Little Gloria

This is a story of money, glamour, and scandal (on the highest level); a story of American society and of European royalty; a story of family strife exploding into one of the most dramatic and publicized court battles of the century—the battle for a solemn ten-year-old child, “little Gloria” Vanderbilt, who in 1934 was the object of the epic custody suit between her mother, the beautiful and penniless Vanderbilt widow, and her aunt, the famous Gertrude Vanderbilt Whitney, whose $78 million could buy her anything she wanted. And what she wanted was “little Gloria.” The leading characters: Gloria Morgan, who was one of the fabled Morgan Twins (invented by society reporter “Cholly” Knickerbocker as the quintessential Café Society beauties) and who, as a shy, stammering eighteen-year-old, living on nothing a year, did what she was raised to do, becoming the wife of . . . Reggie Vanderbilt, at forty-three a worn-out alcoholic who had managed to go through almost $25 million in fourteen years and who died only two years after his marriage to Gloria, leaving his beautiful young widow nothing but their baby, their baby’s untouchable trust fund, and the Vanderbilt name . . . Gloria Morgan’s twin, Thelma, who, as Lady Furness, was for years the mistress of the Prince of Wales (until she introduced him to her “best friend” Wallis Simpson) . . . Gertrude Vanderbilt Whitney, Reginald’s sister, a formidable Society woman, a sculptor and the founder of the Whitney Museum of American Art, a woman who conformed—on the surface—to everything expected of American royalty and yet lived a hidden second life as a passionate bohemian . . . And the child—little Gloria herself—shunted out of her mother’s life, carted around Europe, depending for her existence on her neurotically overprotective nurse, Dodo, who never left her for a single day, and her mad Morgan grandmother, who insisted that her own daughter might murder the child for the Vanderbilt millions. Deserted, “dressed in rags,” neglected, she became an almost mythic incarnation of “the poor little rich girl.” This child, who was to grow up to become a world-famous fashion designer, her name—Gloria Vanderbilt—a household word. We come to understand and care about this child as we observe, close up, the astonishing lives and intrigues surrounding her. We see her at the age of ten brought to the courthouse, rushed through mobs of spectators, reporters, photographers. We follow a courtroom drama of sensation after sensation, the judge ultimately banning both public and press, the final scandalous testimony reaching to the heart of the English royal family. We listen to the parade of witnesses—servants, millionaires, society celebrities, aristocrats, family retainers. We watch the judge himself—a classic Tammany pol—becoming another of the many victims of the case, reviled on all sides. And finally we see little Gloria pushed to choose between her mother and her aunt, making the decision that will affect her whole life—with nobody ever asking her the basic question, “Why are you afraid?” For the first time, the thousands of pages of documents and sealed court testimony have been unearthed and explored. Hundreds of people have been interviewed. And a writer completely knowing about society and the period has used all this material to create a compelling narrative of vitality, resonance, and fascination. Combining her extraordinary abilities as an investigative reporter with the skills and sensitivity of a novelist, Barbara Goldsmith has given us a galvanizing story, a whole world of astonishing emotional and social circumstances, unforgettably revealed.

Little Gloria wants to make a garden with her mama. She learns to plant the seeds, water the soil, and remove the weeds. Helping the garden takes patience, gentle hands, and attention, but little Gloria is determined. Little Gloria’s Garden reminds young readers of all they can accomplish when they set a goal and persevere.

Gloria Swanson defined what it meant to be a movie star, but her unforgettable role in Sunset Boulevard overshadowed the true story of her life. Now Stephen Michael Shearer sets the record straight in the first in-depth biography of the film legend. Swanson was Hollywood's first successful glamour queen. Her stardom as an actress in the mid-1920s earned her millions of fans and millions of dollars. Realizing her box office value early in her career, she took control of her life. Soon she was not only producing her own films, she was choosing her scripts, selecting her leading men, casting her projects, creating her own fashions, guiding her publicity, and living an extravagant and sometimes extraordinary celebrity lifestyle. She also collected a long line of lovers (including Joseph P. Kennedy) and married men of her choosing (including a French marquis, thus becoming America's first member of "nobility"). As a devoted and loving mother, she managed a quiet success of raising three children. Perhaps most important, as a keen businesswoman she also was able to extend her career more than sixty years. Her astounding comeback as Norma Desmond in Billy Wilder's Sunset Boulevard catapulted her back into the limelight. But it also created her long-misunderstood persona, one that this meticulous biography shows was only part of this independent and unparalleled woman.

"Considering she had just attended her mother's funeral, Gloria Jaymes never expected to see the woman again, but then her dead mom shows up at her house. Gloria's mom is...different. She's younger than when she died, dressed in clothes from the 1980s. And nobody else in Gloria's family seems to recognize her. As Gloria tries to figure out the reason for her mother's reappearance--and the odd behaviors the woman begins to exhibit--other bizarre events occur. The changes to Gloria's world are small and subtle, at first...then they become much more startling. The freaky situation might just be connected to a mysterious shed in a small California town. The strangers who gather around the shed seem to know Gloria's name...and maybe they aren't strangers after all"--Provided by publisher.

The ultimate Hollywood story revealed: the sizzling relationship between Joseph Kennedy, patriarch of America’s most influential political family, and Gloria Swanson, one of the most prominent silent film stars of her day. Gloria and Joe were in love with each other and with the movies, especially Queen Kelly, which completed the real-life ménage à trois. Starring along with the star of the screen and the Boston Brahman in this exposé are Erich von Stroheim, Kennedy’s wife Rose, Swanson’s husband, and a cast of colorful hangers-on. Madsen recreates their love, scandal, and world, which in its extravagance and intrigue has never been surpassed.

Gloria and Treeless Street by Annie Hamilton Donnell is about sheltered Gloria Abercrombie and her quaint life as she navigates Treeless Street and the poverty that abounds. Excerpt: "Gloria sat in her favorite chair on the broad veranda. The shadow of the vines made a delicate tracery over her white dress. Gloria was lazily content. She had been comfortable and content for seventeen years. "There's that queer little thing again, going off with her queer little bag!" Gloria's gaze dwelt on the house across the wide street. Down its steps, a small, neat figure was tripping. Gloria recognized it as an old sight acquaintance."

Includes a new afterword: A “richly detailed” biography of the iconic feminist based on interviews with friends, family, colleagues, and Steinem herself (The Washington Post). Going beyond Gloria Steinem’s public persona, this biography provides an in-depth portrait of the famed activist—covering her family of origin, Smith College education, travels in India, founding of Ms. magazine, and much more—drawn from fifty hours of interviews with Steinem, as well as conversations with more than two hundred people in her life. “Stern’s biography is sympathetic but critical about the woman who was once perhaps the foremost figure of American feminism. . . . Follows its subject from her childhood with a mentally ill mother and ne’er-do-well father through her rise in the women’s movement.” —The New York Times Book Review “Feminist icon, goddess, social climber, bunny—who is Gloria Steinem? All of the above, according to [this] serious new biography. . . . A real look at Steinem off the public platform.” —Kirkus Reviews “Avoiding esoteric psychological or feminist theorizing, Stern still provides a clear context for Steinem’s development both as a public figure and as an exemplar of the movement that seeks to have women define themselves as autonomous individuals.” —Library Journal Includes photographs

This is a biography of Gloria Estefan, singer/songwriter who rules the music world as the Queen of Latin Pop.