Magellanic Sub Antarctic Ornithology

The first synthesis of current knowledge of forest and wetland birds in the world’s southernmost forests, this book contains both original work by Rozzi and Jiménez and the results of a decade of research conducted by the scientists associated with the Omora Park. The first part is a guide to the forest bird populations and habitats in the Reserve, and a summary of the data recorded for the bird species captured with mist-nets and banded. The information is given in two pages for each species, with English, Spanish, and scientific names, as well as a full-color photo, distribution maps, a table with original morphological information, a figure indicating abundance rates, and a brief description of the species’ main features. The second part is a selection of twenty-two published articles on ornithological research at Omora Park during its first decade of studies, from 2000 to 2010. Eleven of the twenty-two articles were originally published in Spanish and are here translated and available to a larger readership. The reprinting of these articles in one place provides interested scientists, students, and wildlife managers a unique and convenient resource. “This book has two important sources of information: original morphological data and the compilation of all publications about the birds in the southern extreme of South America. I think the book will have great significance.”—Victor R. Cueto, professor of natural sciences, Universidad de Buenos Aires, Argentina “A wonderfully rich and in-depth contribution to Sub-Antarctic Ornithology.”—Julie Hagelin, senior research scientist, University of Alaska, Fairbanks

This fifth volume in the Ecology and Ethics series integrates key concepts of the previous four volumes by addressing biocultural conservation through novel educational methods. In Field Environmental Philosophy (FEP), the authors undertake two complementary tasks. First, they address a problematic facet of education as an indirect driver of a global change and biocultural homogenization. Second, they contribute to solve the former problems by introducing the FEP method as well as other educational approaches from around the world that value and foster conservation of biological and cultural diversity. A particular emphasis is therefore on the integration of sciences, arts, humanities, and ethics into educational practices that involve the participation of local communities with their diverse forms of ecological knowledge and practices. The book is divided into four parts. Part I introduces FEP concepts and practices that involve a 4-step cycle of transdisciplinary research, poetic communication through composition of metaphors, design of field activities guided with an ecological and ethical orientation, and participation in biocultural conservation activities. Part II exposes problems as well as solutions in formal education (from preschool to higher education) and non-formal education to respect biocultural diversity. Parts III & IV provide case studies developed at long-term socio-ecological research (LTSER) sites, botanical gardens, and other platforms for non-formal education that contribute to biocultural conservation. This book supports a paradigm shift addressing still understudied indirect drivers of global change to foster the conservation of biological and cultural diversity. It is a valuable asset for scientists and practitioners in science and humanities education.

This book is intended to provide an overview for the identification and establishment of biodiversity islands. It presents examples and case studies where the biodiversity islands approach is being used in a variety of locations and contexts worldwide. It will contribute to design parameters on appropriate sizing and spatial distribution of biodiversity islands in order to be effective in conservation and regeneration across the landscape, using integrated landscape management approaches. This book is essential given the current worldwide trend of habitat destruction and the need to preserve biodiversity and its values. The chapters are organized in five sections. The first section provides the introduction. Section 2,3 and 4 discuss the challenges and alternatives of establishment and management, case studies across the globe, safeguarding of the environmental, economic, and social benefits, and the final section offers a conclusion. The contributing authors present views from the academic, the practitioner and the policymaker perspectives, offering alternatives and suggestions for promoting strategies that support biodiversity conservation through intentionally designed frameworks for sustainable forest landscapes. Readers will discover suggestions and concrete examples that can be used by a variety of stakeholders in various settings throughout the world. This book is useful to researchers, farmers, foresters, landowners, land managers, city planners, and policy makers alike.

Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson's iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invites us to imagine the stone helix of his structure at various orders of magnitude, from microscopic molecules to entire galaxies. Taking up this invitation with an unrelenting and literal enthusiasm, Helicography pursues the implications of such transformations all the way to the limits of logic. If other spirals, from the natural to the man-made, were expanded or condensed to the size of Spiral Jetty, what are the consequences of their physical metamorphoses? What other equivalences follow in turn, and where do their surprising historical, cultural, and mechanical connections lead? This book considers a number of forms in order to find out: the fluid vortices of whirlpools, hurricanes, and galaxies; the delicate shells of snails and the threatening pose of rattlesnakes; prehistoric ferns and the turns of the inner ear; the monstrous jaws of ancient sharks; a baroque finial scroll on a bass viol; a 19th-century watch spring; phonograph discs and spooled film; the largest open-pit mine on the planet. The result is a narrative laboratory for the "science of imaginary solutions" proposed by Alfred Jarry (whose King Ubu also plays a central role in the story told here), a work of fictocriticism blurring form and content, and the story of a single instant in time lost in the deserts of the intermountain west. Craig Dworkin is the author of four scholarly monographs - Reading the Illegible (Northwestern University Press), No Medium (MIT Press), Dictionary Poetics: Toward a Radical Lexicography (Fordham University Press), and Radium of the Word: a Poetics of Materiality (Chicago University Press) - as well as a half-dozen edited collections and a dozen books of experimental writing, including, most recently, The Pine-Woods Notebook (Kenning Editions). He teaches literary history and theory at the University of Utah.

This special book-format issue of Birds New Zealand's journal Notornis is devoted to the birds of the Auckland Islands Maukahuka/Motu Maha, the largest and biologically most diverse island group in the New Zealand subantarctic region. Its 19 chapters, written by leading ornithologists, cover a wide range of topics, including the history of ornithological discovery, biogeography, the impacts of introduced mammals and people, prehistoric bird communities based on bone assemblages, and population, ecological and genetic studies of several of the endemic or otherwise notable birds of the island group including Auckland Island snipe, white-headed petrel, and several albatross species.

Presents a cultural ethnography and a guide to the forest birds of southern Chile and Argentina. This title includes entries on fifty bird species, such as the Magellanic Woodpecker, Rufous-Legged Owl, Ringed Kingfisher, Buff-Necked Ibis, Giant Hummingbird, and Andean Condor.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.