Love And Eugenics In The Late Nineteenth Century

Love and Eugenics in the Late Nineteenth Century is a fascinating, lucid, and controversial study of the centrality of eugenic debate to the Victorians. Reappraising the operation of social and sexual power in Victorian society and fiction, it makes a radical contribution to English studies, nineteenth-century and gender studies, and the history of science.

Suffragist, lecturer, eugenicist, businesswoman, free lover, and the first woman to run for president of the United States, Victoria C. Woodhull (1838?1927) has been all but forgotten as a leading nineteenth-century feminist writer and radical. Selected Writings of Victoria Woodhull is the first multigenre, multisubject collection of her materials, giving contemporary audiences a glimpse into the radical views of this nineteenth-century woman who advocated free love between consensual adults and who was labeled ?Mrs. Satan? by cartoonist Thomas Nast. Woodhull?s texts reveal the multiple conflicting aspects of this influential woman, who has been portrayed in the past as either a disreputable figure or a brave pioneer. ø This collection of letters, speeches, essays, and articles elucidate some of the lesser-known movements and ideas of the nineteenth century. It also highlights, through Woodhull?s correspondence with fellow suffragist Lucretia Mott, tensions within the suffragist movement and demonstrates the changing political atmosphere and role of women in business and politics in the late nineteenth century. ø With a comprehensive introduction contextualizing Woodhull?s most important writing, this collection provides a clear lens through which to view late nineteenth-century suffragism, labor reform, reproductive rights, sexual politics, and spiritualism.

Until now, the missionary plot in Charlotte Brontë’s Jane Eyre has been seen as marginal and anomalous. Despite women missionaries being ubiquitous in the nineteenth century, they appeared to be absent from nineteenth-century literature. As this book demonstrates, though, the female missionary character and narrative was, in fact, present in a range of writings from missionary newsletters and life writing, to canonical Victorian literature, New Woman fiction and women’s college writing. Nineteenth-century women writers wove the tropes of the female missionary figure and plot into their domestic fiction, and the female missionary themes of religious self-sacrifice and heroism formed the subjectivity of these writers and their characters. Offering an alternative narrative for the development of women writers and early feminism, as well as a new reading of Jane Eyre, this book adds to the debate about whether religious women in the nineteenth century could actually be radical and feminist.

From 1928 to 1972, the Alberta Sexual Sterilization Act, Canada’s lengthiest eugenic policy, shaped social discourses and medical practice in the province. Sterilization programs—particularly involuntary sterilization programs—were responding both nationally and internationally to social anxieties produced by the perceived connection between mental degeneration and heredity. Psychiatry and the Legacies of Eugenics illustrates how the emerging field of psychiatry and its concerns about inheritable conditions was heavily influenced by eugenic thought and contributed to the longevity of sterilization practices in Western Canada. Using institutional case studies, biographical accounts, and media developments from Western Canada and Europe, contributors trace the impact of eugenics on nursing practices, politics, and social attitudes, while investigating the ways in which eugenics discourses persisted unexpectedly and remained mostly unexamined in psychiatric practice. This volume further extends historical analysis into considerations of contemporary policy and human rights issues through a discussion of disability studies as well as compensation claims for victims of sterilization. In impressive detail, contributors shed new light on the medical and political influences of eugenics on psychiatry at a key moment in the field’s development. With contributions by Ashley Barlow, W. Mikkel Dack, Diana Mansell, Guel A. Russell, Celeste Tuong Vy Sharpe, Henderikus J. Stam, Douglas Wahlsten, Paul J. Weindling, Robert A. Wilson, Gregor Wolbring, and Marc Workman.

The novels in this collection include one by a fierce opponent to the New Woman movement, as well as two from women whose work can be seen as archetypal New Woman fiction.

This book explores the courtship and marriage of Gwyneth Murray, an English woman, and a Canadian, Harry Logan, who wrote in the personae of their vagina (Dardanella) and penis (Peter) during World War I. Through an analysis of their extensive daily correspondence over nearly a decade, it uncovers the couple’s changing attitudes to the intersection of sexuality and religion, to marriage and childrearing, as they navigated the transition from Victorian to modern values. By focusing on first-person narratives, this book enriches our understanding of gender identities revealing how porous the boundaries remained between notions of 'heterosexual' and 'same-sex' friendships. This study offers an unprecedented perspective on one couple’s sexual practices, which included mutual masturbation and oral sex, and constitutes one of the most intensive examinations of female attitudes to sexual pleasure in an era of female emancipation.

Victorian Murderesses investigates the politics of female violence in Thomas Hardy’s Tess of the D’Urbervilles (1891), George Eliot’s Adam Bede (1859), Mary Braddon’s Lady Audley’s Secret (1862), and Florence Marryat’s The Blood of the Vampire (1897). The controversial figure of the murderess in these four novels challenges the assumption that women are essentially nurturing and passive and that violence and aggression are exclusively male traits. By focusing on the representations of murder committed by women, this book demonstrates how legal and even medical discourses endorsed Victorian domestic ideology, as female criminals were often locked up in asylums and publicly executed without substantial evidence. While paying close attention to the social, economic, judicial, and political dynamics of Victorian England, this interdisciplinary study also tackles the question of female agency, as the novels simultaneously portray women as perpetrators of murder and excuse their socially unacceptable traits of anger and violence by invoking heredity and madness. Although the four novels tend to undercut female power and attribute violence to adulterous women, they are revolutionary enough to deploy female characters who rebel against male sovereignty and their domestic roles by stabbing their rapists and even killing their newborns. Victorian studies on gender and violence focus primarily on female victims of sexual harassment, and real and fictional male killers like Dracula and Jack the Ripper. Victorian Murderesses contributes to the field by investigating how literary representations of female violence counter the idealisation of women as angelic housewives.

Becoming a mother profoundly alters one’s perception of the world, as Lindal Buchanan learned firsthand when she gave birth. Suddenly attentive to representations of mothers and mothering in advertisements, fiction, film, art, education, and politics, she became intrigued by the persuasive force of the concept of motherhood, an interest that unleashed a host of questions: How is the construct defined? How are maternal appeals crafted, presented, and performed? What do they communicate about gender and power? How do they affect women? Her quest for answers has produced Rhetorics of Motherhood, the first book-length consideration of the topic through a feminist rhetorical lens. Although both male and female rhetors employ motherhood to promote themselves and their agendas, Buchanan argues it is particularly slippery terrain for women—on the one hand, affording them authority and credibility but, on the other, positioning them disadvantageously within the gendered status quo. Rhetorics of Motherhood investigates that paradox by detailing the cultural construction and performance of the Mother in American public discourse, tracing its use and impact in three case studies, and by theorizing how, when, and why maternal discourses work to women’s benefit or detriment. In the process, the reader encounters a fascinating array of issues—including birth control, civil rights, and abortion—and rhetors, ranging from Diane Nash and Margaret Sanger to Sarah Palin and Michelle Obama. As Buchanan makes clear, motherhood is a rich site for investigating the interrelationships among gender, power, and public discourse. Her latest book contributes to the discipline of rhetoric by attending to and making a convincing case for the significance of this understudied subject. With its examination of timely controversies, contemporary and historical figures, and powerful women, Rhetorics of Motherhood will appeal to a wide array of readers in rhetoric, communications, American studies, women’s studies, and beyond.