Long Century S Long Shadow

The Long Century’s Long Shadow approaches German Romanticism and Weimar cinema as continuous developments, enlisting both in a narrative of reciprocal illumination. The author investigates different moments and media as connected phenomena, situated at alternate ends of the "long nineteenth century" but joined by their mutual rejection of the neo-classical aesthetic standard of placid and weightless poise in numerous media, including film, painting, sculpture, prose, poetry, and dance. Connecting Weimar filmmaking to Romantic thought and practice, Kenneth S. Calhoon offers a non-technological, aesthetic genealogy of cinema. He focuses on well-known literary and artistic works, including films such as Nosferatu, Metropolis, Frankenstein, and Fantasia; the writings of Conrad, Kafka, Goethe, and Novalis; and the paintings of Caspar David Friedrich, one of the leading artists of German Romanticism. With an eye to the modernism of which Weimar filmmaking was a part, The Long Century’s Long Shadow employs the Romantic landscape in poetry and painting as a mirror in which to regard cinema.

Winner of the 2014 PEN Hessell-Tiltman Prize for the Best Work of History. "If you only read one book about the First World War in this anniversary year, read The Long Shadow. David Reynolds writes superbly and his analysis is compelling and original." —Anne Chisolm, Chair of the PEN Hessell-Tiltman Prize Committee, and Chair of the Royal Society of Literature. One of the most violent conflicts in the history of civilization, World War I has been strangely forgotten in American culture. It has become a ghostly war fought in a haze of memory, often seen merely as a distant preamble to World War II. In The Long Shadow critically acclaimed historian David Reynolds seeks to broaden our vision by assessing the impact of the Great War across the twentieth century. He shows how events in that turbulent century—particularly World War II, the Cold War, and the collapse of Communism—shaped and reshaped attitudes to 1914–18. By exploring big themes such as democracy and empire, nationalism and capitalism, as well as art and poetry, The Long Shadow is stunningly broad in its historical perspective. Reynolds throws light on the vast expanse of the last century and explains why 1914–18 is a conflict that America is still struggling to comprehend. Forging connections between people, places, and ideas, The Long Shadow ventures across the traditional subcultures of historical scholarship to offer a rich and layered examination not only of politics, diplomacy, and security but also of economics, art, and literature. The result is a magisterial reinterpretation of the place of the Great War in modern history.

Stamford Raffles, James Brooke, John Crawfurd and Anna Leonowens were some of those who came from Europe or the United States to Southeast Asia in the nineteenth century — and then wrote about what they saw. Their writings deserve to be read now for what they truly were: Not objective accounts of a Southeast Asia frozen in imperial time but rather as culturally myopic and perspectivist works that betray the subject-positions of the authors themselves. Reading them would allow us to write the history of the East-West encounter through critical lenses that demonstrate the workings of power-knowledge in the elaborate war-economy of racialised colonial-capitalism. Many of the tropes used by these colonial-era scholars and travellers, such as the indolence or savagery of the native population, are still very much in use today — which means we still live in the long shadow of the 19th century. (Matahari Books)

‘A century ago we got it wrong. We sent thousands of young Australians on a military operation that was barely more than a disaster. It’s right that a hundred years later we should feel strongly about that. But have we got our remembrance right? What lessons haven’t we learned about war, and what might be the cost of our Anzac obsession?’ Defence analyst and former army officer James Brown believes that Australia is expending too much time, money and emotion on the Anzac legend, and that today’s soldiers are suffering for it. Vividly evoking the war in Afghanistan, Brown reveals the experience of the modern soldier. He looks closely at the companies and clubs that trade on the Anzac story. He shows that Australians spend a lot more time looking after dead warriors than those who are alive. We focus on a cult of remembrance, instead of understanding a new world of soldiering and strategy. And we make it impossible to criticise the Australian Defence Force, even when it makes the same mistakes over and over. None of this is good for our soldiers or our ability to deal with a changing world. With respect and passion, Brown shines a new light on Anzac’s long shadow and calls for change. "Bold, original, challenging - James Brown tackles the burgenoning Anzac industry and asks Australians to re-examine how we think about the military and modern-day service." - Leigh Sales "The best book yet written, not just on Australia's Afghan war, but on war itself and the creator/destroyer myth of Anzac." - John Birmingham James Brown is a former Australian Army officer, who commanded a cavalry troop in Southern Iraq, served on the Australian taskforce headquarters in Baghdad, and was attached to Special Forces in Afghanistan. Today he is the Military Fellow at the Lowy Institute for International Policy where he works on strategic military issues and defence policy. He also chairs the NSW Government’s Contemporary Veterans Forum. He lives in Sydney.

