Like Clockwork Steampunk Erotica

Seven stories of erotic steampunk, exploring worlds of clockwork people and their relationship to their creators. If a mad scientist of the steam age were to create his or her own being, what desires would be reflected there? With stories by Eric Del Carlo, Jason Rubis, Elizabeth Schechter, Lionel Bramble, AN Cortez, Helena Weiss, Monique Poirier.

Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture Once a small subculture, the steampunk phenomenon exploded in visibility during the first years of the twenty-first century, its influence and prominence increasing ever since. From its Victorian and literary roots to film and television, video games, music, and even fashion, this subgenre of science fiction reaches far and wide within current culture. Here Rachel A. Bowser and Brian Croxall present cutting-edge essays on steampunk: its rise in popularity, its many manifestations, and why we should pay attention. Like Clockwork offers wide-ranging perspectives on steampunk’s history and its place in contemporary culture, all while speaking to the “why” and “why now” of the genre. In her essay, Catherine Siemann draws on authors such as William Gibson and China Miéville to analyze steampunk cities; Kathryn Crowther turns to disability studies to examine the role of prosthetics within steampunk as well as the contemporary culture of access; and Diana M. Pho reviews the racial and national identities of steampunk, bringing in discussions of British chap-hop artists, African American steamfunk practitioners, and multicultural steampunk fan cultures. From disability and queerness to ethos and digital humanities, Like Clockwork explores the intriguing history of steampunk to evaluate the influence of the genre from the 1970s through the twenty-first century. Contributors: Kathryn Crowther, Perimeter College at Georgia State University; Shaun Duke, University of Florida; Stefania Forlini, University of Calgary (Canada); Lisa Hager, University of Wisconsin–Waukesha; Mike Perschon, MacEwan University in Edmonton, Alberta; Diana M. Pho; David Pike, American University; Catherine Siemann, New Jersey Institute of Technology; Joseph Weakland, Georgia Institute of Technology; Roger Whitson, Washington State University.

"House of Sable Locks is a powerful, sexy exploration of slavery, submission, and humanity from an author who wields both plot and prose with accuracy and total confidence. The book lives up to its early promise, with a satisfying backstory and a plot that continues to twist and develop right up to the magnificently tense ending. The tension really ratchets up in the final quarter, and I found myself riveted, unable to stop reading, even when I wished I could look away." - BDSM Book Reviews 2023 marks the 10th anniversary of the now-classic steampunk erotic romance of dark passion, House of Sable Locks, by Passionate Plume award finalist Elizabeth Schechter. In a respectable neighbourhood, on the top floor of a beautiful house, crouches the Succubus; by design, and by temperament, she is all that men crave and fear. To the wealthy and privileged men of London, the Succubus is a test they must pass to gain access to the House of Sable Locks, the most exclusive brothel in town. However, to William, a wealthy young man born and raised in India, she is the very essence of his desires. William is recovering from the loss of everything he knows and loves when he first meets the Succubus. With great care she tears him apart... and he falls in love again. But their idyll cannot last: there is a killer loose in London, and the darkness of William's past is about to collide with the terror of his present. Based on the short story "The Succubus" from the acclaimed Like Clockwork erotic steampunk anthology, House of Sable Locks lets us enter the mysterious brothel readers had previously only had a glimpse of.

Steampunk Film: A Critical Introduction is a concise and accessible overview of steampunk's indelible impact within film, and acts as a case study for examining the ways with which genres hybridize and coalesce into new forms. Since the beginning of the 21st century, a series of high-profile and big-budget films have adopted steampunk identities to re-imagine periods of industrial development into fantastical histories where future meets past. By calling this growing mass-cultural fetishism for anachronistic machines into question, this book examines how a retro-futuristic romanticism for technology powered by cogs, pistons and steam-engines has taken center stage in blockbuster cinema. As the first monograph to consider cinema's unique relationship with steampunk, it places this burgeoning genre in the context of ongoing debates within film theory: each of which reflecting the movement's remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, Robbie McAllister argues that steampunk's proliferation in mainstream filmmaking reflects a desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the 21st century.

A naughty Victorian scientist tries to create a supernatural love slave and gets more than he bargained for, when magic and machines are mixed!Inspired by stories of Frankenstein's monster, arrogant, womanizing London inventor Wallace Thorndon sets out to create the perfect girlfriend-a clockwork maiden to slavishly satisfy all his erotic desires. Soon he has fashioned Celeste, a beautiful mechanical girl that is lifelike in almost every way.Except she has no soul. And no passion.Frustrated, he turns to the famed medium Madame Chaurade, who agrees to help him capture a slutty female spirit from the aether and install it within his nubile robotic creation.But the mischievous clairvoyant has other plans for Mr. Thorndon, and the ghost they harness isn't the docile, submissive wench she first appears to be. All too soon, Wallace realizes he has met his match in Celeste, and the clockwork lady can give as good as she gets . . .

Bestselling romance editor Trisha Telep brings an exciting new element to the fast-growing sub-genre of steampunk, which bends and blends the old and the new in increasingly popular dark urban fantasies. Young heroes and heroines battle evil, in various forms with the help of super-technological or supernatural powers, while falling in and out of love. Contributors include: Ann Aguirre a bestselling author who writes urban fantasy (the Corine Solomon series from Roc), romantic science fiction (the Jax series from Ace), apocalyptic paranormal romance (as Ellen Connor, writing with Carrie Lofty, from Penguin), paranormal romantic suspense (as Ava Gray from Berkley), and post-apocalyptic dystopian young adult fiction (Razorland and Wireville coming in 2011 from Feiwel & Friends). Tessa Gratton, her debut novel Blood Magic arrives in 2011 from Random House Children's Books, followed by the companion Crow Magic in 2012. Jaclyn Dolamore is the debut author of Magic Under Glass from Bloomsbury USA. Lesley Livingston is the award-winning author of Wondrous Strange and Darklight, the first two books in the bestselling trilogy from HarperCollins. Frewin Jones is the bestselling author of the Faerie Path series and the Warrior Princess books, among many others Caitlin Kittredge is the author of the Iron Codex trilogy, a Lovecraftian steampunk adventure. Dru Pagliassotti's first novel Clockwork Heart was one of the first in the rising new genre of steampunk romance and was named by Library Journal as one of the five steampunk novels to read in 2009. Dia Reeves is the debut author of the critically acclaimed YA Bleeding Violet. Michael Scott is the Irish-born, New York Times bestselling author of the six part epic fantasy series, The Secrets of the Immortal Nicholas Flamel. Maria V. Snyder is the New York Times bestselling author of the Study series (Poison Study, Magic Study, and Fire Study) about a young woman forced to become a poison taster. Tiffany Trent the author of the acclaimed YA dark fantasy series Hallowmere, which was an IndieBound Children's Pick and a New York Public Library Book of the Teen Age 2008. Kiersten White is the debut author of Paranormalacy, the first book in a new trilogy, which was published by HarperTeen in August of 2010. Adrienne Kress, is the author of Alex and the Ironic Gentleman and Timothy and the Dragon's Gate.

What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?