Linguistics And Psychoanalysis

between linguistic and psychoanalytic concepts necessarily arises. Until now this question has been examined mainly by psychoanalysts, from their own perspective, but here it is investigated by a linguist, who systematically explores two domains. The first is related to the sign and symbol, where the meeting of Freud, Saussure and Hjelmselv occurred; whereas in the second, that of the signifier, Saussure reappears escorted by Lacan. But Freud is not far away, since the.

This groundbreaking, provocative book presents an overview of research at the disciplinary intersection of psychoanalysis and linguistics. Understanding that linguistic activity, to a great extent, takes place in unconscious cognition, Thomas Paul Bonfiglio systematically demonstrates how fundamental psychoanalytic mechanisms—such as displacement, condensation, overdetermination, and repetition—have been absent in the history of linguistic inquiry, and explains how these mechanisms can illuminate the understanding of the grammatical structure, evolution, acquisition, and processing of language. Reexamining popular misunderstandings of psychoanalysis along the way, Bonfiglio further proposes a new theoretical configuration of language and expertly sets the future agenda on this subject with new conceptual paradigms for research and teaching. This will be an invaluable, fascinating resource for advanced students and scholars of theoretical and applied linguistics, the cognitive-behavioral sciences, metaphor studies, humor studies and play theory, anthropology, and beyond.

This book examines the importance of language and writing in psychoanalytic theory and practice, offering an understanding of how language works can give a deeper insight into the psyche both in clinical practice and everyday life. Bringing together psychoanalytic insights that hinge on the language of "difficult cases", this collection also includes contributions dedicated to meta-study of psychoanalytic writing. The first chapter shows how music includes tonal regions that deploy existing rules and syntax, alongside atonal ones dominated by caesuras, pauses, and tensions. The second chapter discusses the malignant ambiguity of revealing and concealing typical of incestuous situations, pinpointing how the ambiguous language of incest "deceives by means of the truth,". The third chapter brings in Virginia Woolf’s character Orlando in order to illustrate two types of gender crossing. Distinctions defined by the linguist Roman Jakobson help in the fourth chapter to offer an integrative description of obsessive-compulsive phenomenon as an interaction between metaphoric and metonymic dimensions, as well as with a third, psychotic dimension. The fifth chapter focuses on what is called the "screen confessions" typical of the perpetrator’s language. George Orwell’s "newspeak" is used here to decipher the specific means by which the perpetrator turns his or her "inner witness" into a blind one. The final chapter uses Roland Barthes’ concepts of "studium" and "punctum" to discuss the limits of psychoanalytic writing. As a whole, this book sets the psychoanalytic importance of language in a wider understanding of how language helps to shape and even create internal as well as the external world. Drawing on insights from psychoanalytic theory and practice, as well as from linguistics and cultural theory, this book will be invaluable for psychoanalysts, psychoanalytic psychotherapists and bibliotherapists, as well as anyone interested in how language forms our reality.

Consider a poem as the literary critic reads it; consider the language of an analysand as the psychoanalyst hears it. The tasks of the professionals are similar: to interpret the linguistic, symbolic data at hand. In Language and Interpretation in Psychoanalysis, Marshall Edelson explores the linguistics of Chomsky, showing the congruence between Chomsky and Freud, and comparing linguistic interpretations in the psychoanalytic situation with interpretations of a Bach prelude and Wallace Stevens's poem "The Snow Man."

Consciousness, Language, and Self proposes that the human self is innately bilingual. Conscious mind includes two qualitatively distinct mental processes, each of which uses the same formal elements of language differently. The "mother tongue," the language of primordial consciousness, begins in utero and our second language, reflective symbolic thought, begins in infancy. Michael Robbins describes the respective roles the two conscious mental processes and their particular use of language play in the course of normal and pathological development, as well as the role the language of primordial consciousness plays in adult life in such phenomena as dreaming, infant-caregiver attachment, creativity, belief systems and their effects on social and political life, cultural differences, and psychosis. Examples include creative persons, extreme political figures and psychotic individuals. Five original essays, written by the author's current and former patients, describe what they learned about their aberrant uses of language and their origins. This book sheds new light on several controversies that have been limited by the incorrect assumption that reflective representational thought and its language is the only conscious mental state. These include the debate within linguistics about whether language is the expression of a hardwired instinct whose identifying feature is recursion; within psychoanalysis about the nature of conscious and unconscious mental processes, and within cognitive philosophy about whether language and thought are isomorphic. Consciousness, Language, and Self will be of great value to psychoanalysts, as well as students and scholars of linguistics, cognitive philosophy and cultural anthropology.

