Local States In An Imperial World

Focusing on the Deccan Sultanates of 16th- and 17th-century central India, Local States in an Imperial World promotes the idea that some polities of the time were not aspiring to be empires. Instead of the universalist and hierarchical vision typical of the language of empire, the sultanates presented another brand of state - one that prefers negotiation, flexibility and plurality of languages, religions and cultures. Building on theories of early modernity, empire, cosmopolitanism and vernaculars, Roy Fischel considers the components that shaped state and society: people, identities and idioms. He presents a frame for understanding the Deccan Sultanates as a rare case of the early modern non-imperial state, shedding light both on the region and on the imperial world surrounding it.

Focusing on the Deccan Sultanates of 16th- and 17th-century central India, Local States in an Imperial World promotes the idea that some polities of the time were not aspiring to be empires. Instead of the universalist and hierarchical vision typical of the language of empire, the sultanates presented another brand of state - one that prefers negotiation, flexibility and plurality of languages, religions and cultures. Building on theories of early modernity, empire, cosmopolitanism and vernaculars, Roy Fischel considers the components that shaped state and society: people, identities and idioms. He presents a frame for understanding the Deccan Sultanates as a rare case of the early modern non-imperial state, shedding light both on the region and on the imperial world surrounding it.

This introductory text introduces basic concepts in cultural anthropology by comparing cultures of increasing scale and focusing on specific universal issues throughout human history. Cultural materials are presented in integrated ethnographic case studies organized by cultural and geographic areas to show how ideological, social organization, and material features fit together in specific sociocultural systems. Bodley explicitly seeks a balance between ecological-materialist and cultural-ideological explanations of sociocultural systems, while stressing the importance of individual power-seeking and human agency. Part One examines domestic-scale, autonomous tribal cultures. Part Two presents politically organized, class-based civilizations and ancient empires in the imperial world. Part Three surveys global, industrial, market-based civilizations in the contemporary commercial world. Cultural Anthropology uniquely challenges students to consider the big questions about the nature of cultural systems.

How the “recycling” of the Ottoman Empire’s uses of genealogy and religion created new political orders in the Middle East In this groundbreaking book, Adam Mestyan argues that post-Ottoman Arab political orders were not, as many historians believe, products of European colonialism but of the process of “recycling empire.” Mestyan shows that in the post–World War I Middle East, Allied Powers officials and ex-Ottoman patricians collaborated to remake imperial institutions, recycling earlier Ottoman uses of genealogy and religion in the creation of new polities, with the exception of colonized Palestine. The polities, he contends, should be understood not in terms of colonies and nation states but as subordinated sovereign local states—localized regimes of religious, ethnic, and dynastic sources of imperial authority. Meanwhile, governance without sovereignty became the new form of Western domination. Drawing on hitherto unused Ottoman, French, Syrian, and Saudi archival sources, Mestyan explores ideas and practices of creating composite polities in the interwar Middle East and, doing so, sheds light on local agency in the making of the forgotten Kingdom of the Hijaz, Jordan, Egypt, Saudi Arabia, and Syria, the first Muslim republic. Mestyan considers the adjustment of imperial Islam to a world without a Muslim empire, discussing the post-Ottoman Egyptian monarchy and the intertwined making of Saudi Arabia and the State of Syria in the 1920s and 1930s. Mestyan’s innovative analysis shows how an empire-based theory of the modern political order can help refine our understanding of political dynamics throughout the twentieth century and down to the turbulent present day.

"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--

The sixteenth and seventeenth centuries saw the establishment of the new Safavid regime in Iran. Along with reuniting the Persian lands under one rule, the Safavids initiated the radical transformation of the religious landscape by introducing Imami Shi'ism as the official state faith and in this as in other ways, laying the foundations of Iran's modern identity. In this book, leading scholars of Iranian history, culture and politics examine the meaning of the idea of Iran in the Safavid period by examining contemporary experiences of both insiders and outsiders, asking how modern scholarship defines the distinctive features of the age. While sometimes viewed as a period of decline from the high points of classical Persian literature and the visual arts of preceding centuries, the chapters of this book demonstrate that the Safavid era was nevertheless a period of great literary and artistic activity in the realms of both secular and theological endeavour. With the establishment of comparable polities across western, southern and central Asia at broadly the same time, the book explores some of the literary and political interactions with Iran's Ottoman, Mughal and Uzbek neighbours. As the volume and frequency of European merchants and diplomats visiting Safavid Persia increased, especially in the seventeenth century, and as more Iranians recorded their own travel experiences to surrounding Muslim lands, the Safavid period is the first in which we can document and explore the contours of Iran's place in an expanding world, and gain insights into how Iranians saw themselves and others saw them.

The first major exploration of the mural tradition in early modern South India An astonishing variety of murals greet visitors to the temples and palaces of southern India. Beautiful in execution and extensive in scope, murals painted on walls and ceilings adorn the most important spaces of early modern religious and political performance. Scene by scene, histories of holy sites, portraits that incorporate historical figures into mythic landscapes, and Tamil and Telugu inscriptions that evoke the imagined topographies of devotional poetry unfold before the mobile spectator. Body, History, Myth reconceives the relationship between art and devotion in South India by describing how the extraordinary sensory experience of a viewing body in motion unfurls a sacred narrative exquisitely designed to teach, impress, and inspire. Anna Lise Seastrand offers new insights into the arts of early modern southern India, bringing to life one of the most culturally vibrant yet least understood periods in Indian art. She shows how temple visitors become active participants in the paintings through their somatic engagement with visual stories and devotional landscapes. Seastrand highlights the significance of textuality in early modern South Asia by examining the status of professional scribes and the prominence given to authorship of religious literature and art. Her insights are presented alongside new translations of the texts that accompany mural paintings. Featuring a wealth of stunning images published here for the first time, Body, History, Myth provides a multidimensional reading of temple art that fundamentally reframes the artistic, intellectual, religious, and political histories of early modern India.

Second edition of the leading textbook on India's art, architecture, literature, religions, political and economic history, c. 1200 to 1750.