Life Is A Game Of Inches Christian Roberts James Leighton

'Life is a Game of Inches' is an account of Cardiff City, Exeter City, Bristol City and Swindon Town footballer Christian Roberts. Amongst the glory of getting called up for Wales and delighting fans with his skills came the misery of alcohol addiction, gambling, losing a daughter and falling out with a managers and players.

Memoirs of Black Entomologists: Reflections on Childhood, University, and Career Experiences brings together 20 black entomologists from the U.S. and around the world to share the stories of what drew them to the field, along with advice for black and minority students looking for a rewarding career in the entomological sciences.

In July 1935, Robert Atkinson and John Ainslie set out on an ornithological search for the rare Leach's Fork-tailed Petrel. Their quest was to last for twelve years and took them from their Oxford base to many of the remote and often deserted islands off the north-west coast of Scotland. Island Going is the account of their adventure. Not only is it packed with marvellous descriptions of the wildlife and landscapes of the islands as well as the journey itself, it also paints a vivid portrait of the way of life of the islanders and their history and traditions.

Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.