Make America Hate Again

Horror films have traditionally sunk their teeth into straitened times, reflecting, expressing and validating the spirit of the epoch, and capitalising on the political and cultural climate in which they are made. This book shows how the horror genre has adapted itself to the transformation of contemporary American politics and the mutating role of traditional and new media in the era of Donald Trump’s Presidency of the United States. Exploring horror’s renewed potential for political engagement in a socio-political climate characterised by the angst of civil conflict, the deception of ‘alternative facts’ and the threat of nuclear or biological conflict and global warming, Make America Hate Again examines the intersection of film, politics, and American culture and society through a bold critical analysis of popular horror (films, television shows, podcasts and online parodies), such as 10 Cloverfield Lane, American Horror Story, Don’t Breathe, Get Out, Hotel Transylvania 2, Hush, It, It Comes at Night, South Park, The Babadook, The Walking Dead, The Woman, The Witch and Twin Peaks: The Return. The first major exploration of the horror genre through the lens of the Trump era, it investigates the correlations between recent, culturally meaningful horror texts, and the broader culture within which they have become gravely significant. Offering a rejuvenating, optimistic, and positive perspective on popular culture as a site of cultural politics, Make America Hate Again will appeal to scholars and students of American studies, film and media studies, and cultural studies.

Contributions by Amylou Ahava, Jeff Ambrose, Daniel P. Compora, Penny Crofts, Keith Currie, Erin Giannini, Whitney S. May, Fernando Gabriel Pagnoni Berns, Diganta Roy, Hannah Lina Schneeberger, Shannon S. Shaw, Maria Wiegel, and Margaret J. Yankovich First published in 1986, Stephen King’s novel IT forever changed the legacy of the literary clown. The subject of a TV miniseries and a two-part film adaptation and the inspiration for a resurgence of the evil clown figure in popular culture, IT's influence is undeniable, yet scholarship to date is almost exclusively devoted to the adaptations rather than the novel itself. Encountering Pennywise: Critical Perspectives on Stephen King’s “IT” considers the pronounced cultural fluctuations of IT's legacies by centering the novel within the theoretical frameworks that animate it and ensure its literary and cultural persistence. The collection explores the ways the novel, so like its antagonist, replicates (or disavows) the icons of various canons and categories in order to accomplish specific psychological and cultural work. Gathering the work of scholars from diverse professional and disciplinary vantage points, editor Whitney S. May has curated an anthology that spans discussions of American surveillance culture, intergenerational conflict, the legacies of settler colonialism and Native American representation, serial-killer fanaticism, and more. In this volume, we read the protagonists’ constellations of countermoves against Pennywise as productive outlines of critique effectuated by the richness of the clown’s reflective power. The essays are therefore thematically arranged into a series of four categories of “counter”—countercurrents, countercultures, counterclaims, and counterfeits—where each supplies a specific critical lens through which to view Pennywise’s disruptions of both culture and cultural critique.

Con$ume, Con$ume, Con$ume... OR: (How many killer sexbots does it take to f*ck the world?)

Believe it or not, an American president was arrested for running over a woman with his horse. He was not the only one to be arrested (two more were). George Washington preferred fox hunting with his dogs than going to church. Young Abraham Lincoln fell into a deep ditch and was saved by his dog. And after he was assassinated, his dog `Fido’ also was assassinated. Who was the President who worked as a bartender? And the one who once officially served as an executioner? The President of the United States is considered one of the world's most powerful people, leading the world’s only current superpower. His role includes being the commander-in-chief of the world's most expensive military with the largest nuclear arsenal with the nuclear button on his desk. This book is the result of over a decade of research and writing. It is a comprehensive compendium - a single-volume book, about the 44 men the entire world looked upon as the most powerful men in the world. 44 men who formed the 45 presidencies of the United States of America through 58 quadrennial presidential elections in the 230 years from 1789. This book covers the presidency of the successful liquor distributor and owner of a distillery George Washington, to the presidency of Donald Trump, the oldest, wealthiest man without any prior military or government service experience to ever assume the presidency.

The strange and wonderful place of Twin Peaks captivated audiences for more than two decades before its long-awaited return to television in 2017. David Lynch and Mark Frost created a land that embodies the politics of American culture. With its focus on small-town America and life outside urban centers, rural and suburban values play a big part in the overall Twin Peaks narrative. More than just a soapy murder investigation or a mysterious puzzle to be solved, Twin Peaks and Twin Peaks: The Return are metaphors for the political years in which they are set. The Politics of Twin Peaks investigates the show’s engagement with American politics and identity. With a close relationship between the two, Twin Peaks is the rare cultural landmark in both film and television whose timelessness is defined by the fact that it can constantly be reinterpreted. Within that sometimes dreamlike Lynchian narrative, Twin Peaks hints at, sometimes explicitly and sometimes subtly, the political fault lines in the United States. In this edited collection, the politics inherent in Twin Peaks is approached from numerous points of view.

Exam Board: AQA, Edexcel, OCR & WJEC Level: A-level Subject: Politics First Teaching: September 2017 First Exam: June 2018 Topical, up-to-date and essential reading for exam success. Featuring information and analysis of recent events in US politics, this book provides you with topical source material to draw on for tasks throughout your course, and for answering examination questions. Written by an experienced and acknowledged expert in the field of US politics, this is the book you need if you are aiming for the highest grades at A2. - Reviews the key events and developments of 2016 you need to know - Students can analyse up-to-date examples and data to present knowledgeable and persuasive arguments - Written by an expert in US politics who knows what you need to know to get those top grades - The perfect update for your textbook, bringing you right up to date with all the topical material you need to succeed in your exams Contents Chapter 1 Still the 'invisible primary'? Chapter 2 The Democrats: Hillary...eventually Chapter 3 The Republicans: Trumped! Chapter 4 The conventions: hope trumps fear Chapter 5 The campaign Chapter 6 The result: an overview Chapter 7 Why did Trump win? Chapter 8 The congressional elections: ending divided government? Chapter 9 The Supreme Court in 2016

A look at how Hillary Clinton, Donald Trump, and American voters invoked ideas of gender and race in the fiercely contested 2016 US presidential election

This is my intro to the world of art. I’m a strong believer that any form of poetry, is artwork at its best. On every one of these pages you’ll find a different story, a different feeling, and a different lesson. You’ll find happiness, and strength, love and hate, as well as sadness and failure. During my creative process, I’ve found writing to be a tool in which allows us to be anyone, think anything, and feel as deeply as you wish with no limitations. I only hope that each person has a chance to experience the depths that writing can take you. I would like to thank all the people that I’ve spoken with who shared their stories with me. I would also like to extend that thank you to the people who sat down and gave me some words of advice. I appreciate your support and I appreciate all the lessons. I love the entire human race and hope you can enjoy these poems created from many different experiences throughout this lifetime.