Lost Daughters

Leda is a middle-aged, divorced mother devoted to her work as an English professor. After the departure of her grown-up daughters, she takes a holiday on the Italian coast. But after a few days things become unsettling; on the beach she encounters a family whose brash behaviour proves menacing. Leda is overwhelmed by memories of the difficult and unconventional choices she made as a mother and their consequences for herself and her family. The tale of a woman's rediscovery of herself soon becomes the story of a ferocious confrontation with the past. The Lost Daughter is a profound exploration of the conflicting emotions that tie women to their children. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy's most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante's work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. 'Ferrante's gift for psychological horror renders it immediate and visceral.' New Yorker 'This superb and scary Italian writer...has blown the lid off tempestuous parent-child relations.' Seattle Times 'So refined, almost translucent, that it seems about to float away, in the end this piercing novel is not so easily dislodged from the memory.' Boston Globe 'It's Leda's voice that's hypnotic, and it's the writing that makes it that way. Ferrante can do a woman's interior dialogue like no one else, with a ferocity that is shockingly honest, unnervingly blunt.' Booklist 'Ferrante's prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.' Publishers Weekly ‘Ferrante’s uncompromising directness and her unflinching gaze cannot be faulted.’ Age/Sydney Morning Herald ‘With cold determination, Ferrante conveys both the selfishness and the courage that comes with admitting your own maternal shortcomings.’ New Zealand Listener

“A spicy mixture of family scandal, mother-daughter betrayal, and good-for-nothing men” from the New York Times bestselling author of God Don't Like Ugly (Publishers Weekly). Everyone from Louisiana to Florida knows Mama Ruby—a small-town girl who became one of the South's most notorious and volatile women. Now Mary Monroe reveals how Mama Ruby's past haunts the family she's left behind . . . Mama Ruby has died, and Maureen Montgomery is finally taking charge of her own life. With her beautiful teenage daughter, Loretta, by her side, she returns to Florida and settles into a routine any other woman would consider bland. But for Maureen and her brother, Virgil, after Mama Ruby's hair-trigger temper and murderous ways, bland is good. Yet Loretta has other ideas . . . Set on becoming rich and famous, Loretta convinces Maureen to let her start a modeling career with the help of a Miami photographer. But even as they move in promising new directions, they can't escape Mama Ruby—including Virgil, who's concealed one of her most shocking acts for most of his life. To make a future that's truly hers, Maureen will have to take on a bit of Mama Ruby's strength, forge new bonds—and face down the past. Praise for Mary Monroe “An exceptional writer and phenomenal storyteller!” —Kimberla Lawson Roby, New York Times bestselling author “A remarkable talent.” —Chicago Sun-Times “Monroe is a masterful storyteller.” —Philadelphia Inquirer

Lost Daughters movingly depicts the human toll exacted by the widespread belief in Recovered Memory Therapy. It portrays families devastated by daughters' RMT-inspired memories of childhood sexual abuse and their accusations against parents.

A New York Times Notable Book The shocking truth about postwar adoption in America, told through the bittersweet story of one teenager, the son she was forced to relinquish, and their search to find each other. “[T]his book about the past might foreshadow a coming shift in the future… ‘I don’t think any legislators in those states who are anti-abortion are actually thinking, “Oh, great, these single women are gonna raise more children.” No, their hope is that those children will be placed for adoption. But is that the reality? I doubt it.’”[says Glaser]” -Mother Jones During the Baby Boom in 1960s America, women were encouraged to stay home and raise large families, but sex and childbirth were taboo subjects. Premarital sex was common, but birth control was hard to get and abortion was illegal. In 1961, sixteen-year-old Margaret Erle fell in love and became pregnant. Her enraged family sent her to a maternity home, where social workers threatened her with jail until she signed away her parental rights. Her son vanished, his whereabouts and new identity known only to an adoption agency that would never share the slightest detail about his fate. The adoption business was founded on secrecy and lies. American Baby lays out how a lucrative and exploitative industry removed children from their birth mothers and placed them with hopeful families, fabricating stories about infants' origins and destinations, then closing the door firmly between the parties forever. Adoption agencies and other organizations that purported to help pregnant women struck unethical deals with doctors and researchers for pseudoscientific "assessments," and shamed millions of women into surrendering their children. The identities of many who were adopted or who surrendered a child in the postwar decades are still locked in sealed files. Gabrielle Glaser dramatically illustrates in Margaret and David’s tale--one they share with millions of Americans—a story of loss, love, and the search for identity.

