Life And Words

Weaving anthropological and philosophical reflections on the ordinary into her analysis, Das points toward a new way of interpreting violence in societies and cultures around the globe.

From the acclaimed writer of the beloved Clara Callan comes a beautifully crafted, charming portrait of the writing life. Combining his characteristic wit and self-deprecation with his extraordinary imagination and insight, Richard B. Wright has created a deeply affecting memoir that reads like a novel. As a small, watchful boy growing up in a working class family in Midland, Ontario, during the Second World War, Wright gradually discovered that he saw the world through different eyes. His intellectual and sexual awakenings, his exploits as a young salesman in Canadian publishing, his painful struggles to become a writer—all of this is balanced against the extraordinary reception that in the 1970s greeted his first novel, The Weekend Man, which was published around the world to great acclaim. In spite of the sometimes crippling depression that haunted him and the ups and downs of the mid-life writer, he would finally achieve overwhelming success with Clara Callan, the Giller-winning work that swept every award in Canada and revitalized his career. Lovers of Wright’s work will appreciate behind-the-scenes glimpses of his craft in individual novels and his exploration of how a writer transmutes experience into art. And readers will enjoy his thoughtful exploration of the essential role of storytelling in our lives. A Life with Words is both a celebration of the writing life and a deeply personal—at times revelatory—invitation into the world of the imagination.

An inside look into Paul Auster's art and craft, the inspirations and obsessions, mesmerizing and dramatic in turn. A remarkably candid, and often surprisingly dramatic, investigation into one writer's art, craft, and life, A Life in Words is rooted in three years of dialogue between Auster and Professor I. B. Siegumfeldt, starting in 2011, while Siegumfeldt was in the process of launching the Center for Paul Auster Studies at the University of Copenhagen. It includes a number of surprising disclosures, both concerning Auster's work and about the art of writing generally. It is a book that's full of surprises, unscripted yet amounting to a sharply focused portrait of the inner workings of one of America's most productive and successful writers, through all twenty-one of Auster's narrative works and the themes and obsessions that drive them.

Words are essential to our everyday lives. An average person spends his or her day enveloped in conversations, e-mails, phone calls, text messages, directions, headlines, and more. But how often do we stop to think about the origins of the words we use? Have you ever thought about which words in English have been borrowed from Arabic, Dutch, or Portuguese? Try admiral, landscape, and marmalade, just for starters. The Secret Life of Words is a wide-ranging account not only of the history of English language and vocabulary, but also of how words witness history, reflect social change, and remind us of our past. Henry Hitchings delves into the insatiable, ever-changing English language and reveals how and why it has absorbed words from more than 350 other languages—many originating from the most unlikely of places, such as shampoo from Hindi and kiosk from Turkish. From the Norman Conquest to the present day, Hitchings narrates the story of English as a living archive of our human experience. He uncovers the secrets behind everyday words and explores the surprising origins of our most commonplace expressions. The Secret Life of Words is a rich, lively celebration of the language and vocabulary that we too often take for granted.

To everyone reading this,the book contains the great situations that have occurred in my life in the past.This book is a collection of such situations in the form of poems that show some good and bad phases that once occurred.

For centuries, investigations into the origins of words were entwined with investigations into the origins of humanity and the cosmos. With the development of modern etymological practice in the nineteenth century, however, many cherished etymologies were shown to be impossible, and the very idea of original 'true meaning' asserted in the etymology of 'etymology' declared a fallacy. Structural linguistics later held that the relationship between sound and meaning in language was 'arbitrary', or 'unmotivated', a truth that has survived with small modification until today. On the other hand, the relationship between sound and meaning has been a prime motivator of poems, at all times throughout history. The Life of Words studies a selection of poets inhabiting our 'Age of the Arbitrary', whose auditory-semantic sensibilities have additionally been motivated by a historical sense of the language, troubled as it may be by claims and counterclaims of 'fallacy' or 'true meaning'. Arguing that etymology activates peculiar kinds of epistemology in the modern poem, the book pays extended attention to poems by G. M. Hopkins, Anne Waldman, Ciaran Carson, and Anne Carson, and to the collected works of Geoffrey Hill, Paul Muldoon, Seamus Heaney, R. F. Langley, and J. H. Prynne.

Putnam offers a sweeping account of the sources of several central problems of philosophy. A unifying theme of the volume is that reductionism, scientism, and old-style disenchanted naturalism tend to be obstacles to philosophical progress.

This book--which presents a course of lectures Cavell presented several times toward the end of his teaching career at Harvard--links masterpieces of moral philosophy and classic Hollywood comedies to fashion a new way of looking at our lives and learning to live with ourselves.