Machiavelli And The Politics Of Democratic Innovation

Presenting a detailed reinterpretation and reconstruction of the political thought of Niccolò Machiavelli, Machiavelli and the Politics of Democratic Innovation uses original readings of Machiavelli’s texts to develop a new theoretical model of democratic practice. The book critically and creatively juxtaposes certain concepts drawn from Machiavelli’s work in order to produce new political insights. Christopher Holman identifies two unique ideas in Machiavelli through his rearrangement of Machiavellian concepts. The first, drawn primarily from The Prince, is an image of the individual human being as a creative subject that seeks the exteriorization of desire via political creation. The second, drawn primarily from The Discourses on Livy, is an image of the democratic republic as a form of regime in which this desire for creative self-expression is universalized, all citizens being able to affirm their psychic orientation toward innovation through their equal access to political institutions and orders. Such institutions and orders, to the extent that they function as media for the expression of a fundamental human creativity, must be arranged so that they are capable of continual interrogation and refinement. In the final instance, a new ethical ground for the normative defense of democratic life is constructed, one grounded in the orientation of individual beings toward novelty and innovation.

Intensifying economic and political inequality poses a dangerous threat to the liberty of democratic citizens. Mounting evidence suggests that economic power, not popular will, determines public policy, and that elections consistently fail to keep public officials accountable to the people. McCormick confronts this dire situation through a dramatic reinterpretation of Niccolò Machiavelli's political thought. Highlighting previously neglected democratic strains in Machiavelli's major writings, McCormick excavates institutions through which the common people of ancient, medieval and Renaissance republics constrained the power of wealthy citizens and public magistrates, and he imagines how such institutions might be revived today. It reassesses one of the central figures in the Western political canon and decisively intervenes into current debates over institutional design and democratic reform. McCormick proposes a citizen body that excludes socioeconomic and political elites and grants randomly selected common people significant veto, legislative and censure authority within government and over public officials.

A new reading of Machiavelli’s major works that demonstrates how he has been previously misread To what extent was Niccolò Machiavelli a “Machiavellian”? Was he an amoral adviser of tyranny or a stalwart partisan of liberty? A neutral technician of power politics or a devout Italian patriot? A reviver of pagan virtue or initiator of modern nihilism? Reading Machiavelli answers these questions through original interpretations of Machiavelli’s three major political works—The Prince, Discourses, and Florentine Histories—and demonstrates that a radically democratic populism seeded the Florentine’s scandalous writings. John McCormick challenges the misguided understandings of Machiavelli set forth by prominent thinkers, including Jean-Jacques Rousseau and representatives of the Straussian and Cambridge schools, and he emphasizes the fundamental, often unacknowledged elements of a vibrant Machiavellian politics. Advancing fresh readings of Machiavelli’s work, this book presents a new outlook on how politics should be conceptualized and practiced.

Political theorist Wendy Brown has argued recently that contemporary neoliberalism, with its relentless obsession on the economy, has all but undone the tenets of democracy. The focus on maximizing credit scores and capital has, over time, promoted a politics that operates beyond and below the institutional and electoral world, eroding not just the desire for democratic action but even our ability to imagine it. In light of recent politics, it seems we may have reached the apotheosis of this depressing vision. This book is meant to suggest one way of thinking past and out of the current moment, and it does so by looking to a perhaps unlikely figure: Niccolo Machiavelli. The book presents Machiavelli as an anachronistic thinker -- a thinker who, deprived of his political community and public identity during his exile from Florence, originated a new approach to democratic theory and practice. In particular he immersed himself in the writings of ancient thinkers and looked to them as models for understanding contemporary problems of corruption, conspiracy, and torture. This book's main contribution is a methodological one: it argues that the power in Machiavelli's work derived from this sort of anachronistic reading, which went against the grain of Renaissance thought. In turn it shows that if we imitate Machiavelli's interpretive method in reading The Prince and Discourses of Livy, we can find in them solutions to the neoliberal problems Brown warns about.