In 1997 journalist Karin Evans walked into an orphanage in southern China and met her new daughter, a beautiful one-year-old baby girl. In this fateful moment Evans became part of a profound, increasingly common human drama that links abandoned Chinese girls with foreigners who have traveled many miles to complete their families. At once a compelling personal narrative and an evocative portrait of contemporary China, The Lost Daughters of China has also served as an invaluable guide for thousands of readers as they navigated the process of adopting from China. However, much has changed in terms of the Chinese government?s policies on adoption since this book was originally published and in this revised and updated edition Evans addresses these developments. Also new to this edition is a riveting chapter in which she describes her return to China in 2000 to adopt her second daughter who was nearly three at the time. Many of the first girls to be adopted from China are now in the teens (China only opened its doors to adoption in the 1990s), and this edition includes accounts of their experiences growing up in the US and, in some cases, of returning to China in search of their roots. Illuminating the real-life stories behind the statistics, The Lost Daughters of China is an unforgettable account of the red thread that winds form China?s orphanages to loving families around the globe.

“I always hoped [Mary Williams] would tell her incredible story. She's a writer of uncommon clarity and humor, and the arrival of her memoir is cause for celebration." —Dave Eggers, author of What is the What As she grew up in 1970s Oakland, California, role models for Mary Williams were few and far between: her father was often in prison, her older sister was a teenage prostitute, and her hot-tempered mother struggled to raise six children alone. For all Mary knew, she was heading down a similar path. But her life changed when she met Jane Fonda at summer camp in 1978. Fonda grew attached to the bright girl and eventually invited her to become part of her family, becoming the mother Mary never had. Mary’s life since has been one of adventure and opportunity—from hiking the Appalachian Trail solo, working with the Lost Boys of Sudan, and living in the frozen reaches of Antarctica. Her most courageous trip, though, involved returning to Oakland and reconnecting with her biological mother and family, many of whom she hadn’t seen since the day she left home. The Lost Daughter is a chronicle of her journey back in time, an exploration of fractured family bonds, and a moving epic of self-discovery.

A novel that turns the traditional adoption narrative on its head as it explores how lies move through generations.

A thousand years after the apocalyptic Holy Wars banished them from Ananya, the gods have returned—massacring the Empress and the Ananyan royal family, stripping away the magic that sustains Ananya’s empire, and leaving it exposed to invading neighbors and vengeful fey. Ketya, neglected daughter of Ananya’s most powerful official, wakes in the arms of the dead Empress. Along with her father she is rescued by Sperrin, a famous soldier whose post-traumatic stress disorder was “treated” by removing memories of his wife and daughter—memories which have returned with the destruction of Ananya’s magic. Ketya finds herself fleeing into the uncertain safety of the mountains where she and Sperrin hope to regroup with other survivors. Ketya’s father holds the answers to what happened and whether Ananya’s magic can be restored—but the disaster that happened on his watch has shattered his sanity, leaving his daughter and her rescuer to try and piece things together. Harried by creatures out of ancient history Ketya and Sperrin make their way toward a mountain stronghold where an Ananyan army still stands, besieged by fey who want to retake the mountains they lost in the Holy Wars. Amid a desperate battle they uncover the depths of betrayal that ravaged Ananya—a betrayal that can only be undone if they agree to escort the traitor to the land of the gods themselves.