Magical Imagination

Imagination is our inner vision, our human skill to see different realities. It can take us to the throne of God, it can connect us to the stream of infinity and allow us to see the universe for what it really is. Controlled use of the imagination is fundamental to magical practice, and this comprehensive study by an experienced practitioner provides the keys to understanding and using these powerful inner techniques. Based on Nick Farrell's previous book Magical Pathworking, this greatly revised and expanded edition includes new chapters which further develop the techniques of pathworking for magical and spiritual purposes. It covers group work, divination, visiting other inner world dimensions and working towards what Farrell calls objective pathworking. "Even if you think you know all about visualisation, pathworking and the magical key of imagination - even if you teach the subjects - this book will astound you. Nick Farrell explores magical imagination with depth and discernment, revealing principles and methods that will enrich and transform your magical and spiritual practice. Quite simply, this book is the best of its kind and extends the magical use of imagination to new heights and insights. It is an essential book for all magicians, Pagans and anyone who works with the inner realms." - Peregrin Wildoak, author of By Names and Images.

Innovative history of the popular magical imagination and ordinary people's experience of urbanization in nineteenth-century England.

The knowledge and use of magical images was once a closely guarded secret of initiates and adepts in the Mystery Schools. Gareth Knight gives easy-to-follow classifications of the various kinds of magical image, along with instructions for their use as agents of self realisation and spiritual service. Indispensible for beginners and advanced practitioners alike, this book presents the theory and techniques of creative visualisation and meditation. These practical teachings range from the circulation of force within the aura for the purpose of balancing the personality to the development of a full magical system of pathworking, enabling deep contact with inner sources of wisdom. Now in its third edition, a new section is included on the magical images of the Tarot, plus an extensive chapter on Qabalistic pathworking in the Western Mystery Tradition.

Through techniques of pathworking (guided meditation), your imagination can shine a magic mirror on your personality. This inner landscape reveals your world as your unconscious sees it. This work shows the mystical use of pathworking as a method for contacting the divine.

This work examines novels from Caribbean, North American, and European literatures of the second half of the twentieth century, both Anglophone and in translation, with focus on the chronotopes of slavery, colonialism, the Holocaust, and war. Historical traumata have found their reconstruction in literary works written by either traumatized or vicariously traumatized authors, such as Jean Rhys, Alejo Carpentier, Maryse Conde??, Salman Rushdie, Gabriel Garci??a Ma??rquez, Bernard Malamud, Joseph Skibell, Gu??nter Grass, and Tim O'Brien. The traumatic imagination accounts for the relative prevalence of magical realist writing in postmodernist fiction. As a singular phenomenon of postmodern aporia, magical realist texts write the silence imposed by trauma, and convert it into history.--publisher.

Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's “imagination”) and combinatoric play (Coleridge's “fancy”). In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design—incorporating Samuel Taylor Coleridge's poetic imagination and Oscar Wilde's corollary to see things as they aren't. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the divide between seeing (Coleridge's “imagination, or esemplastic power”) and combinatoric play (Coleridge's “fancy”). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape grammars go by appearances, in a full-fledged aesthetic enterprise for the inconstant eye; they answer the question of what calculating would be like if Turing and von Neumann were artists instead of logicians. Art and design are calculating in all their splendid detail.

From the author of A Lifetime of Impossible Days (winner of the Courier-Mail People's Choice QLD Book of the Year Award) comes this beautiful and uplifting story, that will make you laugh and make you cry. Welcome to The Emporium of Imagination, a most unusual shop that travels the world offering vintage gifts to repair broken dreams and extraordinary phones to contact lost loved ones. But, on arrival in the tiny township of Boonah, the store’s long-time custodian, Earlatidge Hubert Umbray, makes a shocking realisation. He is dying . . . The clock is now ticking to find his replacement, because the people of Boonah are clearly in need of some restorative magic. Like Enoch Rayne – a heartbroken ten-year-old boy mourning the loss of his father, while nurturing a guilty secret. Like Ann Harlow, who has come to the town to be close to her dying grandmother. Though it’s Enoch’s father who dominates her thoughts - and regrets . . . Even Earlatidge in his final days will experience the store as never before - and have the chance to face up to his own tragedy . . . 'Prepare to immerse yourself in wonder, childish delight and dark, dark trauma in this unique novel from a new and important Australian literary voice.' Australian Women's Weekly on A Lifetime of Impossible Days