Niccolò Machiavelli is the most prominent and notorious theorist of violence in the history of European political thought - prominent, because he is the first to candidly discuss the role of violence in politics; and notorious, because he treats violence as virtue rather than as vice. In this original interpretation, Yves Winter reconstructs Machiavelli's theory of violence and shows how it challenges moral and metaphysical ideas. Winter attributes two central theses to Machiavelli: first, violence is not a generic technology of government but a strategy that tends to correlate with inequality and class conflict; and second, violence is best understood not in terms of conventional notions of law enforcement, coercion, or the proverbial 'last resort', but as performance. Most political violence is effective not because it physically compels another agent who is thus coerced; rather, it produces political effects by appealing to an audience. As such, this book shows how in Machiavelli's world, violence is designed to be perceived, experienced, remembered, and narrated.

In Machiavelli in the Making, the influential French scholar and public intellectual Claude Lefort introduces a wholly novel interpretation of Niccoló Machiavelli's oeuvre, revealing in the Florentine's thought a thoroughly modern concept of the political with implications for "our experience of politics here and now." Lefort extricates Machiavelli's thought from the dominant interpretations of Machiavelli as the founder of "objective" political science, which, having liberated itself from the religious and moralizing tendencies of medieval political reflection, attempts to arrive at a realistic discourse on the operations of raw power. Lefort ultimately finds that Machiavelli's discourse opens the "place of the political," which had previously been occupied by theology and morality. An essential contribution to the ongoing reassessment of Machiavelli's significance, Machiavelli in the Making also stands as a crucial text for the understanding of Lefort's later writings on democracy and totallitarianism.

Machiavelli (1469-1527) is the seminal figure in early modern intellectual history for those living, or wishing to live, in a functional democracy. What Machiavelli is primarily about, and what makes him indispensable to those of us living in and struggling to preserve democracy in America, is the sum of individual and collective qualities required of a citizen, or what he termed virtu: a host of traits ranging from manliness to boldness, ingenuity, excellence, self-esteem, and even stoic resignation. In a narrative spanning Machiavelli's life and work as one of the world's most fascinating philosophers, Bernard illuminates for the modern reader just how relevant his insights are to our own evolving debate on the appropriate relations between religion and politics, church and state. Besides offering a detailed sketch of Machiavelli as a chancellor in the Italian Soderini Republic (1498-1512), this book examines the man's political philosophy, particularly his complex view of republics and principalities, in The Prince, the Discourses, and the Florentine Histories. It also establishes the importance of Machiavelli's writing as it evolved during his exile, especially in the reflexive passages of his plays Mandragola and Clizia. The book concludes with the potential uses of Machiavellism in 21st-century mass democracies, as well as presenting ways in which his legacy lives on in our own activities as citizens in a democracy.

Politics and Vision is a landmark work by one of the great thinkers of the twentieth century. This is a significantly expanded edition of one of the greatest works of modern political theory. Sheldon Wolin's Politics and Vision inspired and instructed two generations of political theorists after its appearance in 1960. Substantially expanded for republication in 2004, it is both a sweeping survey of Western political thought and a powerful account of contemporary predicaments of power and democracy. In lucid and compelling prose, Sheldon Wolin offers original, subtle, and often surprising interpretations of political theorists from Plato to Rawls. Situating them historically while sounding their depths, he critically engages their diverse accounts of politics, theory, power, justice, citizenship, and institutions. The new chapters, which show how thinkers have grappled with the immense possibilities and dangers of modern power, are themselves a major theoretical statement. They culminate in Wolin’s remarkable argument that the United States has invented a new political form, "inverted totalitarianism,“ in which economic rather than political power is dangerously dominant. In this expanded edition, the book that helped to define political theory in the late twentieth century should energize, enlighten, and provoke generations of scholars to come. Wolin originally wrote Politics and Vision to challenge the idea that political analysis should consist simply of the neutral observation of objective reality. He argues that political thinkers must also rely on creative vision. Wolin shows that great theorists have been driven to shape politics to some vision of the Good that lies outside the existing political order. As he tells it, the history of theory is thus, in part, the story of changing assumptions about the Good. Acclaimed as a tour de force when it was first published, and a major scholarly event when the expanded edition appeared, Politics and Vision will instruct, inspire, and provoke for generations to come.