Lyrical Ballads And Other Poems 1797 1800

The present edition provides the first comprehensive textual history from earliest manuscript to final lifetime printing of the poems published in the epochal Lyrical Ballads, and of contemporaneous short poems by Wordsworth (1770-1850). For those poems originally published in 1800, this edition is

This book is a collection of poems by William Wordsworth, one of the most famous poets of the Romantic era. The collection includes his most famous poem, 'Tintern Abbey, ' as well as other works that celebrate the beauty of nature and the role of the imagination in human experience. This is a must-read for anyone interested in English poetry and Romantic literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The 1800 edition of Lyrical ballads consists of two volumes. The first contains most of the poems of the 1798 volume, though in a different order, together with a Preface, in which Wordsworth, working from Coleridge's notes, delivers the first sustained exposition by either poet of their shared convictions on the nature of poetry and its language. The second contains wholly new poems, including the Lucy poems, 'There was a boy', 'The Brothers', and 'Michael'. In its two-volume form Lyrical Ballads is reissued in 1802 and 1805 as the new voice of Wordsworth's poetry comes gradually to be heard.

Lyrical Ballads constituted a quiet poetic revolution, both in its attitude to its subject matter and its anti-conventional language. This volume contains all of "Lyrical Ballads" with Wordsworth's preface of 1800/1802, and a wide range of both poets' other work across their poetic careers.

The present edition provides the first comprehensive textual history from earliest manuscript to final lifetime printing of the poems published in the epochal Lyrical Ballads, and of contemporaneous short poems by Wordsworth (1770-1850). For those poems originally published in 1800, this edition is

Lyrical Ballads, with Other Poems, 1800, Volume 1 by William Wordsworth

Taking its cue from Jacques Derrida’s concept of le mal d’archive, this study explores the interrelations between the experience of loss, melancholia, archives and their (self-)destructive tendencies, surfacing in different forms of spectrality, in selected poetry of British Romanticism. It argues that the British Romantics were highly influenced by the period’s archival fever – manifesting itself in various historical, material, technological and cultural aspects – and (implicitly) reflected and engaged with these discourses and materialities/medialities in their works. This is scrutinized by focusing on two basal, closely related facets: the subject’s feverish desire to archive and the archive’s (self-)destructive tendencies, which may also surface in an ambivalent, melancholic relishing in the archived object’s presence within its absence. Through this new theoretical perspective, details and coherence previously gone unnoticed shall be laid bare, ultimately contributing to a new and more profound understanding of British Romanticism(s). It will be shown that the various discursive and material manifestations of archives and archival practices not only echo the period’s technological-cultural and historical developments along with its incisive experiencing of loss, but also fundamentally determine Romantic subjectivity and aesthetics.

Wordsworth’s process of revision, his organization of poetic volumes and his supplementary writings are often seen as distinct from his poetic composition. Bates asserts that an analysis of these supplementary writings and paratexts are necessary to a full understanding of Wordsworth’s poetry.