Lights Camera Ali

Ali Caldwell figures her fifteen minutes of fame have expired, and she is ready to ditch the TV cameras. That’s hard to do when she has to spend Thanksgiving with her mother in Malibu, where they’ll be filming the Christmas special for their reality show. Then her little brother disappears while she’s in charge of him, and and everyone in the world is watching and blaming her, including her mother. Ali is determined to find him make everything right, but life is ever that simple.

Celebrities in the United States have drawn significant attention and resources to the complex issue of human trafficking—a subject of feminist concern—and they are often criticized for promoting sensationalized and simplistic understandings of the issue. In this comprehensive analysis of celebrities’ anti-trafficking activism, however, Samantha Majic finds that this phenomenon is more nuanced: even as some celebrities promote regressive issue narratives and carceral solutions, others use their platforms to elevate more diverse representations of human trafficking and feminist analyses of gender inequality. Lights, Camera, Feminism? thus argues that we should understand celebrities as multilevel political actors whose activism is shaped and mediated by a range of personal and contextual factors, with implications for feminist and democratic politics more broadly.

Lights Camera WAR! looks at 50 Indian war films from 1950 to 2020 across various Indian languages and examines their balance between entertainment and history. It looks at factors such as the real history behind the plots; the equipment and uniforms depicted; the use of music in the context and setting or, as often in Indian films, as a narrative device in the nautanki tradition, or for temporary relief; and the use of “filmy” coincidences, and other plot devices. The author’s sometimes surprising view is that some Indian war films classified as “flops” deserved more respect, at least in that they have been authentic in the depiction of history while some “hits” leave much to be desired. There are also comparisons with Hollywood and the West, where war films form a distinct genre. Some Indian war films, including major hits, are clearly “inspired” by such Hollywood films, and what they lose (or gain) in transplanting to the Indian screen is also discussed. The book also includes small historical capsules for comparison with the on-screen action, to illustrate how far the Indian war film accurately presents the history, serves as ‘masala’ entertainment, or manages a balance between them.

This inside look at the production of 20th century television commercials begins with a review of advertising’s beginnings going through the 1960s and early 1970s. The author, a career “Mad man,” recounts lightheartedly his experiences on commercial productions—both live and film—in theaters and studios in New York City, at LBJ’s ranch, on the White House lawn, along Rome’s Appian Way, in Lady Astor’s dining room and on the Tryall Golf Course in Jamaica, among other places. The technical (and people) challenges involved in producing high-end commercials for major corporations are given in often funny detail.

Actress Kara Kensington flies to New Hope, Wisconsin, where she'll spend the winter holidays filming a movie. Her entire career depends on the success of the feel-good story based on her best friend's life. To salvage her strained friendship with Dani, Kara asks the cute guy from the flight to act as her new boyfriend. But the longer she spends with him, the less she's acting. For Chef Scott Neil, his holidays aren't only about family togetherness. He wants Aunt Shirley and Uncle Ted to retire. When he's asked to fake a relationship with Kara, he agrees. As he gets drawn into Kara's production, he questions what is real and what's just for show. Only a fool would fall in love with America's sweetheart.

"Lights, Camera, Masala is a celebration of contemporary Hindi cinema - popularly known as Bollywood. The book documents the process of making a typical commercial Hindi film through the adventures of a pair of fictitious characters called Vijay and Ravi as they endeavor to make a Bollywood film of their own. Photographs capture the grandeur, grit and madness that is Bollywood."--BOOK JACKET.

Advances in forensic odontology have led to improvements in dental identification for individual cases as well as in disaster victim identification (DVI). New and updated technologies mean advances in bitemark analysis and age estimation. Growth in the field has strengthened missing persons’ networks leading to more and faster identifications of unidentified individuals. A product of the American Society of Forensic Odontology, the Manual of Forensic Odontology, Fifth Edition provides comprehensive and up-to-date information involving all facets of forensic dentistry and explores critical issues relating to the scientific principles supporting the field’s evaluations and conclusions. New information in the Fifth Edition includes Scientific principles and the need for more and better research in the field Oral and maxillofacial radiographic features of forensic interest Forensic pathology and its ties to forensic odontology New techniques and improved technologies for age estimation Advances in bitemark evidence management Animal bitemarks National and international forensic dental organizations Tips for becoming involved in forensic odontology The manual has been an important source of forensic dentistry information for more than 20 years. This new edition is edited by a past president of the American Board of Forensic Odontology and a past Chair of the Odontology Section of the American Academy of Forensic Sciences. Expanded and enhanced with extensive color illustrations, this volume is designed to provide essential information based on sound scientific principles for experienced forensic odontologists and for those new to the discipline.