London In Fragments

'A beautiful book.' Daily Mail 'Exhilaratingly curious.' Evening Standard 'Gripping.' Spectator 'Brilliant.' Penelope Lively 'Indefatigably researched.' Country Life 'Beautifully illustrated.' Monocle Mudlarking, the act of searching the Thames foreshore for items of value, has a long tradition in England's capital. In the late 18th and 19th centuries, mudlarks were small boys grubbing a living from scrap. Today’s mudlarks unearth relics of the past from the banks of the Thames which tell stories of Londoners throughout history. From Roman tiles to elegant Georgian pottery, presented here are modern-day mudlark Ted Sandling's most evocative finds, gorgeously photographed. Together they create a mosaic of everyday London life through the centuries, touching on the journeys, pleasures, vices, industries, adornments and comforts of a world city. This unique and stunning book celebrates the beauty of small things, and makes sense of the intangible connection that found objects give us to the individuals who lost them.

Meet Shakespeare, Heine and Hogarth south of the river, find Virginia Woolf in Bloomsbury, discovers Blake and Trollope in Westminster, happen on the Carlyles in Chelsea, come across John Keats in beautiful Hampstead and search for Bacon and Hanif Kureishi in the London suburbs.

A beautifully illustrated introduction to mudlarking which tells the incredible, forgotten history of London through objects found on the foreshore of the River Thames. Often seen combing the shoreline of the River Thames at low tide, groups of archaeology enthusiasts known as 'mudlarks' continue a tradition that dates back to the eighteenth century. Over the years they have found a vast array of historical artefacts providing glimpses into the city's past. Objects lost or discarded centuries ago – from ancient river offerings such as the Battersea Shield and Waterloo Helmet, to seventeenth-century trade tokens and even medals for bravery – have been discovered in the river. This book explores a fascinating assortment of finds from prehistoric to modern times, which collectively tell the rich and illustrious story of London and its inhabitants - illustrated with and array of photographs taken of the items in situ in the mud and gravel of the Thames estuary, at the same time both gritty and glimmering.

In Fragments and Assemblages, Arthur Bahr expands the ways in which we interpret medieval manuscripts, examining the formal characteristics of both physical manuscripts and literary works. Specifically, Bahr argues that manuscript compilations from fourteenth-century London reward interpretation as both assemblages and fragments: as meaningfully constructed objects whose forms and textual contents shed light on the city’s literary, social, and political cultures, but also as artifacts whose physical fragmentation invites forms of literary criticism that were unintended by their medieval makers. Such compilations are not simply repositories of data to be used for the reconstruction of the distant past; their physical forms reward literary and aesthetic analysis in their own right. The compilations analyzed reflect the full vibrancy of fourteenth-century London’s literary cultures: the multilingual codices of Edwardian civil servant Andrew Horn and Ricardian poet John Gower, the famous Auchinleck manuscript of texts in Middle English, and Chaucer’s Canterbury Tales. By reading these compilations as both formal shapes and historical occurrences, Bahr uncovers neglected literary histories specific to the time and place of their production. The book offers a less empiricist way of interpreting the relationship between textual and physical form that will be of interest to a wide range of literary critics and manuscript scholars.

Based on a PhD thesis for the Department of Literature and Creative Writing at the University of East Anglia--Preface.

“Engrossing . . . evokes the subculture of the ‘mudlarks,’ who scour the banks for fragments of London’s past.”—The New Yorker The international bestseller that mesmerizingly charts quixotic journeys through London’s past, Mudlark thrills Anglophiles and history lovers alike. Long heralded as a city treasure herself, beloved “Mudlark” Lara Maiklem tirelessly treks along the Thames’ muddy shores, unearthing a myriad of artifacts and their stories—from Roman hairpins and perfectly preserved Tudor shoes to the clay pipes that were smoked in riverside taverns. Seamlessly interweaving reflections from her own life with meditations on the art of wandering, Maiklem ultimately delivers a treatise “as deep and as rich as the Thames and its treasures” (Stanley Tucci).

Pursuing fragments -- Pulling together, falling apart -- Knowing fragments -- Writing in fragments -- Political framings -- Walking cities -- In completion.

_______________WINNER OF THE INDIE BOOK AWARD FOR NON-FICTIONTHE TOP 2 SUNDAY TIMES BESTSELLERA BBC RADIO 4 BOOK OF THE WEEKAN OBSERVER BOOK OF THE YEAR_______________Mudlark (/'mAdla;k/) noun A person who scavenges for usable debris in the mud of a river or harbourLara Maiklem has scoured the banks of the Thames for over fifteen years, in pursuit of the objects that the river unearths: from Neolithic flints to Roman hair pins, medieval buckles to Tudor buttons, Georgian clay pipes to Victorian toys. These objects tell her about London and its lost ways of life.Moving from the river's tidal origins in the west of the city to the point where it meets the sea in the east, Mudlarking is a search for urban solitude and history on the River Thames, which Lara calls the longest archaeological site in England.As she has discovered, it is often the tiniest objects that tell the greatest stories._______________'Enchanting' - Sunday Times'Driven by curiosity, freighted with mystery and tempered by chance, wonders gleam from every page' - Melissa Harrison'Brilliant. No one has looked at these odd corners since Sherlock Holmes' - Sunday Telegraph'The very best books that deal with the past are love letters to their subject, and the very best of those are about subjects that love their authors in return. Such books are very rare, but this is one' - Ian Mortimer'Fascinating. There is nothing that Maiklem does not know about the history of the river or the thingyness of things' - Guardian'A treasure. One of the best books I've read in years' - Tracy Borman