Mad And Bad

Discover a feminist pop history that looks beyond the Ton and Jane Austen to highlight the Regency women who succeeded on their own terms and were largely lost to history -- until now. Regency England is a world immortalized by Jane Austen and Lord Byron in their beloved novels and poems. The popular image of the Regency continues to be mythologized by the hundreds of romance novels set in the period, which focus almost exclusively on wealthy, white, Christian members of the upper classes. But there are hundreds of fascinating women who don't fit history books limited perception of what was historically accurate for early 19th century England. Women like Dido Elizabeth Belle, whose mother was a slave but was raised by her white father's family in England, Caroline Herschel, who acted as her brother's assistant as he hunted the heavens for comets, and ended up discovering eight on her own, Anne Lister, who lived on her own terms with her common-law wife at Shibden Hall, and Judith Montefiore, a Jewish woman who wrote the first English language Kosher cookbook. As one of the owners of the successful romance-only bookstore The Ripped Bodice, Bea Koch has had a front row seat to controversies surrounding what is accepted as "historically accurate" for the wildly popular Regency period. Following in the popular footsteps of books like Ann Shen's Bad Girls Throughout History, Koch takes the Regency, one of the most loved and idealized historical time periods and a huge inspiration for American pop culture, and reveals the independent-minded, standard-breaking real historical women who lived life on their terms. She also examines broader questions of culture in chapters that focus on the LGBTQ and Jewish communities, the lives of women of color in the Regency, and women who broke barriers in fields like astronomy and paleontology. In Mad and Bad, we look beyond popular perception of the Regency into the even more vibrant, diverse, and fascinating historical truth.

Discover New York Times bestseller Samira Ahmed’s romantic, sweeping adventure through the streets of Paris told in alternating narratives that bridge centuries, continents, and the lives of two young Muslim women fighting to write their own stories. Smash the patriarchy. Eat all the pastries. It’s August in Paris and 17-year-old Khayyam Maquet—American, French, Indian, Muslim—is at a crossroads. This holiday with her parents should be a dream trip for the budding art historian. But her maybe-ex-boyfriend is ghosting her, she might have just blown her chance at getting into her dream college, and now all she really wants is to be back home in Chicago figuring out her messy life instead of brooding in the City of Light. Two hundred years before Khayyam’s summer of discontent, Leila is struggling to survive and keep her true love hidden from the Pasha who has “gifted” her with favored status in his harem. In the present day—and with the company of Alex, a très charmant teen descendant of Alexandre Dumas—Khayyam searches for a rumored lost painting, uncovering a connection between Leila and Alexandre Dumas, Eugène Delacroix, and Lord Byron that may have been erased from history. Echoing across centuries, Leila and Khayyam’s lives intertwine, and as one woman’s long-forgotten life is uncovered, another’s is transformed.

An NYRB Classics Original Winner of the French-American Foundation Translation Prize for Fiction Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew—a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate. The craziness is just getting started. Like Jean-Patrick Manchette’s celebrated Fatale, The Mad and the Bad is a clear-eyed, cold-blooded, pitch-perfect work of creative destruction.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. "A father...is a necessary evil." Stephen Dedalus in Ulysses In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work. From Wilde's doctor father, a brilliant statistician and amateur archaeologist, who was taken to court by an obsessed lover in a strange premonition of what would happen to his son; to Yeats' father, an impoverished artist and brilliant letter-writer who could never finish a painting; to John Stanislaus Joyce, a singer, drinker, and storyteller, a man unwilling to provide for his large family, whom his son James memorialised in his writing, Mad, Bad, Dangerous to Know brilliantly combines biography and literary appreciation and is a revealing, personal new look at the lives of three major literary icons.

This brave and brilliantly researched intellectual history chronicles the relationship between women and mental illness since 1800, taking readers on a fascinating journey through the fragile, extraordinary human mind. 5 illustrations.

You can be angry—and still be good. That’s normal. Through understanding what anger feels like and what triggers it, we can learn and teach healthy ways to handle it. Mad Isn’t Bad offers kids a positive and honest view of anger—and what to do with it.

In a period scarred by apprehensions of revolution, war, invasion, poverty and disease, elite members of society lived in fear of revolt. Boyd Hilton examines the changes in society between 1783-1846 and the transformations from raffish and rakish behaviour to the new norms of Victorian respectability.

Never have so many famous drummers been gathered together in one place! Drummer and writer Spike Webb has spent more than three years meeting fellow drummers in bars, clubs and cafes, shooting the breeze for a couple of hours and extracting anecdote after anecdote for posterity. This is truly a labour of love - and somebody had to do it. In this book you'll meet drummers like Nick Mason (Pink Floyd), Don Powell (Slade), Adam Facek (Babyshambles), Steve White (Paul Weller), Topper Headon (The Clash), Woody (Madness) and world-class session players like Toto's drummer Simon Phillips. Sometimes hilarious, sometimes poignant but always entertaining, it's the ultimate insight into what it really means to be a drummer and an explanation, at last, for what really makes someone do a 20-minute solo. You'll be asking for an encore!