Mah Mudr

The premiere volume of Thupten Jinpa's thirty-two-volume Library of Tibetan Classics series, inaugurated to coincide with the Dalai Lama's conferral of the initiation rite of Kalacakra in Toronto in April 2004. The Kalacakra, or "wheel of time," tantra likely entered Indian Mahayana Buddhism around the tenth century. In expounding the root tantra, the Indian master Pundarika, one of the legendary Kalki kings of the land of Shambhala, wrote his influential Stainless Light.Ornament of Stainless Light is an authoritative Tibetan exposition of this important text, composed in the fifteenth century by Khedrup Norsang Gyatso, tutor to the Second Dalai Lama. One of the central projects of Kalacakra literature is a detailed correlation between the human body and the external universe. In working out this complex correspondence, the Kalacakra texts present an amazingly detailed theory of cosmology and astronomy, especially about the movements of the various celestial bodies. The Kalacakra tantra is also a highly complex system of Buddhist theory and practice that employs vital bodily energies, deep meditative mental states, and a penetrative focus on subtle points within the body's key energy conduits known as channels. Ornament of Stainless Light addresses all these topics, elaborating on the external universe, the inner world of the individual, the Kalacakra initiation rites, and the tantric stages of generation and completion, all in a highly readable English translation.

This is the first complete, critical English translation of the Cakrasamvara Tantra, also known as the Sriherukabhidhana and Laghusamvara. This is the first complete, critical English translation of the Cakrasamvara Tantra. Composed in India during the eighth century, it is a foundational scripture of one of the most important Indian Buddhist tantric traditions. The translator’s introductory essay provides an analysis of the historical and intellectual contexts in which the Cakrasamvara Tantra was composed. The heavily annotated translation was made on the basis of the surviving Sanskrit manuscripts of the tantra and its commentaries, parallel passages in related explanatory tantras (vyakhyatantra), two different Tibetan translations of the root text, and several Tibetan commentaries. Includes a trilingual glossary and index. The author has also translated the commentary on this tantra by the great Tibetan scholar Tsong Khapa (1357–1419), Illumination of the Hidden Meaning, now published in two companion volumes. Taken together, these three volumes provide the reader with the first full study in English of this pivotal tantra. Composed in India during the late eighth or early ninth century, the Cakrasamvara Tantra is a foundational scripture of one of the most important Indian Buddhist tantric traditions, as evidenced by the vast number of commentaries and ritual literature associated with it. Along with the Hevajra Tantra, it is one of the earliest and most influential of the yogini tantras, a genre of tantric Buddhist scripture that emphasizes female deities, particularly the often fiercely depicted yoginis and ?akinis.

Mahamudra is the basic meditation practice for many Tibetan Buddhists, particularly of the Kagyu tradition. It is particularly adaptable for modern people, since it involves no rituals and can be incorporated into all daily activities. Saraha's "Song for the King" is a short verse text from classical India that is a basis for the tradition and is widely known in Tibetan Buddhist circles. It is often the basis for teachings given in the West, but there is only one outdated translation of it in print, first published in 1969. Michele Martin has produced a stellar new translation, which is accompanied by a commentary from the well-known teacher Khenchen Thrangu Rinpoche, who is uniquely skilled and concerned with making this method of meditation available to Westerners. While pithy and accessible, the book easily stands up to academic scrutiny, and includes the original Tibetan as well - making it ideal for the popular, scholarly, and Tibetan audiences all at once.

Within the tradition of the "Great Perfection," the Works of Shardza Tashi Gyeltsen stand as textual references of an exceptional erudition. As a sign of realization, the author manifested the Rainbow Body, the ultimate fruit of Dzogchen, in 1934.

The major Indian treatise on Buddha nature is the Ratnagotravibhaga, also known as the Uttaratantra, and it is this core text that Klaus-Dieter Mathes focuses on in this book. Mathes demonstrates how its author, Go Lotsawa, ties the teachings on Buddha nature in with mainstream Mahayana thought while avoiding the pitfalls of the zhentong approach favored by the Jonang tradition. He also evaluates Go Lotsawa's position on Buddha nature against the background of interpretations by masters of the Kagyu, Nyingma, and Jonang schools.

This spiritual manual describes mahamudra meditation from the perspective of the "gradual path," a progressive process of training that is often contrasted to sudden realization. The book contains a step-by-step description of the ways to practice, precise descriptions of the various stages and their intended realizations, and the typical problems that arise along with their remedies. Drawn from a variety of sources, "Pointing Out the Great Way" distills the experiences of many great masters who have traversed the path of meditation to the point of perfect mastery.

Vajrayogini is a tantric goddess from the highest class of Buddhist tantras who manifests the ultimate development of wisdom and compassion. Her practice is prevalent today among practitioners of Tibetan Buddhism. This ground-breaking book delves into the origins of Vajrayogini, charting her evolution in India and examining her roots in the Cakrasamvara tantra and in Indian tradition relating to siva. The focus of this work is the Guhyasamayasadhanamala, a collection of forty-six sadhanas, or practice texts. Written on palm leaves in Sanskrit and preserved since the twelfth century, this diverse collection, composed by various authors, reveals a multitude of forms of the goddess, each of which is described and illustrated here. One of the sadhanas, the Vajravarahi Sadhana by Umapatideva, depicts Vajrayogini at the center of a mandala of thirty-seven different goddesses, and is here presented in full translation alongside a Sanskrit edition. Elizabeth English provides extensive explanation and annotation of this representative text. Sixteen pages of stunning color plates not only enhance the study but bring the goddess to life.

Surveys the complex history of Buddhist dream experience and analysis.