the nascent field of American studies - this book considers Mumford as an 'author', drawing out some of the expressive, political and methodological significance of this term. In an attempt to counter frequent arguments that Mumford's works are inconsistent, repetitive and derivative, the author argues that, taken as a whole, they demonstrate a consistent inter-disciplinary or trans-disciplinary critical project, and that Mumford's thought is comparable with that of Marx and Weber. The book traces this critical project through Mumford's works from the early twentieth century and also through his formal process of writing. The author aims to show that Mumford's project was neither provincial nor reactionary, as some have argued, but was instead a dynamic juxtaposition of past and present that enabled him to imagine a future where humans might fulfil their potential in a more perfectly republican, even utopian, urban space.

This collection of essays by leading scholars explores the numerous and brilliant facets of Lewis Mumford's insights into technology and modern culture. Characterized as one of the last of the American public intellectuals, Mumford has written extensively about those issues and problems that are most challenging and troubling for modern society. His Technics and Civilization (1934) and the two-volume The Myth of the Machine (1967 and 1970) still provide an agenda for discussion of technology and culture. Mumford foresightedly warned against simplistic technological determinism by exploring the ways in which values shape technology. He is generally recognized as a seminal figure who laid the foundations for the fields of American Studies and the History of Technology. This compelling portrait of Mumford, written in an accessible style, and exploring highly controversial, timely issues, makes a substantial contribution to the rapidly growing interest in the interaction of technology and culture, and is must reading for students of the history and sociology of science and technology, American studies, and American intellectual and cultural history.