Local And National Poets Of America

Excerpt from Local and National Poets of America: With Interesting, Biographical Sketches and Choice Selections From Over One Thousand Living American Poets; The Only Complete Biographical Dictionary of Local and National Poets of America, Containing Numerous Selections Anyone who derides the local press and its bevy of embryo writers and poets, whether they be deserving of censure or not, at once stamps himself to be a narrow - minded person with a brain of rather small calibre. The local papers are to a great extent entitled to the credit of producing, either directly or indirectly, nearly all of our prominent poets and writers as well as the humbler ones. Their columns are generally opened to any local effort that is of passable quality, and the interest and ambition thus engendered and fostered have caused new and special endeavors to be taken by these literary aspirants. Therefore, the im portance of the local press and its writers must not be lost sight of, for without them it is not at all improbable that America could not now boast of such men as Whittier, Emerson, et. Al., whose poems and writ ings first appeared almost exclusively in the local press. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

American women have created an especially vigorous and innovative poetry, beginning in 1632 when Anne Bradstreet set aside her needle and picked up her "poet's pen." The topics of American women poets have been various, their images their own, and their modes of expression original. Emily Stipes Watts does not imply that the work of American men and that of American women are two different kinds of poetry, although they have been treated as such in the past. It is her aim, rather, to delineate and define the poetic tradition of women as crucial to the understanding of American poetry as a whole. By 1850, American women of all colors, religions, and social classes were writing and publishing poetry. Within the critical category of "female poetry," developed from 1800 to 1850, these women experimented boldly and prepared the way for the achievement of such women as Emily Dickinson in the second half of the nineteenth century. Indeed at times—for example from 1860 through 1910—it was women who were at the outer edge of prosodic experimentation and innovation in American poetry. Moving chronologically, Professor Watts broadly characterizes the state of American poetry for each period, citing the dominant male poets; she then focuses on women contemporaries, singling out and analyzing their best work. This volume not only brings to light several important women poets but also represents the discovery of a tradition of women writers. This is a unique and invaluable contribution to the history of American literature.