Lullabies For Little Criminals

A new deluxe edition of the international bestseller by Heather O’Neill, the Giller-shortlisted author of Daydreams of Angels and The Girl Who Was Saturday Night, featuring an original foreword from the author, to celebrate the tenth anniversary of the coming-of-age story that People describes as “a vivid portrait of life on skid row.” Baby, all of thirteen years old, is lost in the gangly, coltish moment between childhood and the strange pulls and temptations of the adult world. Her mother is dead; her father, Jules, is scarcely more than a child himself and is always on the lookout for his next score. Baby knows that “chocolate milk” is Jules’ slang for heroin and sees a lot more of that in her house than the real article. But she takes vivid delight in the scrappy bits of happiness and beauty that find their way to her, and moves through the threat of the streets as if she’s been choreographed in a dance. Soon, though, a hazard emerges that is bigger than even her hard-won survival skills can handle. Alphonse, the local pimp, has his eye on her for his new girl; he wants her body and soul—and what the johns don’t take he covets for himself. At the same time, a tender and naively passionate friendship unfolds with a boy from her class at school, who has no notion of the dark claims on her—which even her father, lost on the nod, cannot totally ignore. Jules consigns her to a stint in juvie hall, and for the moment this perceived betrayal preserves Baby from terrible harm—but after that, her salvation has to be her own invention. Channeling the artlessly affecting voice of her thirteen-year-old heroine with extraordinary accuracy and power, Heather O’Neill’s heartbreaking and wholly original debut novel blew readers away when it was first published ten years ago. Now in a new deluxe package it is sure to capture its next decade of readers as Baby picks her pathway along the edge of the abyss to arrive at a place of redemption, and of love.

Finalist for the 2014 Scotiabank Giller Prize From the author of the international bestselling, award-winning Lullabies for Little Criminals, a coming-of-age novel set on the seedy side of Montreal’s St. Laurent Boulevard Gorgeous twins Noushcka and Nicolas Tremblay live with their grandfather Loulou in a tiny, sordid apartment on St. Laurent Boulevard. They are hopelessly promiscuous, wildly funny and infectiously charming. They are also the only children of the legendary Québécois folksinger Étienne Tremblay, who was as famous for his brilliant lyrics about working-class life as he was for his philandering bon vivant lifestyle and his fall from grace. Known by the public since they were children as Little Noushcka and Little Nicolas, the two inseparable siblings have never been allowed to be ordinary. On the eve of their twentieth birthday, the twins’ self-destructive shenanigans catch up with them when Noushcka agrees to be beauty queen in the local St. Jean Baptiste Day parade. The media spotlight returns, and the attention of a relentless journalist exposes the cracks in the family’s relationships. Though Noushcka tries to leave her family behind, for better or worse, Noushcka is a Tremblay, and when tragedy strikes, home is the only place she wants to be. With all the wit and poignancy that made Baby such a beloved character in Lullabies for Little Criminals, O’Neill writes of an unusual family and what binds them together and tears them apart. The Girl Who Was Saturday Night is classic, unforgettable Heather O’Neill.

Heather O'Neill's distinctive style and voice fill these charming, sometimes dark, always beguiling stories Heather O’Neill’s unforgettable novels, The Girl Who Was Saturday Night and Lullabies for Little Criminals, captured readers with their disarming characters and irreverent descriptions of life on Montreal's St Laurent Boulevard. Here, O'Neill's voice takes flight in a collection of original stories that evoke sorrow, laughter, and heartbreak. From the title story of a naive cult follower in "Dear Piglet" to the struggle of two young women in occupied Paris in “Snow-White and Rose-Red” to the story of generations of failed Nureyev clones in post-Soviet Russia in “The Ugly Ducklings”, these stories surprise and delight at every page, showing once again that Heather O’Neill is a remarkable talent and among our best, most inventive writers.

