Lizard In A Zoot Suit

Los Angeles, 1943. It's the era of the Zoot Suit Riots, and Flaca and Cuata have a problem. It's bigger than being grounded by their strict mother. It's bigger than tensions with the soldiers stationed nearby. And it's shaped like a five-foot-tall lizard. When a lost member of an unknown underground species needs help, the sisters must scramble to keep their new friend away from a corrupt military scientist—but they'll do it in style. Cartoonist Marco Finnegan presents Lizard in a Zoot Suit, an outrageous, historical, sci-fi graphic novel.

In this second and concluding volume, Sadakyo finds herself working as a servant in the Takedo castle where she attracts the attention of the prince, hoping to get close to the coveted mask. Meanwhile, Masamura has become the feared right-hand man of crime boss Mizuchi Mon, quietly keeping a vigil for Sadakyo. Soon, their lives will be brought back together for the violent and surprising conclusion of this tale.

Every California schoolchild's first interaction with history begins with the missions and Indians. It is the pastoralist image, of course, and it is a lasting one. Children in elementary school hear how Father Serra and the priests brought civilization to the groveling, lizard- and acorn-eating Indians of such communities as Yang-na, now Los Angeles. So edified by history, many of those children drag their parents to as many missions as they can. Then there is the other side of the missions, one that a mural decorating a savings and loan office in the San Fernando Valley first showed to me as a child. On it a kindly priest holds a large cross over a kneeling Indian. For some reason, though, the padre apparently aims not to bless the Indian but rather to bludgeon him with the emblem of Christianity. This portrait, too, clings to the memory, capturing the critical view of the missionization of California's indigenous inhabitants. I carried the two childhood images with me both when I went to libraries as I researched the missions and when I revisited several missions thirty years after those family trips. In this work I proceed neither to dubunk nor to reconcile these contrary notions of the missions and Indians but to present a new and, I hope, deeper understanding of the complex interaction of the two antithetical cultures.

Writer PORNSAK PICHETSHOTE’s long-awaited follow-up to the critically acclaimed INFIDEL with stunning art by ALEXANDRE TEFENKGI (OUTPOST ZERO)! Following Edison Hark—a haunted, self-loathing Chinese-American detective—on the trail of a killer in 1936 Chinatown, THE GOOD ASIAN is Chinatown noir starring the first generation of Americans to come of age under an immigration ban, the Chinese, as they’re besieged by rampant murders, abusive police, and a world that seemingly never changes. "Edison Hark immediately joins the ranks of Phillip Marlowe and Sam Spade in a smart, classic noir drenched in style and history."—JAMES TYNION IV (DEPARTMENT OF TRUTH, Batman) "A gripping and authentic crime story from an Asian-American POV. This is the book I've been waiting for!"—CLIFF CHIANG (PAPER GIRLS) "A brittle story that takes place during an unfamiliar time in our history that is tragically all too familiar now in our present."—BRIAN AZZARELLO (100 Bullets, MOONSHINE)

A Lit Hub and Largehearted Boy Best Book of the Year An "LGBTQ Book That Will Change The Literary Landscape in 2021" —O, The Oprah Magazine A Vulture Best Short Book "Piercing. It shook me, and it made me see.” —Victor LaValle Summer 1999. Long Island, New York. Bored, restless, and lonely, Ali never expected her life would change as dramatically as it did the day she walked into the local Stop & Shop. But she’s never met anyone like Justine, the store’s cashier. Justine is so tall and thin she looks almost two-dimensional, and there’s a dazzling mischief in her wide smile. “Her smile lit me up and exposed me all at once,” Ali admits. “Justine was the light shining on me and the dark shadow it cast, and I wanted to stand there forever in the relief of that contrast.” Ali applies for a job on the spot, securing a place for herself in Justine’s glittering vicinity. As Justine takes Ali under her wing, Ali learns how best to bag groceries, what foods to eat (and not to eat), how to shoplift, who to admire, and who she can become outside of her cold home, where her inattentive grandmother hardly notices the changes in her. Ali becomes more and more fixated on Justine, reshaping herself in her new idol’s image, leading to a series of events that spiral from superficial to seismic. Justine, Forsyth Harmon’s illustrated debut, is an intimate and unflinching portrait of American girlhood at the edge of adulthood—one in which obsession hastens heartbreak.

Hear the riveting stories of Black artists who drew--mostly covertly behind the scenes--superhero, horror, and romance comics in the early years of the industry. The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda! The book is gorgeously illustrated with rare examples of each artist's work, including full stories from mainstream comic books from rare titles like All-Negro Comics and Negro Heroes, plus unpublished artist's photos. Invisible Men features Ken Quattro's impeccable research and lean writing detailing the social and cultural environments that formed these extraordinary, yet invisible, men!

Here is the story of Mary and the Girls, of Zoot, Pretty-Boy and Oubaas, of the Abrahams family who came from Bo-Kaap, of Last-Knight the barber and his prim wife. This novel is written in tribute to the people of District Six so that we do not forget.

The mysterious master criminal known only as the Designer once brought together Gotham City’s greatest criminals to plot the perfect crime, and now his plan has been unleashed upon the city in all its might. Batman will go to any length to uncover the grand design, but Catwoman is the one who holds the greatest secret. If Batman wins against the Designer, he will lose everything.