Life In Monkey Town

There is a small community not far away named Monkey Town. A tribe of very friendly monkeys lives there. The short stories in this collection are about them and the problems they face in their daily lives. Each story teaches a significant life lesson through the hilarious antics of a charming cast of monkeys.

From New York Times bestselling author Rachel Held Evans: a must-read for anyone on the journey of doubt, deconstruction, and ultimately faith reborn. Eighty years after the Scopes Monkey Trial made a spectacle of Christian fundamentalism and brought national attention to her hometown, Rachel Held Evans faced a trial of her own when she began to have doubts about her faith. In Faith Unraveled, Rachel recounts growing up in a culture obsessed with apologetics, struggling as her own faith unraveled one unexpected question at a time. In order for her faith to survive, Rachel realizes, it must adapt to change and evolve. Using as an illustration her own spiritual journey from certainty to doubt to faith, Evans challenges you to disentangle your faith from false fundamentals and to trust in a God who is big enough to handle your tough questions. In a changing cultural environment where new ideas seem to threaten the safety and security of the faith, Faith Unraveled is a profoundly moving, fearlessly honest, and relentlessly hopeful story of survival. This book was previously titled Evolving in Monkey Town.

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NAMED A NEW YORK TIMES NOTABLE BOOK OF 2017#1 New York Times and #1 Wall Street Journal bestseller! A five-hundred-year-old legend. An ancient curse. A stunning medical mystery. And a pioneering journey into the unknown heart of the world's densest jungle. Since the days of conquistador Hernán Cortés, rumors have circulated about a lost city of immense wealth hidden somewhere in the Honduran interior, called the White City or the Lost City of the Monkey God. Indigenous tribes speak of ancestors who fled there to escape the Spanish invaders, and they warn that anyone who enters this sacred city will fall ill and die. In 1940, swashbuckling journalist Theodore Morde returned from the rainforest with hundreds of artifacts and an electrifying story of having found the Lost City of the Monkey God-but then committed suicide without revealing its location. Three quarters of a century later, bestselling author Doug Preston joined a team of scientists on a groundbreaking new quest. In 2012 he climbed aboard a rickety, single-engine plane carrying the machine that would change everything: lidar, a highly advanced, classified technology that could map the terrain under the densest rainforest canopy. In an unexplored valley ringed by steep mountains, that flight revealed the unmistakable image of a sprawling metropolis, tantalizing evidence of not just an undiscovered city but an enigmatic, lost civilization. Venturing into this raw, treacherous, but breathtakingly beautiful wilderness to confirm the discovery, Preston and the team battled torrential rains, quickmud, disease-carrying insects, jaguars, and deadly snakes. But it wasn't until they returned that tragedy struck: Preston and others found they had contracted in the ruins a horrifying, sometimes lethal-and incurable-disease. Suspenseful and shocking, filled with colorful history, hair-raising adventure, and dramatic twists of fortune, THE LOST CITY OF THE MONKEY GOD is the absolutely true, eyewitness account of one of the great discoveries of the twenty-first century.

“Monkey Beach creates a vivid contemporary landscape that draws the reader deep into a traditional world, a hidden universe of premonition, pain and power.” --Thomas King Tragedy strikes a Native community when the Hill family’s handsome seventeen-year-old son, Jimmy, mysteriously vanishes at sea. Left behind to cope during the search-and-rescue effort is his sister, Lisamarie, a wayward teenager with a dark secret. She sets off alone in search of Jimmy through the Douglas Channel and heads for Monkey Beach—a shore famed for its sasquatch sightings. Infused by turns with darkness and humour, Monkey Beach is a spellbinding voyage into the long, cool shadows of B.C.’s Coast Mountains, blending teen culture, Haisla lore, nature spirits and human tenderness into a multi-layered story of loss and redemption.

Monkey-Town is a fantasy thriller that describes the joyride experience of Jenna Wu in SF Chinatown, her ups and downs, and her ultimate enlightenment.

SHORTLISTED for the 2021 Speaker's Book Award LONGLISTED for the 2021 Toronto Book Award The triumph of Saga Boy is the triumph of Blackness everywhere--the irrepressible instinct for survival in a world where Blacks are prey." --Ian Williams, Giller Prize-winning author of Reproduction An enthralling, deeply personal account of a young immigrant's search for belonging and Black identity amid the long-lasting effects of cultural dislocation. Antonio Michael Downing's memoir of creativity and transformation is a startling mash-up of memories and mythology, told in gripping, lyrical prose. Raised by his indomitable grandmother in the lush rainforest of southern Trinidad, Downing, at age 11, is uprooted to Canada when she dies. But to a very unusual part of Canada: he and his older brother are sent to live with his stern, evangelical Aunt Joan, in Wabigoon, a tiny northern Ontario community where they are the only Black children in the town. In this wilderness, he begins his journey as an immigrant minority, using music and performance to dramatically transform himself. At the heart of his odyssey is the longing for a home. He is re-united with his birth parents who he has known only through stories. But this proves disappointing: Al is a womanizing con man and drug addict, and Gloria, twice abandoned by Al, seems to regard her sons as cash machines. He tries to flee his messy family life by transforming into a series of extravagant musical personalities: "Mic Dainjah," a punk rock rapper, "Molasses," a soul music crooner and finally "John Orpheus," a gold chained, sequin- and leather-clad pop star. Yet, like his father and grandfather, he has become a "Saga Boy," a Trinidadian playboy, addicted to escapism, attention, and sex. When the inevitable crash happens, he finds himself in a cold, stone jail cell. He has become everything he was trying to escape and must finally face himself. Richly evocative, Saga Boy is a heart-wrenching but uplifting story of a lonely immigrant boy who overcomes adversity and abandonment to reclaim his Black identity and embrace a rich heritage.

Although Emily Carr is now considered a Canadian legend, the most enduring image is that of her pushing a beat-up old pram into downtown Victoria, loaded with dogs, cats, birds—and a monkey. Woo, a Javanese macaque whom Carr adopted in 1923, has become inextricably linked with Carr in the popular imagination. But more than that, in her short lifetime Woo became equally connected to Carr’s life and art. Born to a strictly religious family, Carr was never able to reconcile her wild and passionate nature with the stifling mores of the well-to-do Victorian society in which she was raised. Over the years, she increasingly turned to the company of animals to find the love and trust missing from her human relationships. Across the world in an Indonesian jungle lagoon, Woo (like Carr) was parted from her mother at a young age. The tiny ape with a “greeny-brown” pelt and penetrating golden eyes was then shipped across the world. When Carr spotted Woo in a pet store, she recognized a kindred spirit and took her home. Woo was many things to Carr—a surrogate daughter, a reflection of herself, a piece of the wild inside her downtown Victoria boarding house. Welcoming the mischievous Woo into her life, Carr also welcomed a freedom that allowed a full blooming of artistic expression and gave Canada and the world great art unlike any other before or since. However, despite Carr’s clear love for Woo, her chaotic life did not always allow Carr to properly care for her. Tragically, after Carr was hospitalized due to heart failure, she arranged for Woo to be sent to the Stanley Park Zoo. Bereft of Carr, Woo died alone in her cage only a year later. Hayter-Menzies approaches his subject from a contemporary perspective on bringing wild animals into captivity while remaining empathetic to the unique relationship between artist and monkey.