Love For Sale

The intense urbanization and industrialization of America's largest city from the turn of the twentieth century to World War II was accompanied by profound shifts in sexual morality, sexual practices, and gender roles. Comparing prostitution and courtship with a new working-class practice of heterosexual barter called "treating," Elizabeth Alice Clement examines changes in sexual morality and sexual and economic practices. Women "treated" when they exchanged sexual favors for dinner and an evening's entertainment or, more tangibly, for stockings, shoes, and other material goods. These "charity girls" created for themselves a moral space between prostitution and courtship that preserved both sexual barter and respectability. Although treating, as a clearly articulated language and identity, began to disappear after the 1920s and 1930s, Clement argues that it still had significant, lasting effects on modern sexual norms. She demonstrates how treating shaped courtship and dating practices, the prevalence and meaning of premarital sex, and America's developing commercial sex industry. Even further, her study illuminates the ways in which sexuality and morality interact and contribute to our understanding of the broader social categories of race, gender, and class.

A personal, idiosyncratic history of popular music that also may well be definitive, from the revered music critic From the age of song sheets in the late nineteenth-century to the contemporary era of digital streaming, pop music has been our most influential laboratory for social and aesthetic experimentation, changing the world three minutes at a time. In Love for Sale, David Hajdu—one of the most respected critics and music historians of our time—draws on a lifetime of listening, playing, and writing about music to show how pop has done much more than peddle fantasies of love and sex to teenagers. From vaudeville singer Eva Tanguay, the “I Don’t Care Girl” who upended Victorian conceptions of feminine propriety to become one of the biggest stars of her day to the scandal of Blondie playing disco at CBGB, Hajdu presents an incisive and idiosyncratic history of a form that has repeatedly upset social and cultural expectations. Exhaustively researched and rich with fresh insights, Love for Sale is unbound by the usual tropes of pop music history. Hajdu, for instance, gives a star turn to Bessie Smith and the “blues queens” of the 1920s, who brought wildly transgressive sexuality to American audience decades before rock and roll. And there is Jimmie Rodgers, a former blackface minstrel performer, who created country music from the songs of rural white and blacks . . . entwined with the sound of the Swiss yodel. And then there are today’s practitioners of Electronic Dance Music, who Hajdu celebrates for carrying the pop revolution to heretofore unimaginable frontiers. At every turn, Hajdu surprises and challenges readers to think about our most familiar art in unexpected ways. Masterly and impassioned, authoritative and at times deeply personal, Love for Sale is a book of critical history informed by its writer's own unique history as a besotted fan and lifelong student of pop.

“[An] enlightening and entertaining . . . survey of the world’s oldest profession” from the Whore of Babylon to the modern sex-worker movement (Kirkus Reviews). From Eve and Lilith to Julia Roberts in Pretty Woman, the prostitute has been both a target of scorn and a catalyst for social change. In Love for Sale, cultural historian Nils Johan Ringdal delivers an authoritative and engaging history of this most maligned, yet globally ubiquitous, form of human commerce. Beginning with the epic of Gilgamesh, the Old Testament, and ancient cultures from Asia to the Mediterranean, Ringdal considers the varying way societies have dealt with and thought about prostitutes through history. He discusses how they were included in the priestess class in ancient Greece and Rome; how the rise of the courtesan in nineteenth-century Europe shaped literature, fashion, the arts, and modern sensibilities. He uncovers the first manuals on the art of sex and seduction, the British Empire’s campaigns against prostitution in India, and stories of the Japanese “comfort women” who served the armies in the Pacific theater of World War II. Ringdal closes with the rise of the sex-workers’ rights movement and ‘sex-positive” feminism, and a realistic look at the true risks and rewards of prostitution in the present day. Recalling Camille Paglia’s Sexual Personae with its broad sweep across centuries and continents, Love for Sale “uses [its] subject as a springboard for exploring the ever-changing notions of love, sexual identity, morality and gender among various cultures” (Nan Goldberg, Newark Sunday Star-Ledger).

Kruger's practice reflects the discovery, evident throughout contemporary art, of the formative power of images, the capacity of signs to affect deep structures of belief. Her art is concerned with positioning of the social body, with the ways in which out thoughts, attitudes and desires are determined by society's dictates.

Check out Alan Baylock, one of the finest writers on the scene today. Alan's hip chart for Cole Porter's Love for Sale starts off with bari, bass trombone, and bass handling the melody and it goes upwards and onwards from there. Jazz solos for alto 1 and trumpet 2. Lead trumpet to written D, bone to A-flat. Energy galore, full ensemble, contrapuntal lines, solos, solis - you name it, this fine chart has it. Love for Sale screams festival.

"During the nineteenth century, Russian writers and artists explored the sex worker's trade, creating iconic works of literature and fine art. This book examines how such representations chart growing concerns about the challenge such sexually transgressive women posed to the social order"

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.

Gideon Lowry, one of the better sundrenched Florida private investigators, becomes involved in another Key West murder case after meeting a woman through an escort service. The woman turns up dead shortly after telling Lowry about a piece of salvaged Spanish treasure in her possession.