Ma Ana In Cuba

Mañana in Cuba is a comprehensive analysis of contemporary Cuba with an incisive perspective of the Cuban frame of mind and its relevancy for Cuba's future. Part one of the book critically explores the mindset Cubans have developed living under a totalitarian system and introduces modern concepts of choice architecture and governance that can be employed Mañana in Cuba to foster a democratic civil society. Part two turns to a discussion of the principles that should guide sociopolitical and economic transition policies in line with Cuban culture and history. Mañana in Cuba offers a sophisticated analysis of the challenges and opportunities that will be present in post-Castro Cuba with an eye to intelligent, nuanced, and often "outside the box" solutions to aid business and government policymakers interested in Cuba's future. A unique aspect of this book is that it does not seek to unnaturally mend a decimated civil society, but rather, it offers policy approaches anchored on current Cuban ethos and society. This is a book about finding ways to facilitate the Cuban transition from totalitarianism and a centrally planned economy to liberal democracy and a free-market economic system. As the author argues, the alternative visions presented for Cuba's future matter because one of them will crystallize into the sociopolitical and economic narrative of the country for generations to come.

As a spy prepared to give away America’s biggest secrets after the 9/11 attacks, an FBI agent raced to catch her. U.S. government officials knew they had a spy. But it never occurred to them it was a woman—and certainly not a superstar Defense Intelligence Agency employee known as “the Queen of Cuba.” Ana Montes had spent seventeen years spying for the Cubans. She had been raised in a patriotic Puerto Rican household: Her father, a psychiatrist, was a former colonel in the U.S. Army. Her sister worked as a translator for the FBI and helped break up a ring of Cuban spies in Miami. Her brother was also a loyal FBI agent. Montes impressed her bosses, but in secret, spent her breaks memorizing top secret documents before sending them to the Cuban government. She received no payment, even as one of her missives could have brought her the death penalty. She also listened to anxiety-relief tapes, took medication, and saw a psychiatrist. She dreamed of a normal life where she could work a job she enjoyed. She dreamed of getting married, and even had a man in mind: a defense analyst on the Cuba account for Southern Command. He had no idea that, three times a week, Montes pulled a short-wave radio from her closet and received encrypted messages from Cuba. After the 9/11 attacks, Cuba wanted Montes to continue her work. They couldn’t know the FBI was already on to her. Retired FBI agent Peter J. Lapp explains the clues—including never-released information—that led their team to catch one of the United States’ most dangerous spies.

A New York Times reporter recounts her childhood in Cuba before the events of the Mariel boatlift rendered her a teenage refugee in Miami, describing the Cuban revolution and her prize-winning journalism career.

In Cuba, internationally renowned artists, philosophers, and writers reflect on the idea of a nation displaced. Featuring contributions from Isabel Alvarez Borland, Antonio Benítez-Rojo, María Cristina García, William Navarrete, Eliana Rivero, Rafael Rojas, and Carlos Victoria, as well as many others, Cuba is a rich collection of essays, testimonials, and interviews that reveal the complex, often antagonistic cultural and political debates coexisting within the Cuban exile population. As a multivoiced text, Cuba formulates a deeper understanding of diasporic identity, and broadens the discussion of the manner in which Cuban cultural identity and nationhood have been constructed, negotiated, and transformed by physical and cultural displacement.

Starting with the groundbreaking 1981 exhibit called "Volumen I," New Art of Cuba provided the first comprehensive look at the works of the first generation of Cuban artists completely shaped by the 1959 revolution. This revised edition includes a new epilogue that discusses developments in Cuban art since the book's publication in 1994, including the exodus of artists in the early 1990s, the effects of the new dollar economy on the status of artists, and the shift away from socialist themes to more personal concerns in the artists' works. Twenty-four new color plates augment the more than 200 b&w illustrations of the original volume.

The author recounts his journey around the pristine coast of Cuba with American and Cuban Marine biologist in search of the island's legendary coastal biological diversity. (Biology & Natural History)

This comprehensive volume gathers foremost experts on the coral reefs of Cuba who represent a spectrum of disciplines, including biology, conservation ecology, economics and geology. The volume is organized along general themes including the Cuban Reef biota, reefs occurring in the Mesophotic and Eutrophic zones, ecology, conservation, management and the economic importance of the coral reefs of Cuba. The combination of case studies, new and previously published research, historical overview and examples of the ways in which research has contributed to the management and conservation of Cuban coastal resources provides a unique reference for graduate students and professionals holding a wide range of interests and expertise related to coral reef systems.