Like A Bride Adorned

This book engages one set of conceptual metaphors in relation to Revelation's literary and social-historical milieu.

The New Jerusalem Bible: Standard Edition will satisfy the great need for an authoritative version of "the greatest story ever told" in a package so attractive, user friendly, and affordable, this edition is destined to become a classic. Using the same translation that has been hailed as "truly magnificent" (Journal of Bible Literature), the Standard Edition has a completely redesigned interior, set in a two-column format for easy reading. With all the best features of much more cumbersome and costly versions, this Bible is a must-have for home, church, and school.

OVER 100,000 COPIES SOLD! Winner of the 2018 Christian Book Award® (Bible Study Category) Known for her wisdom, warmth, and knowledge of Scripture, Nancy DeMoss Wolgemuth has encouraged millions through her books, radio programs, and conferences. Now she’s back with a legacy work on Titus 2 and its powerful vision for women: Woman to woman. Older to younger. Day to day. Life to life. This is God’s beautiful plan. The Titus 2 model of older women living out the gospel alongside younger women is vital for us all to thrive. It is mutually strengthening, glorifies God, and makes His truth believable to our world. Imagine older women investing themselves in the lives of younger women, blessing whole families and churches. Imagine young wives, moms, and singles gaining wisdom and encouragement from women who’ve been there and have found God’s ways to be true and good. Imagine all women—from older women to young girls—living out His transforming gospel together, growing the entire body of Christ to be more beautiful. This is Christian community as God designed it. Read this book and take your relationships to new depths, that your life might find its fullest meaning as you adorn the gospel of Christ.

The phrase "like a bride adorned" is one of the ways Revelation describes the new Jerusalem which descends from heaven. This phrase can also be read as describing one of the ways interpreters historically have understood the relationship between Revelation and its metaphorical language. In contrast to views that suggest Revelation's metaphorical language is simple adornment, Huber argues that Revelation's persuasive power resides within the text's metaphorical nature and she articulates a method for exploring how Revelation employs metaphor to shape an audience's thought. In order to gain a sense of how metaphorical language works in Revelation's highly metaphorical text,"Like a Bride Adorned:" Reading Metaphor in John's Apocalypse engages one set of conceptual metaphors in relation to Revelation's literary and social-historical milieu. Specifically, Huber explores the conceptual metaphors undergirding Revelation's nuptial or bridal imagery. Positioned at the culmination of the text's, nuptial imagery serves as one the text's final and arguably one of its most important characterizations of the Christian community. Examining the function of Revelation's nuptial imagery involves investigating how the text redeploys conventional metaphorical constructions used in the writings of the Hebrew prophets and how its imagery engages Greco-Roman depictions of women, weddings, and brides. Discourse about marriage and family was such an important part of Revelation's historical context, especially as it was shaped by the Roman Empire, that any discussion of the text's nuptial imagery must examine how it reflects and responds to this discourse. By addressing these questions, we see that Revelation's nuptial imagery serves to further the text's goal of shaping Christian identity in opposition to the social demands of the Roman Empire. Moreover, exploration of the conceptual metaphors undergirding Revelation's "bride adorned" reveals how John seeks to shape Christian identity as a transitional identity. Through metaphor, Revelation encourages its audience to envision the Christian community as a bride who constructs "her" own identity as she transitions into a new role in relation to God and the Lamb. Through the process of exploring Revelation's nuptial imagery with insights gained from conceptual metaphor theory, we uncover the ways that John employs metaphorical language to persuade his audience's thought about themselves and about others. Consequently, this work contributes both to our understanding of the text's nuptial imagery and to our knowledge of how Revelation employs metaphor as tool for persuasion.

Handbook to Happiness counsels hurting people by teaching them to exchange their life for Christ’s. Instead of “trying to live the Christian life,” which still centers on our own efforts, we need to allow Christ to live his life in us. This removes all reliance on human effort and frees us to become totally Christ centered. This revision includes personal testimonials, diagrams, and a poem by the author, illustrating his own spiritual and emotional journey.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Starting in the early to mid-nineteenth century, Catholic theology witnessed a profound retrieval of patristic reflection on the interrelationship of the Virgin Mary and the Church. This dynamic reached a doctrinal high point with the declarations of Vatican II and Pope Paul VI concerning Mary as “type of the Church” and “Mother of the Church,” and it also provided the impetus for further theological exploration of the deeper unity of the Mother of Christ and his mystical body. In A Bride Adorned, John L. Nepil examines how this interrelationship has been formulated in modern theology in terms of perichoresis, a notion of unconfused reciprocity or interpenetration drawn from Christology and Trinitarian theology first applied to Mary and the Church by the nineteenth-century German theologian Matthias Scheeben. In the first part of the study, Nepil treats the foundations of this formulation, outlining its historical background and creative articulation by Scheeben. The second part tracks developments of Scheeben’s insight in the thought of twentieth-century theological luminaries Charles Journet, Hans Urs von Balthasar, Louis Bouyer, and Leo Scheffczyk, each of whom distinctively articulate the shared conviction that neither Mary nor the Church can be understood apart from each other. The third part draws out the far-reaching doctrinal and pastoral implications of this deepened account of the Mary–Church relation, establishing its vital importance for ongoing theological and ecclesial renewal. Through his careful engagement with these figures, Nepil shows how Mary and the Church are to be understood as two realizations of a single mystery. This vantage on Mary and the Church sheds new light on the vision of the Council Fathers at Vatican II, and it charts a course for the Church’s flourishing via a return to her Marian heart.

This monumental commentary on the book of Revelation, originally published in 1999, has been highly acclaimed by scholars, pastors, students, and others seriously interested in interpreting the Apocalypse for the benefit of the church. Too often Revelation is viewed as a book only about the future. As G. K. Beale shows, however, Revelation is not merely a futurology but a book about how the church should live for the glory of God throughout the ages -- including our own. Engaging important questions concerning the interpretation of Revelation in scholarship today, as well as interacting with the various viewpoints scholars hold on these issues, Beale's work makes a major contribution in the much-debated area of how the Old Testament is used in the Apocalypse. Approaching Revelation in terms of its own historical background and literary character, Beale argues convincingly that John's use of Old Testament allusions -- and the way the Jewish exegetical tradition interpreted these same allusions -- provides the key for unlocking the meaning of Revelation's many obscure metaphors. In the course of Beale's careful verse-by-verse exegesis, which also untangles the logical flow of John's thought as it develops from chapter to chapter, it becomes clear that Revelation's challenging pictures are best understood not by apparent technological and contemporary parallels in the twentieth century but by Old Testament and Jewish parallels from the distant past.