The Long Shadow investigates the purposes and roles of nuclear weapons in the new security environment, the nature and content of the national nuclear strategies of relevant states, and their implications for international security and stability in the Asian security region

A volume in the American Sociological Association's Rose Series in Sociology West Baltimore stands out in the popular imagination as the quintessential “inner city”—gritty, run-down, and marred by drugs and gang violence. Indeed, with the collapse of manufacturing jobs in the 1970s, the area experienced a rapid onset of poverty and high unemployment, with few public resources available to alleviate economic distress. But in stark contrast to the image of a perpetual “urban underclass” depicted in television by shows like The Wire, sociologists Karl Alexander, Doris Entwisle, and Linda Olson present a more nuanced portrait of Baltimore’s inner city residents that employs important new research on the significance of early-life opportunities available to low-income populations. The Long Shadow focuses on children who grew up in west Baltimore neighborhoods and others like them throughout the city, tracing how their early lives in the inner city have affected their long-term well-being. Although research for this book was conducted in Baltimore, that city’s struggles with deindustrialization, white flight, and concentrated poverty were characteristic of most East Coast and Midwest manufacturing cities. The experience of Baltimore’s children who came of age during this era is mirrored in the experiences of urban children across the nation. For 25 years, the authors of The Long Shadow tracked the life progress of a group of almost 800 predominantly low-income Baltimore school children through the Beginning School Study Youth Panel (BSSYP). The study monitored the children’s transitions to young adulthood with special attention to how opportunities available to them as early as first grade shaped their socioeconomic status as adults. The authors’ fine-grained analysis confirms that the children who lived in more cohesive neighborhoods, had stronger families, and attended better schools tended to maintain a higher economic status later in life. As young adults, they held higher-income jobs and had achieved more personal milestones (such as marriage) than their lower-status counterparts. Differences in race and gender further stratified life opportunities for the Baltimore children. As one of the first studies to closely examine the outcomes of inner-city whites in addition to African Americans, data from the BSSYP shows that by adulthood, white men of lower status family background, despite attaining less education on average, were more likely to be employed than any other group in part due to family connections and long-standing racial biases in Baltimore’s industrial economy. Gender imbalances were also evident: the women, who were more likely to be working in low-wage service and clerical jobs, earned less than men. African American women were doubly disadvantaged insofar as they were less likely to be in a stable relationship than white women, and therefore less likely to benefit from a second income. Combining original interviews with Baltimore families, teachers, and other community members with the empirical data gathered from the authors’ groundbreaking research, The Long Shadow unravels the complex connections between socioeconomic origins and socioeconomic destinations to reveal a startling and much-needed examination of who succeeds and why.

In 1920 the League of Nations Advisory Committee on the Traffic in Opium and Other Dangerous Drugs captured eight decades of political turmoil over opium trafficking. Steffen Rimner shows how local protests crossed imperial, national, and colonial boundaries to harness naming and shaming in international politics—a deterrent that continues today.

One of the most urgent issues facing the world today is how countries shape historical memory in the aftermath of calamity, making decisions that cast long shadows into the future. Combining gripping storytelling with sharp observation, Erna Paris takes us on an extraordinary journey through four continents to explore how nations reinvent themselves after cataclysmic events. She travels through the United States, with its long-buried memory of slavery; to South Africa, where the Truth and Reconciliation Commission struggles to heal the wounds left by apartheid; to Japan, France, and Germany, where the unresolved pain of Hiroshima and the Holocaust still resonate; and to the former Yugoslavia, where she exposes the cynical shaping of historical memory. Through its insightful analysis, Long Shadows compels us to question where we stand as individuals in relation to our own collective histories. Erna Paris is the winner of ten national and international writing awards, three for Long Shadows. She is the author of six critically acclaimed books of literary non-fiction, including The End of Days: A Story of Tolerance, Tyranny and the Expulsion of the Jews from Spain, which won the 1996 Canadian National Jewish Book Award for History. She lives in Toronto. Winner of the Pearson Writers' Trust Non-Fiction Award, the inaugural Shaugnessy Cohen Prize for Political Writing, and the Dorothy Shoichet prize for history from the Canadian Jewish Book Awards. 'Long Shadows is magnificent. I would love to see this book taught in every history class in America.' - Iris Chang, author of The Rape of Nanking 'Enlightening...Riveting...Paris raises questions of enormous importance.' - Kirkus 'Paris convincingly demonstrates that memory is not only selective but subject to calculated efforts to serve personal needs and national interests.' - The Christian Science Monitor 'Erna Paris gives us a rich, if p