Lovell Our Dogge

The first book on the Wars of the Roses to centre on Richard III`s closest friend, Sir Francis Lovell.

Just how far will one man go in the name of loyalty? Set in an England beset by power wrangling and warfare at the end of the 15th century, The King’s Dogge (the first of a two book series) tells of Francis Lovell’s meteoric rise from humble squire to closest ally of King Richard III. Having courageously fought at Barnet for the great noble the Earl of Warwick, Lovell is introduced to Richard of Gloucester. Impressed by Lovell’s military acumen, Gloucester assigns him the unenviable task of fighting the Scots in the West March. His initiative wins him a knighthood and turns him into Gloucester’s most prized asset. In time, Lovell comes to respect Gloucester and a close friendship blossoms, each aware of one another’s weaknesses but together able to advance one another’s careers – military and political respectively. Lovell’s future is further shaped by Gloucester’s scheming wife Anne Neville, whose ambition exceeds that of her husband. But when their Machiavellian scheming leads to the cold-blooded murder of the princes in the tower, Lovell is forced to weigh his conscience against his sense of duty and ask himself what dark acts he is prepared to carry out in Gloucester’s name. The King’s Dogge is a fictional account of the rule of King Richard III as seen from the perspective of his closest adviser, Francis Lovell. It weaves a story around true events and throws the actions of the king into a new perspective when viewed against the ambition of his wife, Anne Neville.

"Vermin are not only pestering; they shape the way people look at each other and are a way that some people get to feel superior to others"--

From William Shakespeare's series of history dramas to Sir Walter Scott and George R.R. Martin's A Song of Ice and Fire, not to mention the smash-hit TV show Game of Thrones, the British civil war of 1455 to 1485 has inspired writers more than any other. Ed West's My Kingdom for a Horse illuminates the bloody war fought for thirty long years between the descendants of King Edward III in a battle for the throne. Named after the emblems used by the two leading families, the Houses of York and Lancaster, the title of the conflict gives it a romantic feel that probably wasn't as apparent to those on the battlefield having swords shoved into their eyes. And, for all the lovely heraldry and glamorous costumes of the era, the war saw the complete breakdown of the medieval code of chivalry in which prisoners were spared, which makes it even better drama. In 1460-61 alone, twelve noblemen were killed in the field and six were beheaded off it, removing a third of the English peerage. Written in the spirit of a black comedy, My Kingdom for a Horse is an ideal introduction for anyone interested in one of history's most insane wars. Featuring some of history's most infamous figures, including the insane King Henry VI, whose madness triggered the breakdown, and the wicked Richard III, who murdered his young nephews to take the throne, this fifth entry in West's A Very, Very Short History of England series is a must for fans of British history.

The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of a ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects Matthew Lewis examines the motives and opportunities afresh as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York survived their uncle’s reign and even that of their brother-in-law Henry VII? There are glimpses of their possible survival and compelling evidence to give weight to those glimpses, which is considered alongside the possibility of their deaths to provide a rounded and complete assessment of the most fascinating mystery in history.

DigiCat Publishing presents to you this special edition of "The Romance of Names" by Ernest Weekley. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Richard III is one of the most controversial figures in the history of England. Portrayed by Shakespeare as a hunchbacked cripple and described by many as a ruthless ruler, some historians believe there may have been another side to the Machiavellian monarch. Was Richard as bad as his bloodthirsty image or was he an effective leader? The 101 questions in this quiz book have been compiled to help you decide. The Richard III Quiz Book aims to separate fact from fiction. Find out where Richard was born and how he came to be king. Did he really dispose of friends and relatives in order to seize the throne? How and where did Richard meet his end and did this signify the end of the House of York? In 2012, Richard III's remains were unearthed from a car park in the city of Leicester. This book will appeal to anyone who would like to find out the truth about how and why a king of England came to be buried in an unmarked grave for several centuries.

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which has been adapted by Tom Stoppard for the acclaimed BBC/HBO television series. This volume focuses on Ford’s work from the Edwardian decade and a half before the First World War. It contains Michael Schmidt’s Ford Madox Ford Lecture, and fourteen other essays by British, American, French and German experts, both leading authorities and younger scholars. Chapters on Ford’s fiction, poetry, criticism of literature and painting, writing about England, and dealings on the Edwardian literary scene as editor and with publishers, bring out his versatility and ingenuity throughout his first major creative phase.