Love S Sacred Song

Standing in the massive shadow of his famous father, young king Solomon wavers between fear and bravado, wisdom and folly. In the uncertain world of alliances and treachery, Solomon longs for peace and a love that is true and pure--a love that can be his cornerstone. A shepherdess in the northern city of Shunem, Arielah remembers the first time she laid eyes on Solomon in Jerusalem when she was just seven years old. Since then she has known that it was her destiny to become his bride. When her father, a leader of their tribe, secures a promise from King Solomon to marry Arielah as a treaty bride to help unite the kingdom, it seems her dreams may come true. But how can this simple shepherdess live as part of Solomon's harem? Can Solomon set aside his distractions to give himself completely to just one woman? Or will he let duty, deception, and the daily routine divide his heart? Mesu Andrews expertly weaves the words of the Song of Solomon into this touching story of the power of love. Readers will be transported from the glowing fields of Shunem to the gleaming city of Jerusalem as they experience this rich and textured novel from a master storyteller.

For young King Solomon, wisdom came as God's gift, but sacred love was forged through passion's fire.

Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.