Mad As Hell

The behind-the-scenes story of the making of the iconic movie Network, which transformed the way we think about television and the way television thinks about us "I'm mad as hell, and I'm not going to take this anymore!" Those words, spoken by an unhinged anchorman named Howard Beale, "the mad prophet of the airwaves," took America by storm in 1976, when Network became a sensation. With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. In Mad As Hell, Dave Itzkoff of The New York Times recounts the surprising and dramatic story of how Network made it to the screen. Such a movie rarely gets made any more—one man's vision of the world, independent of studio testing or market research. And that man was Paddy Chayefsky, the tough, driven, Oscar-winning screenwriter whose vision—outlandish for its time—is all too real today. Itzkoff uses interviews with the cast and crew, as well as Chayefsky's notes, letters, and drafts to re-create the action in front of and behind the camera at a time of swirling cultural turmoil. The result is a riveting account that enriches our appreciation of this prophetic and still-startling film. Itzkoff also speaks with today's leading broadcasters and filmmakers to assess Network's lasting impact on television and popular culture. They testify to the enduring genius of Paddy Chayefsky, who foresaw the future and whose life offers an unforgettable lesson about the true cost of self-expression.

“I’m mad as hell, and I’m not going to take it anymore!” The words of Howard Beale, the fictional anchorman in 1976’s hit film Network, struck a chord with a generation of Americans. In this colourful new history, Dominic Sandbrook ranges seamlessly over the political, economic, and cultural high (and low) points of American life in the 1970s, exploring the roots of the fears, resentments, cravings, and disappointments we know so well today. From Richard Nixon and Ronald Reagan to Anita Bryant and Jerry Falwell, he shows how the 1970s saw the emergence of a new right-wing populism, setting the stage for the bitter partisanship and near-total cynicism of our modern political landscape.

Today’s raucous revolt against Washington and Wall Street is a classic populist uprising. In Mad as Hell, political pollsters Scott Rasmussen and Doug Schoen discuss how the Tea Party movement is fundamentally remaking our two-party system and what it means for the future of American politics. For political junkies of every stripe—from both the left and the right side of the aisle—Mad as Hell is mandatory reading.

"MAD AS HELL" is a memoir describing the Cold War, the United States Air Force's Strategic Air Command (SAC), and the rarely recognized strategic nuclear weapons bomber - the two-man FB-111A aircraft. Events take place between 1975 and 1979. The title is a double entendre referring to the wartime strategy of "Mutual Assured Destruction (MAD)." It is written by a former US Air Force career officer who piloted the bomber and is a Cold War warrior. In Part I, he writes about the United States' Cold War strategies, the wartime organizations, the role and tools of its deterrent forces, the training, and the experiences of the FB-111A crews who would serve as the leading spear for a nuclear weapons conflict. In Part II, the author turns to a fictional, very realistic, narrative about the FB-111A as its two "Crew Dogs" fly their nuclear bomb-loaded war machine to destroy enemy targets.

As the candidacies of Donald Trump and Bernie Sanders have proven, Americans are mad as hell about the problems facing our country. George Noory hears these problems every night, all night, and this is how he would deal with them. This is Mad as Hell. --- I’m angry because sometimes I feel like a stranger in America. We live in a dangerous world that is sorely in need of an effective political system that deals with the ongoing destruction of the middle class, an aging population, permeable borders, technology out of control, and shocking, mindless violence and wars. But we can bring back the America that makes us proud. It will take hard work and pulling together as a society. People are stressed because they don’t know where the world is heading or where it is taking them. With a radio show heard by millions, I consider myself not an entertainer or someone to dictate how we should live, but a facilitator who can help guide the path chosen. I have been called a voice in the darkness. The concepts I deal with are not only on the cutting edge of science and technology, but with subjects as provocative as aliens and angels, as challenging as supervolcanos and the fire and brimstone of the End Time. Join me by reading why I am mad . . . and maybe you will get as angry as I am about conditions in the country we love. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Typescript, dated 2/5/19. Title page missing. Typescript marked with pencil by videographer. Used by The New York Public Library's Theatre on Film and Tape Archive on June 4, 2019, when videorecording the stage production starring Bryan Cranston at the Belasco Theatre, 111 West 44th Street, New York, N.Y., which opened Dec. 6, 2018, directed by Ivo van Hove.