This book explores the place of the flesh in the linguistically-inflected categories of Freudian and Lacanian psychoanalysis, drawing explicit attention to the organic as an inherent part of the linguistic categories that appear in the writings of Freud and Lacan. Lacan’s ‘return to Freud’ famously involves a ‘linguistic turn’ in psychoanalysis. The centering of language as a major operator in psychic life often leads to a dualistic or quasi-dualistic view in which language and the enjoyment of the body are polarized. Exploring the intricate connections of the linguistic and the organic in both Lacanian and Freudian psychoanalysis from its beginnings, Zisser shows that surprisingly, and not only in Lacan’s late teaching, psycho-linguistic categories turn out to be suffused with organicity. After unfolding the remnant of the flesh in the signifier as a major component of Lacan’s critique of Saussure, using visual artworks as objective correlatives as it does so, the book delineates two forms of psychic writing. These are aligned not only with two fundamental states of the psychic apparatus as described by Freud (pain and satisfaction), but with two ways of sculpting formulated by Alberti in the Renaissance but also referred to by Freud. Continuing in a Derridean vein, the book demonstrates the primacy of writing to speech in psychoanalysis, emphasizing how the relation between speech and writing is not binary but topological, as speech in its psychoanalytic conception is nothing but the folding inside-out of unconscious writing. Innovatively placing the flesh at the core of its approach, the text also incorporates the seminal work of psychoanalyst Michèle Montrelay to articulate the precise relation between the linguistic and the organic. Writing, Speech and Flesh in Lacanian Psychoanalysis will be indispensable to psychoanalysts, literary theorists, rhetoricians, deconstructionists, and those studying at the intersection of psychoanalysis, language, and the visual arts.

"Offers its readers stimulating cross-disciplinary perspectives on a variety of literary works and enables each of them to spring to life anew. Its manifest aim, the desire to integrate corporeal and cultural experience in original ways, seems right on target for the nineties."--Ellen Handler Spitz, author of Image and Insight and Museums of the Mind "A major scholarly contribution which will alter and extend the received understanding of the history of the novel."--Peter Rudnytsky, University of Florida The growing field of "body studies," which examine the relationship between corporeal experience and the mind, includes scholars from the areas of psychological literary criticism and semiotics as well as psychoanalysis and gender studies. Combining contemporary linguistics and psychoanalysis, this work focuses on how the body emerges in the novel. In particular, it looks at the role that language plays in integrating the body and the mind. By drawing on language theory forged by Noam Chomsky and on the body awareness articulated by Sigmund Freud and others, Martin Gliserman discovers that the presence of the body is the core phenomenon of the novel. He scrutinizes the syntax of the novel's text (the arrangement of words in sentences, paragraphs, and chapters) as bodily gestures in a range of works that include erotic novels as well as those with themes of violence. Concentrating on primal bodily pain, he examines four novels chosen to span the issues of history, gender, and race: Daniel Defoe's Robinson Crusoe, Charlotte Bronte's Jane Eyre, Virginia Woolf's To the Lighthouse, and David Bradley's Chaneysville Incident. In each he reveals a primitive body fraught with desire that is distorted by fear, pain, and conflict. For Gliserman, words have a double life--they generate and fulfill our narrative lust; they also "live in another (deconstructed, synchronic, slipped) universe of discourse." In this work he unlaces language from the body and discovers a common, existential flesh. Martin J. Gliserman is associate professor of English at Rutgers University and a psychoanalyst in private practice. He is the editor of American Imago: Studies in Psychoanalysis and Culture and has published articles in Modern Psychoanalysis, Jump-Cut, College English, and other journals.