Looking For The Other

What happens when white people look at non-whites? What happens when the gaze is returned? Looking for the Other responds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race. It focuses attention on the male gaze across cultures, as illustrated by women filmmakers of color whose films deal with travel. Looking relations are determined by history, tradition, myth; by national identity, power hierarchies, politics, economics, geographical and other environment. Travel implicitly involves looking at, and looking relations with, peoples different from oneself. Featured films include Birth of a Nation, The Cat People, Home of the Brave, Black Narcissus, Chocolat, and Warrior Marks. Featured filmmakers include D.W.Griffith, Jacques Tourneur, Michael Powell, Julie Dash, Pratibha Parmar, Trinh T. Min-ha, and Claire Denis.

What happens when white people look at non-whites? What happens when the gaze is returned? Looking for the Other responds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race. It focuses attention on the male gaze across cultures, as illustrated by women filmmakers of color whose films deal with travel. Looking relations are determined by history, tradition, myth; by national identity, power hierarchies, politics, economics, geographical and other environment. Travel implicitly involves looking at, and looking relations with, peoples different from oneself. Featured films include Birth of a Nation, The Cat People, Home of the Brave, Black Narcissus, Chocolat, and Warrior Marks. Featured filmmakers include D.W.Griffith, Jacques Tourneur, Michael Powell, Julie Dash, Pratibha Parmar, Trinh T. Min-ha, and Claire Denis.

Rosella Clavari and Giulia De Martino (African Literature Association) Anna Fresu's island origins shine through this collection of stories that impose a look at the "forgotten people of the world".Sardinian "Saudade" perhaps even before the Portuguese one, where her personal life had encountered before reaching Mozambique where she has lived for 11 years. It was in that distant land, a battered by the war land, where she engaged in humanitarian aid through social projects in education and culture like literacy, theater, music and dance. It is original the overlap of the childhood on the Sardinia island, the green and blue sea that opens to mysterious and painfully attractive spaces, the sailor father, the tireless storyteller mother with African and South American characters situations. An empathy for the land and the African people that translates into the ability to sum up a life in the life of each and every one of us, including its own; to be reflected in the solitude of the one who passes you by or of the person you meet all mornings. They are different lives, but they share a destiny of marginalization, of violated childhoods, eternal love stories or those that never started, soliloquies seeking dialogue. The protagonists are also men, but mostly women, who face the adversities of life with the innocence of those who become mother even before becoming a woman, with the dignity of those who, trampled, leverages its inner forces. The stories unfold in short and rhythmic periods or melt in a bitter and disenchanted chronicle, mixing myths and old stories told by elderly villagers to glimpses of everyday life. Here then emerge miserable interiors of houses with can roofs, adorned with lush gardens and flower gardens, plastic shoes and poor clothing, washed and re-washed till they fall apart only to maintain a dignified decorum of the person, tiring hours of work in the fields or factories, wiped out villages and environments destroyed to

In this study, Teun van der Leer tells the story of the Believers’ Church Tradition, a tradition, mainly rooted in the so-called Radical Reformation, which prefers to be called a movement, or rather a renewal movement. Its name is a program, a vision, and a way of being church. Based on extensive source research, this book describes and analyzes the defining characteristics of this so-called “third type of church” and investigates its ecumenical value. With an extensive description of its nature of faith, the church, hermeneutical discernment, and mission, this book colors a movement within the church landscape that has never been mapped in such detail before. As such, the book provides an in-depth introduction to this ecumenically important but still a bit underexposed movement and makes a substantial contribution to the ecumenical ecclesiological debate about the church and its future.

If you're going to write a book about worlds with no answers, phenomenon that scientists can't explain and skeptics can't fathom--you'd better do it with the right equipment--the eye of a journalist, the voice of a novelist, an open mind and compassionate heart. In Looking for the Other Side, writer Sherry Suib Cohen is perfectly outfitted with these tools in her exploration of the world of the occult. It all begins when Cohen, a journalist, takes an assignment to try and contact the spirit of her deceased mom. In her searching, she meets astrologers, past-life channelers, numerologists, psychics, and a host of other practitioners eager to put her in touch with her past, her future, and her heretofore unexplored spiritual self. "Cohen will hook readers with her determination, wit, generosity and astonishing willingness to try anything. In the end, her personal odyssey becomes ours, and even the most devoted skeptics will find themselves rethinking what might and what might not be possible." --Betsy Carter, Editor-in-Chief, New Woman magazine "When I saw the words know thyself carved above the Oracle's gate at Delphi, I shivered--and didn't understand why. Now, I understand. Knowing myself would mean suspending judgment, would mean tapping into banks of information I never before thought relevant to my pragmatic lifestyle. Well, I've tapped. This book is the result," writes Sherry Suib Cohen. And in a spirited narrative, Cohen tells us about her experiences wherein she confronts death, blame, forgiveness, faith, truth, and family, in addition to Mom. When readers finish this personal odyssey and guidebook into the unknown, they may decide, just as Cohen did, that there's something to these otherwordly spheres after all.

With Other Eyes demonstrates how feminist, postcolonial, and antiracist concerns can successfully be incorporated into the study of art.

What would it mean to reorient the study of Haitian literature toward ethics rather than the themes of politics, engagement, disaster, or catastrophe? Looking for Other Worlds engages with this question from a distinct feminist perspective and, in the process, discovers a revelatory lens through which we can productively read the work of contemporary Haitian writers. Régine Michelle Jean-Charles explores the "ethical imagination" of three contemporary Haitian authors—Yanick Lahens, Kettly Mars, and Evelyne Trouillot—contending that ethics and aesthetics operate in relation to each other through the writers’ respective novels and that the turn to ethics has proven essential in the twenty-first century. Jean-Charles presents a useful framework for analyzing contemporary literature that brings together Black feminism, literary ethics, and Haitian studies in a groundbreaking way.