Lights Music Code 3

Perfect for fans of The Babysitters Club and anyone interested in computer science, this series is published in partnership with the organization Girls Who Code! Maya and her friends from coding club have an exciting new project: they're coding lights and music for the winter dance! But when Maya's old troublemaking friend Maddie moves to town, Maya starts spending a lot of time with her, and less time with her coding friends. Maddie just gets her in a way that her other friends don't. Will Maya get swayed by Maddie's wayward ways, or will she stay true to her "permanent group" from coding club? And will she come through on her part for the light and music coding project? Maybe coding--like friendship--is about being there for your friends when they need you the most.

It's almost time for the winter dance, and Maya and her BFFs are in charge of coding the lights and music! Of course they'll use what they've learned in coding club to make it super-cool, though figuring out their plan isn't easy. And Maya's friends aren't listening to any of her ideas. But Nicole, Maya's old friend, is happy to listen to her. Before long, Maya finds herself in one big mess--with her friends and at home--and the dance might be a total disaster. Is it too late for Maya to realize that friendship--like coding--is about making sure you look, listen, and learn?

NEW YORK TIMES BESTSELLER! Part how-to, part girl-empowerment, and all fun, from the leader of the movement championed by Sheryl Sandberg, Malala Yousafzai, and John Legend. Since 2012, the organization Girls Who Code has taught computing skills to and inspired over 40,000 girls across America. Now its founder, and author Brave Not Perfect, Reshma Saujani, wants to inspire you to be a girl who codes! Bursting with dynamic artwork, down-to-earth explanations of coding principles, and real-life stories of girls and women working at places like Pixar and NASA, this graphically animated book shows what a huge role computer science plays in our lives and how much fun it can be. No matter your interest—sports, the arts, baking, student government, social justice—coding can help you do what you love and make your dreams come true. Whether you’re a girl who’s never coded before, a girl who codes, or a parent raising one, this entertaining book, printed in bold two-color and featuring art on every page, will have you itching to create your own apps, games, and robots to make the world a better place.

Perfect for fans of The Babysitters Club and anyone interested in computer science, this book by New York Times bestselling author Stacia Deustch is published in partnership with the organization Girls Who Code! Sophia and her coding club BFFs have the best time together. Sure, they work on coding projects, but mostly they gossip about crushes, eat cookies, and do totally silly impersonations. Now they’re about to participate in their first hackathon--a full day of coding and meeting other coders—so it’s time to step up their game! Just when Sophia and her friends think their hackathon project is ready for the big time, a change of plans threatens to tear their group apart. Will they have each other’s backs, or are they destined for an epic fail? They know that coding is all about teamwork and problem-solving—maybe friendship is, too!

The year was 1995 and three very successful private ambulance companies joined forces in a mammoth merger to thwart the impending threat of FMR (Frequent Medical Response), the U.S.A.s largest nationally based private ambulance company. Power Ambulance from Chicago, Reagan-Stiller Ambulance from Greater Chicagoland, and Baileys Ambulance from southern Illinois and Indiana combined forces to become Tri*Medic Transport Incorporated. Code 3: The Rise & Fall of a Private Ambulance Empire proves that people from all walks of life are attracted to the strange realm that is Emergency Medical Services (E.M.S.). But like average employees, many of them come and go. Like druggies, they get their quick fix and then they leave. E.M.S. sees them come and go like the motions of the ocean. But what they leave behind are their unforgettable stories. Code 3: The Rise & Fall of a Private Ambulance Empire is not your typical novel about the heroisms of what takes place in the back of an ambulance, rather, Code 3 takes you on a fast-paced lights and sirens ride through the delightful disgraces that are hidden well from the public eye. The tribulations of the mighty E.M.S. Tri*Medic are well chronicled in this in-depth partisan culture of the unique private ambulance company world. Code 3: The Rise & Fall of a Private Ambulance Empire is a dauntless expos of Nazi Germany and the Titanic Disaster, uniquely intertwined in the unforgiving E.M.S. field of battle. Code 3 is set inside a huge garage on the north side of Chicago that is a branch of the massive private ambulance company merger. It was inside this garage that most of the mayhem took place, making for an unforgettable reading experience. Like the stories and characters involved in the inception of this novel, you will never forget it.

The book offers 15 fully-developed and classroom-vetted instructional plans and assessments span in age range from kindergarten through grade 12. With these instructional lessons for music and STEM classes, teachers in training, current educators, and administrators can better understand and immediately use tools for planning, assessing, and the practical teaching of STEM with Music.

Reviews of the first edition: '...a work of high seriousness...manna from rhetorical heaven for students and researchers with a lot of hard graft ahead of them... '(English Today) '...an impressive single-author reference work... '(English) '...Not only is this volume indispensible for anyone, students or academics, working in any field related to stylistics, it is, like all the best dictionaries, a very good read...' (Le Lingue del Mondo) Over the past ten years there have been striking advances in stylistics. These have given rise to new terms and to revised thinking of concepts and re-definitions of terms. A Dictionary of Stylistics, 2nd Edition contains over 600 alphabeticlly listed entries: fully revised since the first and second editions, it contains many new entries. Drawing material from stylistics and a range of related disciplines such as sociolinguistics, cognitive linguistics and traditional rhetoric, the revised Third Edition provides a valuable reference work for students and teachers of stylistics, as well as critical discourse analysis and literary criticism. At the same time it provides a general picture of the nature, insights and methodologies of stylistics. As well as explaining terminology clearly and concisely, this edition contains a subject index for further ease of use. With numerous quotations; explanations for many basic terms from grammar and rhetoric; and a comprehensive bibliography, this is a unique reference work and handbook for stylistic and textual analysis. Students and teachers at secondary and tertiary levels of English language and literature or English as a foreign or second language, and of linguistics, will find it an invaluable source of information. Katie Wales is Professor of Modern English Language, University of Leeds and Dean of Learning and Teaching in the Faculty of Arts.

Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as "the past" versus "the present," socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.