From the two-time Giller Prize shortlisted author, a dazzling circus of a novel set in the seductive underside of Montreal and New York between the wars Two babies are abandoned in a Montreal orphanage in the winter of 1910. One is a girl named Rose; the other, a boy named Pierrot. Each display rare gifts that bring them adoration and hatred. As they are made to travel around the city performing clown routines to raise funds for the orphanage, they make plans for a sensational future. They are separated as teenagers and sent off to work as menial servants, but both soon find themselves escaping into the criminal world, participating in the vicious and absurd and perverted underbelly of Montreal and New York City between the wars. They search for each other, and one night, under the snowflakes, they reunite, and the underworld will never look quite the same. With all the storytelling skill and magical language for which she is known, Heather O’Neill dazzles us with a new tale of motherless gangsters, drug addicted pianists, radicalized chorus girls and a city whose economy hinges on the price of a kiss.

The #1 national bestseller “Marvelous . . . viciously funny and acutely intelligent” (Maclean’s), When We Lost Our Heads is the spellbinding story of two young women whose friendship is so intense it not only threatens to destroy them, it changes the course of history Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At age twelve, with her pile of blond curls and unparalleled sense of whimsy, she’s the leader of all the children in the Golden Mile, the affluent strip of nineteenth-century Montreal where powerful families live. Until one day in 1873, when Sadie Arnett, dark-haired, sly and brilliant, moves to the neighbourhood. Marie and Sadie are immediately inseparable. United by their passion and intensity, they attract and repel each other in ways that set them both on fire. Marie, with her bubbly charm, sees all the pleasure of the world, whereas Sadie’s obsession with darkness is all-consuming. Soon, their childlike games take on the thrill of danger and then become deadly. Forced to separate, the girls spend their teenage years engaging in acts of alternating innocence and depravity, until a singular event unites them once more, with devastating effects. After Marie inherits her father’s sugar empire and Sadie disappears into the city’s gritty underworld, the working class begins to foment a revolution. Each woman will play an unexpected role in the events that upend their city—the only question is whether they will find each other once more. From the beloved Giller Prize-shortlisted author who writes “like a sort of demented angel with an uncanny knack for metaphor” (Toronto Star), When We Lost Our Heads is a page-turning novel that explores gender and power, sex and desire, class and status, and the terrifying strength of the human heart when it can’t let someone go.

I broke all the rules that my dad gave me. It was he who had given me, in part, the confidence to think of my life as being worthy to mix with those of the geniuses. —Heather O’Neill With generosity and wry humour, novelist Heather O’Neill recalls several key lessons she learned in childhood from her father: memories and stories about how crime does pay, why one should never keep a diary, and that it is good to beware of clowns, among other things. Her father and his eccentric friends—ex-bank robbers and homeless men—taught her that everything she did was important, a belief that she has carried through her life. O’Neill’s intimate recollections make Wisdom in Nonsense the perfect companion to her widely praised debut novel, Lullabies for Little Criminals (HarperCollins).

This is the first full-length collection of poems by Heather O'Neill, a writer and performer living in Montreal. two eyes are you sleeping is a linked collection of personal and political lyrics, written in a voice that reflects both the rootlessness and violence of the urban landscape and a metaphorical brilliance that transforms the ordinary into the visionary. These are poems of the street, poems of defencelessness, strength, perversity and generosity, poems of drug addicts, alcoholics, con-men and sexual adventurers, poems to shout out in the bathtub with the radio blaring out the song you loved when you were fourteen. Most of all they are about growing up human in the drab beauty of the city.

A work of fierce originality and brilliance, Miriam Toews' novel explores the ties that bind families together and the forces that tear them apart. It is the world according to Nomi Nickel, a heartbreakingly bewildered and wry young woman trapped in a small Mennonite town that seeks to set her on the path to righteousness and smother her at the same time.'Half of our family, the better-looking half, is missing,' Nomi tells us at the beginning of A Complicated Kindness. Left alone with her father Ray, her days are spent piecing together the reasons her mother Trudie and her sister Tash have gone missing, and trying to figure out what she can do to avoid a career at Happy Family Farms, a chicken abattoir on the outskirts of East Village - not the neighbourhood in Manhattan where Nomi most wants to live but the small town in southern Manitoba. East Village is ministered by Hans, Nomi's pious uncle, otherwise known as The Mouth.As Nomi gets to the bottom of the truth behind her mother's and sister's disappearances, she finds herself on a direct collision course with her uncle and the only community she has ever known. In this funny, compassionate and moving novel, Miriam Toews has created a character who will stay in the hearts of readers long after they've put the book down.