Looking Past The Screen

DIVA collection of essays illustrating new methods and theories of film history./div

Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade journalism, fan magazines, studio publications, and industry records. Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists’ understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies. Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp

A collection of essays illustrating new methods and theories of film history.

The coming of age of audiovisual translation studies has brought about a much-needed surge of studies focusing on the audience, their comprehension, appreciation or rejection of what reaches them through the medium of translation. Although complex to perform, studies on the reception of translated audiovisual texts offer a uniquely thorough picture of the life and afterlife of these texts. This volume provides a detailed and comprehensive overview of reception studies related to audiovisual translation and accessibility, from a diachronic and synchronic perspective. Focusing on all audiovisual translation techniques and encompassing theoretical and methodological approaches from translation, media and film studies, it aims to become a reference for students and scholars across these fields.

The first three StarCraft novels--"Libertys Crusade, Shadow of the XelNaga, Speed of Darkness"--and the eBook "Uprising" are collected in this single volume, making this an essential tome for the millions of StarCraft game players.

Surely one little weekend with the boss won’t lead to too much trouble… A Kiss and Tell romance by Jessica Lemmon. Operation Get Over Him has just hit a bump in the road… Breathe in. Breathe out. He’s just a guy. Addison Abrams starts every day at the office reciting that mantra so she can stop obsessing about her beautiful boss, Brannon Knox. But when someone accuses her of liking him in a romantic way, her cover is blown. She’s mortified. Even more mortifying—Brannon kisses her! What’s he trying to prove? A weekend road trip to Tahoe should be just the thing to get him out of her mind. But when her car breaks down, it’s Brannon to the rescue. Now, she’s driving with him, by his side…and in his bed. Just for the night. Okay, for the weekend. And then they’ll be back to business…right? Love triumphs in the Seattle tech world in the Kiss and Tell series. Book 1: His Forbidden Kiss Book 2: One Wild Kiss Book 3: One Last Kiss

After years as the star of kids’ TV show Half Pint Detective, Sofia Salgado has had enough. Desperate to build a life outside showbiz, she quits acting to do something that everyone around her– including her family – thinks is plain nuts. Get a real job. They think she’s even crazier when she announces that she’s going to become a real detective, instead of playing one on TV. She’s convinced the technical consultant from her TV show, Brendan Maloney, to take her on in his detective agency, but can accident-prone Sofia hack it? What READERS say: "If you want to curl up with a book you can't put down and laugh this is the book for you." "Gives Janet Evanovich's Stephanie Plum a run for her money." "A fun read. I love the main character. She is smart, quirky and funny. I love women who can hold their own." "If you're looking for a lead character who is likable but also kicks some serious butt, you found her!" "I love FUN mysteries and "A" Is For Actress is just that!!! I could not put it down! Great read!!! :-)" " Fast and funny. Loved it."

First published in 1981 to wide acclaim, a haunting family novel by'a daringly skillful writer.' (Philip Roth) Foreword by Mary Gordon First published in 1981 to wide acclaim, The Countryfollows the last visits of a son, Daniel Francoeur, to his parents' home before the death of his father. Wanting to understand this enigmatic man, Daniel seeks insight through the particulars of his father's life-handling his father's tools and tending to his father's feeble body. Through this contact, his father's mysteries are revealed: his Native-American heritage, his lifelong work as a toolmaker, and his deep and conflicted relationships with his invalid wife and his seven sons. Written quietly, with great force, The Country illuminates the ties of family, the relationships between fathers and sons, and the love that is often hidden, but ever present.