Madame Lalaurie Mistress Of The Haunted House

The truth behind the legend of New Orleans’ infamous slave owner, madwoman, and murderess, portrayed in the anthology series, American Horror Story. On April 10, 1834, firefighters smashed through a padlocked attic door in the burning Royal Street mansion of Creole society couple Delphine and Louis Lalaurie. In the billowing smoke and flames they made an appalling discovery: the remains of Madame Lalaurie’s chained, starved, and mutilated slaves. This house of horrors in the French Quarter spawned a legend that has endured for more than one-hundred-and-fifty years. But what actually happened in the Lalaurie home? Rumors about her atrocities spread as fast as the fire. But verifiable facts were scarce. Lalaurie wouldn’t answer questions. She disappeared, leaving behind one of the French Quarter’s ghastliest crime scenes, and what is considered to be one of America’s most haunted houses. In Mad Madame Lalaurie, Victoria Cosner Love and Lorelei Shannon “shed light on what is fact and what is purely fiction in a tale that’s still told nightly on the streets of New Orleans” (Deep South Magazine).

Inside the "Most Haunted" House in New Orleans The legend of Madame Delphine Lalaurie, a wealthy society matron, has haunted the city of New Orleans for nearly two hundred years. When fire destroyed part of her home in 1834, the public was outraged to learn that behind closed doors Lalaurie routinely bound, starved, and tortured her slaves. Forced to flee the city, her guilt was unquestioned, and tales of her actions have become increasingly fanciful and grotesque over the decades. Even today, the Laulaurie house is described as the city 's "most haunted" during ghost tours. Carolyn Long, a meticulous researcher of New Orleans history, disentangles the threads of fact and legend that have intertwined over the decades. Was Madame Lalaurie a sadistic abuser? Mentally ill? Or merely the victim of an unfair and sensationalist press? Using carefully documented eyewitness testimony, archival documents, and family letters, Long recounts Lalaurie's life from legal troubles before the fire and scandal through her exile to France and death in Paris in 1849. Themes of mental illness, wealth, power, and questions of morality in a society that condoned the purchase and ownership of other human beings pervade the book, lending it an appeal to anyone interested in antebellum history. Long's ability to tease the truth from the knots of sensationalism is uncanny as she draws the facts from the legend of Madame Lalaurie's haunted house.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

Against the backdrop of eighteenth- and nineteenth-century New Orleans, A New Orleans Voudou Priestess: The Legend and Reality of Marie Laveau disentangles the complex threads of the legend surrounding the famous Voudou priestess. According to mysterious, oft-told tales, Laveau was an extraordinary celebrity whose sorcery-fueled influence extended widely from slaves to upper-class whites. Some accounts claim that she led the "orgiastic" Voudou dances in Congo Square and on the shores of Lake Pontchartrain, kept a gigantic snake named Zombi, and was the proprietress of an infamous house of assignation. Though legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, she also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. The true story of Marie Laveau, though considerably less flamboyant than the legend, is equally compelling. In separating verifiable fact from semi-truths and complete fabrication, Long explores the unique social, political, and legal setting in which the lives of Marie Laveau's African and European ancestors became intertwined. Changes in New Orleans engendered by French and Spanish rule, the Louisiana Purchase, the Civil War, Reconstruction, and Jim Crow segregation affected seven generations of Laveau's family, from enslaved great-grandparents of pure African blood to great-grandchildren who were legally classified as white. Simultaneously, Long examines the evolution of New Orleans Voudou, which until recently has been ignored by scholars.

On April 10, 1834, fire erupted at the mansion of wealthy, beautiful, twice-widowed socialite Madame Marie Delphine Lalaurie, a Creole of French and Irish heritage living on Royal Street in the famed French Quarter of New Orleans, Louisiana. First responders discovered seven slaves in the attic, victims of her torture chained to the mansion walls. Reports of hauntings and strange sights at the mansion have persisted through its 200 year history, with a long list of owners who each abandoned the house after a relatively short time, following a timeline of unfortunate events. At present, the Lalaurie Mansion is considered among the loveliest of homes in the United States of America, and reputed to be one of its most haunted, as well. Reeser conducts a spellbinding, poetic "ghost tour" through its chambers, exploring the real culture, cuisine, history, mythology and art unique to New Orleans, while at the same time creating an original story and fictional plot.--Amazon.com.

"A comedic meditation on what humans do to persist beyond their mortal lives, L'Immortalite is an inventive horror story that vividly brings to life the torrid landscape of old New Orleans."--Cover page [4].

Reproduction of the original: Strange True Stories of Louisiana by George W. Cable

Born into wealth in New Orleans in 1795 and married into misery fifteen years later, the Baroness Micaela Almonester de Pontalba led a life ripe for novelization. Intimate Enemies, however, is the spellbinding true account of this resilient woman's lifeand the three men who most affected its course. Immediately upon marrying Célestin de Pontalba, Micaela was removed to his family's estate in France. For twenty years her father-in-law attempted to drive her to abandon Célestin; by law he could then seize control of her fortune. He tried dozens of strategies, including at one point instructing the entire Pontalba household to pretend she was invisible. Finally, in 1834, the despairing elder Pontalba trapped Micaela in a bedroom and shot her four times before turning his gun on himself. Miraculously, she survived. Five years later, after securing both a separation from Célestin and legal power over her wealth, Micaela focused her attention on building, following in the footsteps of her late, illustrious father, Andrés Almonester. Her Parisian mansion, the Hôtel Pontalba, is today the official residence of the American embassy in France; and her Pontalba Buildings, which flank Jackson's Square in New Orleans, form together with her father's St. Louis Cathedral, Presbytere, and Cabildo one of the loveliest architectural complexes in America. As for Célestin, he eventually suffered a total physical and mental breakdown and begged Micaela to return. She did so, caring for him for the next twenty-three years until her death in 1874. In Intimate Enemies, Christina Vella embroiders the compelling story of the Almonester-Pontalba alliance against a richly woven background of the events and cultures of two centuries and two vivid societies. She provides a window into the yellow fever epidemics that raged in New Orleans; the rebuilding of Paris, the Paris Commune uprising, and the Second Empire of Napoleon III; European ideas of power, class, money, marriage, and love during the baroness' lifetime and their inflection in the New World setting of New Orleans; medical treatments, legal procedures, imperial court life, banking practices, and much more. Combining the historian's meticulous research with the biographer's exacting knowledge of her subject and the novelist's gift for narrative, Vella has crafted a rare cross-genre work that will capture the imagination and admiration of every reader.