Life And Times Of Missouri S Charles Parsons The Between Art And War

Charles Parsons is one of St. Louis's and the nation's most influential yet little-known figures. He was instrumental to the Union cause as a Civil War quartermaster and advisor to generals, politicians and presidents alike. As a world-traveling art conno

"Charles Parsons is one of St. Louis's and the nation's most influential yet little-known figures. He was instrumental to the Union cause as a Civil War quartermaster and advisor to generals, politicians and presidents alike. As a world-traveling art connoisseur, he helped found the first art museum west of the Mississippi, to which he donated his remarkable collection of American, European and Asian art. To this day, his philanthropic work and dedication to education live on in some of the country's grandest institutions. Author John Launius tells the full story for the first time, from business failures in a riverside boomtown to national renown."--Back cover.

Charles Parsons is one of St. Louis's and the nation's most influential yet little-known figures. He was instrumental to the Union cause as a Civil War quartermaster and advisor to generals, politicians and presidents alike. As a world-traveling art connoisseur, he helped found the first art museum west of the Mississippi, to which he donated his remarkable collection of American, European and Asian art. To this day, his philanthropic work and dedication to education live on in some of the country's grandest institutions. Author John Launius tells the full story for the first time, from business failures in a riverside boomtown to national renown.

No one remembers the daytime heist at the Saint Louis Art Museum. A rare Picasso arrived at the museum cloaked in mystery in 1934, then disappeared without a trace in 1973. Today, the painting could be worth millions, that is, if it could be recovered. Join the author as she shares the backstory of the stolen Picasso and how it became the least-told story of art theft from a highly regarded art museum. Someone might have it without knowing it was lifted from a big city collection fifty years ago. Recognizing the painting could be the first step in getting it home.

Commissioned in honor of Washington University's sesquicentennial, the book chronicles the events and people that have shaped the university during its first 150 years.

Following the 1898 Spanish-American War, the United States constructed federal buildings in its newly acquired territories, including Cuba, Puerto Rico, and the Philippines. Over a century later, many of these grand Beaux-Arts-style edifices are still in use. In Civic Buildings after the Spanish-American War, Maria Eugenia Achurra G. examines this architecture and urban design as a backdrop for US exceptionalism and expansionism. The book defines exceptionalism and its role in US Beaux-Arts federal architecture. Subsequent chapters compare specific examples of Beaux-Arts civic architecture in the continental US and Latin America. The book also studies architectural and urban design from other US possessions of the Progressive Era, such as the former Panama Canal Zone and occupied territories like the Dominican Republic. Reviewing the work of relevant designers and architects, Achurra G. argues that architectural examples epitomize the rich, expansionist intentions of twentieth-century Progressive America. These lingering buildings function as intriguing material evidence of the United States’ geopolitical, historical, and commercial meddling in the internal affairs of the Americas and elsewhere.

Union list catalog of the lithographic views of cities and towns made during the 19th century.