Light Science

Intended for students in the visual arts and for others with an interest in art, but with no prior knowledge of physics, this book presents the science behind what and how we see. The approach emphasises phenomena rather than mathematical theories and the joy of discovery rather than the drudgery of derivations. The text includes numerous problems, and suggestions for simple experiments, and also considers such questions as why the sky is blue, how mirrors and prisms affect the colour of light, how compact disks work, and what visual illusions can tell us about the nature of perception. It goes on to discuss such topics as the optics of the eye and camera, the different sources of light, photography and holography, colour in printing and painting, as well as computer imaging and processing.

This book is renowned for being the book to own to understand lighting! This is better than all the other how to books on the market which just provide set examples for photographers to follow. Light Science and Magic provides photographers with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. It will show you in-depth how to light the most difficult subjects such as surfaces, metal, glass, liquids, extremes (black-on-black and white-on-white), and people. With more information specific for degital photographers, a brand new chapter on equipment, much more information on location lighting, and more on photographing people, you'll see why this is one of the only recommended books by www.strobist.com.

This text introduces a logical theory of photographers lighting - one that teaches beginning photographics to predict results before setting up lights. This is not primarily a how-to book with only set examples for photographers to follow. Rather, it provides the reader with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. Numerous photographs and illustrations provide clear examples of the theories delineated within the text, while sidebars highlight special lighting questions.

Suitable for advanced undergraduate and graduate students of engineering, physics, and mathematics and scientific researchers of all types, this is the first authoritative text on invisibility and the science behind it. More than 100 full-color illustrations, plus exercises with solutions. 2010 edition.

This book traces the evolution of our understanding and utilization of light from classical antiquity and the early thoughts of Pythagoras to the present time. From the earliest recorded theories and experiments to the latest applications in photonic communication and computation, the ways in which light has been put to use are numerous and astounding. Indeed, some of the latest advances in light science are in fields that until recently belonged to the realm of science fiction. The author, writing for an audience of both students and other scientifically interested readers, describes fundamental investigations of the nature of light and ongoing methods to measure its speed as well as the emergence of the wave theory of light and the complementary photon theory. The importance of light in the theory of relativity is discussed as is the development of electrically-driven light sources and lasers. The information here covers the range o f weak single-photon light sources to super-high power lasers and synchrotron light sources. Many cutting-edge topics are also introduced, including entanglement-based quantum communication through optical fibers and free space, quantum teleportation, and quantum computing. The nature and use of "squeezed light" - e.g. for gravitational wave detection - is another fascinating excursion, as is the topic of fabricated metamaterials, as used to create invisibility cloaks. Here the reader also learns about the realization of extremely slow speed and time-reversed light. The theories, experiments, and applications described in this book are, whenever possible, derived from original references. The many annotated drawings and level of detail make clear the goals, procedures, and conclusions of the original investigators. Where they are required, all specialist terms and mathematical symbols are defined and explained. The final part of the book covers light expe riments in the free space of the cosmos, and also speculates about scenarios for the cosmological origins of light and the expected fate of the photon in a dying universe.

Intended for students in the visual arts and for others with an interest in art, but with no prior knowledge of physics, this book presents the science behind what and how we see. The approach emphasises phenomena rather than mathematical theories and the joy of discovery rather than the drudgery of derivations. The text includes numerous problems, and suggestions for simple experiments, and also considers such questions as why the sky is blue, how mirrors and prisms affect the colour of light, how compact disks work, and what visual illusions can tell us about the nature of perception. It goes on to discuss such topics as the optics of the eye and camera, the different sources of light, photography and holography, colour in printing and painting, as well as computer imaging and processing.

A charming and captivating exploration of the science of light. Where does light come from? How does it work? What is it made of? A girl and her cat find answers to these questions on a summertime journey of scientific discovery. The pair identify loads of examples of light, while exploring many fascinating topics: natural and artificial light; uses of light; opaque, translucent and transparent objects; absorbed, reflected and refracted light; and how the eye sees light. It’s a gentle yet comprehensive introduction to light and all its mysteries. From stars in the sky to fireworks over a lake, our inquisitive guides shine a light on … light!

This highly respected guide has been thoroughly updated and revised for content and design, and is now produced in full color. It introduces a logical theory of photographic lighting so new photographers can learn how to predict results before setting up lights.