London In Flames London In Glory

The Great Fire of 1666 was one of the greatest catastrophes to befall London in its long history. While its impact on London and its built environment has been studied and documented, its impact on Londoners has been overlooked. This book makes full and systematic use of the wealth of manuscript sources that illustrate social, economic and cultural change in seventeenth-century London to examine the impact of the Fire in terms of how individuals and communities reacted and responded to it, and to put the response to the Fire in the context of existing trends in early modern England. The book also explores the broader effects of the Fire in the rest of the country, as well as how the Great Fire continued to be an important polemical tool into the eighteenth century.

Acclaim for The Great Fire of London "Popular narrative history at its best, well researched, imaginatively and dramatically written. . . . The author marshals his story and his mass of contemporary quotations with great skill." —Times Literary Supplement "The brilliance of its narrative chapters . . . a marvelous eye for evocative detail. Hanson’s prose is animated by the ferocious energy of the fire and seems to be guided by its inexorable movement. He creates the literary equivalent of the special effects in a disaster movie. . . . A rich mixture of imagination and research." —The Daily Telegraph (London) "He writes with knowledge and verve. As if making a television documentary on a natural disaster, he includes a gripping technical chapter on the mechanism and chemistry of combustion. This works brilliantly. . . . The book gains immeasurably from the author's eye for detail and from his understanding of the beliefs and prejudices of the day. . . . Informative and lively account." —The Sunday Times (London) "The best depiction of the Great Fire seen to date. . . . He manages to describe not only the atmosphere of the event itself, but also the experience of living in seventeenth-century Britain." —Soho Independent "A riveting book for those who like their history with a bit of mystery." —The Brisbane News "A rollicking good yarn." —The Age (Melbourne) "Blends high-class original research with a narrative style that mimics fiction. . . . Horrific subjects have served this man well and he has a knack for plugging into the dark themes that run like molten rivers beneath our social veneer." —New Zealand Herald "Neil Hanson’s descriptions of the inferno are like CNN reports from Kosovo." —Camden New Journal "It's not the technical data which makes the book so riveting though. It's the flair with which Hanson invests his account with qualities usually reserved for novels–narrative drive, persuasive character sketches, vivid scene stealing." —Sunday Star Times (New Zealand)

Presenting an inventive body of research that explores the connections between urban movements, space, and visual representation, this study offers the first sustained analysis of the vital interrelationship between printed images and urban life in early modern London. The study differs from all other books on early modern British print culture in that it seeks out printed forms that were active in shaping and negotiating the urban milieu-prints that troubled categories of high and low culture, images that emerged when the political became infused with the creative, as well as prints that bear traces of the roles they performed and the ways they were used in the city. It is distinguished by its close and sustained readings of individual prints, from the likes of such artists as Wenceslaus Hollar, Francis Barlow, and William Faithorne; and this visual analysis is complemented with a thorough examination of the dynamics of print production as a commercial exchange that takes place within a wider set of exchanges (of goods, people, ideas and money) across the city and the nation. This study challenges scholars to re-imagine the function of popular prints as a highly responsive form of cultural production, capable not only of 'recording' events, spaces and social actions, but profoundly shaping the way these entities are conceived in the moment and also recast within cultural memory. It offers historians of print culture and British art a sophisticated and innovative model of how to mobilize rigorous archival research in the service of a thoroughly historicized and theorized analysis of visual representation and its relationship to space and social identity.

An interdisciplinary exploration of Londoners' mental and social world during the long seventeenth century.

The obsession with waste in eighteenth-century English literature Why was eighteenth-century English culture so fascinated with the things its society discarded? Why did Restoration and Augustan writers such as Milton, Dryden, Swift, and Pope describe, catalog, and memorialize the waste matter that their social and political worlds wanted to get rid of—from the theological dregs in Paradise Lost to the excrements in "The Lady's Dressing Room" and the corpses of A Journal of the Plague Year? In Making Waste, the first book about refuse and its place in Enlightenment literature and culture, Sophie Gee examines the meaning of waste at the moment when the early modern world was turning modern. Gee explains how English writers used contemporary theological and philosophical texts about unwanted and leftover matter to explore secular, literary relationships between waste and value. She finds that, in the eighteenth century, waste was as culturally valuable as it was practically worthless—and that waste paradoxically revealed the things that the culture cherished most. The surprising central insight of Making Waste is that the creation of value always generates waste. Waste is therefore a sign—though a perverse one—that value and meaning have been made. Even when it appears to symbolize civic, economic, and political failure, waste is in fact restorative, a sign of cultural invigoration and imaginative abundance. Challenging the conventional association of Enlightenment culture with political and social improvement, and scientific and commercial progress, Making Waste has important insights for cultural and intellectual history as well as literary studies.

This book provides an outline of the developments in health care and poor relief in Northern Europe by drawing on research into local conditions and mapping general patterns of development.