Love In Silence 2

“Marriages are made in heaven” is a well-known adage. The protagonists – Anjali (a beautiful Brahmin girl) and Chetan (a sensible tribal boy) – were destined to tie the knot, in spite of inherent hurdles. This fiction is based on their unspoken love. Intense love for each other was ignited through an episode of novel-exchange between Anjali and Chetan. Both were shy and therefore never expressively communicated their love. It all happened in silence and without a word of love being spoken. It was truly ‘love in silence’.

It has been four years since Oakley, her mum, and brother fled to Australia. With the trials looming, she makes the decision to return to England. Oakley is desperate for closure so she can put the past behind her and move on with her life. How will she cope when she comes face to face with the two people that hurt her the most, and the one person that she hurt the most? Her love for Cole never faded, but how will he react to her return after so long? Will they be able to put everything behind them in order to have a happy ending?

This ground-breaking book provides a new perspective on Christian practices of silence. An original, theologically informed work, written by a significant Quaker theologian Provides a new perspective on Christian practices of silence Considers the theological and ethical significance of these practices Relates silence, listening and communication to major contemporary issues Takes forward theological engagement with feminist thought Contributes to ongoing research into the theology of Dietrich Bonhoeffer.

Where does the Greek novel come from? This book argues that whereas much of Greek literature was committed to a form of cultural purism, presenting itself as part of a continuous tradition reaching back to founding fathers within the tradition, the novel revelled in cultural hybridity. The earliest Greek novelistic literature combined Greek and non-Greek traditions (or at least affected to combine them: it is often hard to tell how 'authentic' the non-Greek material is). More than this, however, it also often self-consciously explored its own hybridity by focusing on stories of cultural hybridisation, or what we would now call 'mixed-race' relations. This book is thus not a conventional account of the origins of the Greek novel: it is not an attempt to pinpoint the moment of invention, and to trace its subsequent development in a straight line. Rather, it makes a virtue of the murkiness, or 'dirtiness', of the origins of the novel: there is no single point of creation, no pure tradition, only transgression, transformation and mess. The novel thus emerges as an outlier within the Greek literary corpus: a form of literature written in Greek, but not always committing to Greek cultural identity. Dirty Love focuses particularly on the relationship between Persian, Egyptian, Jewish and Greek literature, and covers such texts as Ctesias' Persica, Joseph and Aseneth, the Alexander Romance and the tale of Ninus and Semiramis. It will appeal to those interested not only in Greek literary history, but also in near-eastern and biblical literature.

"In the Holocaust novel, silence is always a character, and the word is always its subject matter." So writes David Patterson in this profound and original study of more than thirty important writers. Contrary to existing views, he argues, the Holocaust novel is not an attempt to depict an unimaginable reality or an ineffable horror. It is, rather, an endeavor to fetch the word from silence and restore it to meaning, to resurrect the human soul, to regenerate the relation between the self and God, the self and other, the self and itself. This book is less a critical study in the usual sense than an impassioned meditation on the deeper sources of the Holocaust novel. Among the authors examined are Elie Wiesel, Arnost Lustig, Aharon Appelfeld, Katzetnik 135633, Primo Levi, Yehuda Amichai, Piotr Rawicz, A. Anatoli, Saul Bellow, I.B. Singer, Anna Langfus, Rachmil Bryks, and Ilse Aichinger. The Shriek of Silence is a first in several respects: the first to examine the Holocaust novels in their original languages, the first to articulate a theoretical basis for its approach, and the first phenomenological investigation -- one that attempts to penetrate the process of creation for these novelists. Organized along conceptual lines, the book examines "the word in exile," the themes of death of the father and the child, transformations of the self, and the implications of the reader. Its philosophical foundations are Rosenzweig, Buber, Neher, and Levinas. Its critical approach is shaped by Bakhtin. The novelists of the Holocaust, in witnessing through their words, regain their voices and in so doing are reborn. By probing the depths of their struggle, Patterson's study draws us too toward a higher understanding, perhaps even our own rebirth.

What ever happened to silence? Actually nothing, and Harry Wilmer takes great pains to show how we have submerged it under a toxic barrage of noise. Using both clinical examples of the power of silence from his case histories, and cultural values of silence, he uncovers a astonishing theme in the Japanese idea of MA as silence. Wilmer points out how silence gives meaning to words, dreams, thought, action and music. From his long experience as a Jungian analyst, he weaves his ideas into an eminently practical treatise on the phenomenology of silence. With many references to literature as well as his personal life experiences and crises, he offers a readable and important new story of the universal and spiritual significance of silence in a world of jackhammer noise.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

To learn to read a text for the portals of silence that are implicit in it is to gain a powerful tool for supporting and expanding one’s silence, and to open the reader to the insight that ensues. The sort of reading proposed in this volume is both costly and rewarding. These pages invite readers once again to look at their own minds, to reflect on what is happening there, and to understand the essential role of silence for being human, and for living our own truth with one another.