Loimographia

An intimate portrait of the Great Plague of London. In the winter of 1664-65, a bitter cold descended on London in the days before Christmas. Above the city, an unusually bright comet traced an arc in the sky, exciting much comment and portending "horrible windes and tempests." And in the remote, squalid precinct of St. Giles-in-the-Fields outside the city wall, Goodwoman Phillips was pronounced dead of the plague. Her house was locked up and the phrase "Lord Have Mercy On Us" was painted on the door in red. By the following Christmas, the pathogen that had felled Goodwoman Phillips would go on to kill nearly 100,000 people living in and around London—almost a third of those who did not flee. This epidemic had a devastating effect on the city's economy and social fabric, as well as on those who lived through it. Yet somehow the city continued to function and the activities of daily life went on. In The Great Plague, historian A. Lloyd Moote and microbiologist Dorothy C. Moote provide an engrossing and deeply informed account of this cataclysmic plague year. At once sweeping and intimate, their narrative takes readers from the palaces of the city's wealthiest citizens to the slums that housed the vast majority of London's inhabitants to the surrounding countryside with those who fled. The Mootes reveal that, even at the height of the plague, the city did not descend into chaos. Doctors, apothecaries, surgeons, and clergy remained in the city to care for the sick; parish and city officials confronted the crisis with all the legal tools at their disposal; and commerce continued even as businesses shut down. To portray life and death in and around London, the authors focus on the experiences of nine individuals—among them an apothecary serving a poor suburb, the rector of the city's wealthiest parish, a successful silk merchant who was also a city alderman, a country gentleman, and famous diarist Samuel Pepys. Through letters and diaries, the Mootes offer fresh interpretations of key issues in the history of the Great Plague: how different communities understood and experienced the disease; how medical, religious, and government bodies reacted; how well the social order held together; the economic and moral dilemmas people faced when debating whether to flee the city; and the nature of the material, social, and spiritual resources sustaining those who remained. Underscoring the human dimensions of the epidemic, Lloyd and Dorothy Moote dramatically recast the history of the Great Plague and offer a masterful portrait of a city and its inhabitants besieged by—and defiantly resisting—unimaginable horror.

"In The Realms of Apollo, literary scholar Raymond A. Anselment examines how seventeenth-century English authors confronted the physical and psychological realities of death." "Focusing on the dangers of childbirth and the terrors of bubonic plague, venereal disease, and smallpox, the book reveals in the discourse of literary and medical texts the meanings of sickness and death in both the daily life and culture of seventeenth-century England. These perspectives show each realm anew as the domain of Apollo, the deity widely celebrated in myth as the god of poetry and the god of medicine. Authors of both formal elegies and simple broadsides saw themselves as healers who tried to find in language the solace physicians could not find in medicine. Within the context of the suffering so unmistakable in the medical treatises and in the personal diaries, memoirs, and letters, the poets' struggles illuminate a new cultural consciousness of sickness and death."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This collection examines different aspects of attitudes towards disease and death in writing of the long eighteenth century. Taking three conditions as examples – ennui, sexual diseases and infectious diseases – as well as death itself, contributors explore the ways in which writing of the period placed them within a borderland between fashionability and unfashionability, relating them to current social fashions and trends. These essays also look at ways in which diseases were fashioned into bearing cultural, moral, religious and even political meaning. Works of literature are used as evidence, but also medical writings, personal correspondence and diaries. Diseases or conditions subject to scrutiny include syphilis, male impotence, plague, smallpox and consumption. Death, finally, is looked at both in terms of writers constructing meanings within death and of the fashioning of posthumous reputation.

'a Casement violently opened just over my Head, and a Woman gave three frightful Skreetches, and then cry'd, Oh! Death, Death, Death!' Purporting to be an eye-witness account, the Journal of the Plague Year is a record of the devastation wrought by the Great Plague of 1665 on the city of London. Defoe's fictional narrator, known only as 'H. F.', recounts in vivid detail the progress of the disease and the desperate attempts to contain it. He catalogues the rising death toll and the transformation of the city as its citizens flee and those who remain live in fear and despair. Above all it is the stories of appalling human suffering and grief that give Defoe's extraordinary fiction its compelling historical veracity. This revised edition includes comprehensive notes, a complete topographical index, and a new introduction to the greatest work of plague literature. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.