Lindisfarne

"First published 2003 by The British Library, London"--T.p. verso.

Twelve expert contributions examine the text, art, and Old English gloss of this masterpiece of Anglo-Saxon book culture in relation to its archaeological, historical, cultural, and art-historical contexts, Insular and Continental.

Aldred’s interlinear gloss to the Lindisfarne Gospels (London, British Library, MS Cotton Nero D.IV) is one of the most substantial representatives of the Old English variety known as late Old Northumbrian. Although it has received a great deal of attention in the past two centuries, there are still numerous issues which remain unresolved. The papers in this collection approach the gloss from a variety of perspectives – language, cultural milieu, palaeography, glossography – in order to shed light on many of these issues, such as the authorship of the gloss, the morphosyntax and vocabulary of the dialect(s) it represents, its sources and relationship to the Rushworth Gospels, and Aldred’s cultural and religious affiliations. Because of its breadth of coverage, the collection will be of interest and great value to scholars in the fields of Anglo-Saxon studies and English historical linguistics.

Lindisfarne is more than a history, its a book of stories about the Holy Island and its people: their trials and tribulations, as well as their celebrations and successes, revealing how Lindisfarne and its people have coped with and adapted to change. The new book gives readers a feeling for the tiny island, which played such a large role in the history of England, plus a sense of its sacred enchantment.

Seventh-century Ireland is becoming a land of saints, scholars, and spiritual foster mothers as well as warriors. The boy Aidan, a descendant of Saint Brigid, is formed by all of these as well as by a pilgrimage, aborted by an Arab uprising, on which he meets a follower of the Prophet Muhammad. He is transferred to Iona, the mother-house of Saint Columba's family of monasteries, where his character is forged. Aidan becomes guest-master to challenging visitors, one of whom conducts a mysterious affair, suffers a midlife crisis, and develops friendships with royal Saxon exiles at the Dunadd court, the seat of the "real" King Arthur. Iona commissions Aidan to evangelize the original WASPs: the White, Anglo-Saxon Pagan invaders of Britain. Aidan offers a radically different approach to that of the Roman missionaries. His gentle grassroots gospel-sharing through friendship, his villages of God that model God's kingdom, his introduction of spiritual foster-mothers such as Hilda to the English, his soul friendships and heartbreaks with successive saintly and power-hungry kings, and his near-death foresight into the future take us inside the heroic spiritual formation of a person and a people in a story that has contemporary significance. Even Aidan's name, Flame, tells a story of its own