Lontar 3 The Journal Of Southeast Asian Speculative

A commanding force for Southeast Asian speculative fiction, THE INFINITE LIBRARY AND OTHER STORIES reimagines the pasts, presents, and futures of Filipinos and the world around them. This first North American edition features a never-before-anthologized story. "Fantastic and lyrical, like glimpses into the infinite potential of the universe."-Ken Liu, author of THE PAPER MENAGERIE AND OTHER STORIES Shortlisted for the 2018 International Rubery Book Award. Making his North American debut, Victor Fernando R. Ocampo in The Infinite Library and Other Stories shows why Southeast Asian speculative fiction is a force to be reckoned with. From a mysteriously timeless interior of a map shop to a space elevator thousands of miles away from the metropole, these 18 stories masterfully straddle manifold layers of Filipino history, identity, and mythology, reconstructing the past and conjuring new futures for the nation and region at large. Ocampo's transnational consciousness brilliantly navigates class, colonialism, and gender in formal experimentations of winning ingenuity. Threaded by the motif of libraries and books, this deliciously enigmatic and labyrinthine collection showcases the infinite power of imagination to mend and make anew.

What is a Eurasian? Are Eurasians truly Singaporean? What does it mean to be a Eurasian living in Singapore? Despite existing in Singapore for as long as any other community, Eurasians continue to be somewhat enigmatic to their fellow citizens. Unlike the Chinese, Malays and Indians, who have their own category under Singapore’s multicultural race policy, Eurasians are classified as ‘Others’. ‘OTHERS’ IS NOT A RACE is a vibrant tapestry that weaves together narrative fiction, creative nonfiction, literary food writing and intimate family memoir. This eclectic mix provides a unique perspective into an underrepresented community, all viewed through the candid lens of the author’s personal experiences of growing up and living as a Eurasian in Singapore, as well as visiting family in Melaka’s Portuguese Settlement in Malaysia, where the Eurasian community has thrived for over 500 years. Memory, language, identity and cultural reclamation punctuate this journey of self-discovery, exploring what it means to exist at the confluence of being Singaporean and being Eurasian, and to interrogate the liminal space between two cultures, Asian and European, occupied by this community.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume Three gathers the finest Singaporean stories published in 2015 and 2016, selected by guest editor Cyril Wong from hundreds published in journals, magazines, anthologies and single-author collections. Accompanying the stories are the editor’s preface and an extensive list of honourable mentions for further reading. This volume features short story contributions from Eva Aldea, Joelyn Alexandra, Jennifer Anne Champion, Andrew Cheah, Clara Chow, Noelle Q. de Jesus, Melissa De Silva, SC Gordon, Jon Gresham, Philip Holden, Amanda Lee Koe, Su Leong, Leonora Liow, Manish Melwani, Sam Ng, Nuraliah Norasid, O Thiam Chin, Jollin Tan, Verena Tay, Jason Wee, Daryl Qilin Yam, Yeo Wei Wei, Yeoh Jo-Ann, Yeow Kai Chai, Ovidia Yu, and Andrew Yuen.

Aditya left her village in Java to join her husband in the bustling new port town of Singapura. Tragedy strikes, and she is left to face the biggest choice she will ever make. Discover colonial Singapore through the perspective of a female immigrant in this tale of hope and faith by Melissa De Silva.

Regina was born and raised in the small town of Heridos, where gods and spirits walked the earth. Until they didn't. Ten years ago, the town's harvest failed utterly, and the people---believing the gods had abandoned them--left their farms and moved on. Now, on a Friday before a long weekend, Regina ends her workday at an office in Makati, and walks home with a new colleague, Diana. Following a strange and disturbing conversation between them, Diana does not show up at work on Monday, nor Tuesday, nor Wednesday. On Thursday, Regina finds a folded piece of paper In her bag. In Diana's handwriting are two names and a strange map that will send Regina back to her hometown. Here, in her quest to find Diana, she encounters rumors of genetic experiments, stumbles upon a strange facility that no one seems to know about, finds herself in places that don't exist, and discovers that people are not who they seem to be. And the biggest question in the bizarre chain of events is not what, or how, but why? Wounded Little Gods is a tale that brings mythology to a sci-fi thriller that's filled with a sense of place--a place where gods are in many ways human and point to the ways in which humans can be inhumane. As Regina struggles to unwind the knots surrounding the mystery of this facility and the people connected to it. She discovers that she is more intertwined in the strange events in her hometown than she ever knew.

Fish Eats Lion collects the best original speculative fiction from Singapore - fantasy, science fiction, and the places in between - all anchored with imaginative methods to the Lion City. These twenty-two stories, from emerging writers publishing their first work to winners of the Singapore Literature Prize and the Cultural Medallion, explore the fundamental singularity of the island nation in a refreshing variety of voices and perspectives. This anthology is a celebration of the vibrant creative power underlying Singapore's inventive prose stylists, where what is considered normal and what is strange are blended in fantastic new ways. "Lundberg combines accessibility with a uniquely Singaporean flavor in his selections. SF readers looking to expand their horizons will enjoy visiting new worlds from an unaccustomed point of view." - Publishers Weekly "I doubt I'll read a more engaging collection this year. [...] There's a rich optimism to be found here that speaks of lesser-known spec-fic writers rising to a challenge, and that challenge being more than adequately met." - Pete Young, Big Sky "Entertaining in this post-colonial era, it hints at how storytellers can become mythmakers, with the power to change the world." - Akshita Nanda, The Straits Times